On Christmas of 1990, a man returns to the village where his lover was laid to rest, but in a community determined to erase their love, his mourning becomes a quiet act of resistance.
A long lost pilot episode of the reality show that never aired, "The Laurita Show" has been discovered and is now for the first time ever being shared with the public
Fragments of light and language once circulated under a military regime’s gaze. Drawing from newspaper archives and the incident site, the work asks what printed words conceal, preserve, or reveal. In revisiting the 1984 Tanjung Priok tragedy, it examines both the violence itself and the contested role of media in shaping memory and truth. Two narratives emerge: official accounts and marginal voices. By confronting archival dissonance, the film exposes how media operates—exhuming suppressed histories and counter-narratives, and suggesting that history is shaped not only by authorities, but also by what remains unwritten.
Years after a brutal family tragedy, two estranged brothers reunite and return to their desolate childhood home. A house heavy with remorse, guilt, and grief, reflecting everything that went wrong with them.
In the form of a diary, I retrace the thread of internalized patriarchal domination and seek to trace my lesbian desire. Faced with the looming danger of a world on fire, I forge my own path and, like a beaver, seek to build my lodge elsewhere.
Mina secretly goes to a gynecologist's office with her friend Maedeh, who is about to get married, to help her illegally remove the obstacle to her marriage.
MohammadReza is a grown man who wakes up in literature class; the teacher asks him a question and he loses the ability to speak when answering, but he protests the wrong answers of others and goes to write the answer on the board, where mathematical equations are also being written involuntarily.
Alix, 24, cannot have biological children. When her roommate and friend Suzie becomes pregnant, Alix begins experiencing hallucinations related to the world of pregnancy.
The film reinterprets the iconic giant from old Antwerp legend to tell a new story. The film explores how folklore evolves and remains relevant today through a stylized 3D animation.
Ten years ago, young Syrian Alayham fled civil war, and the threat of being drafted, for Germany. There, he became one of the first refugees in Eckernförde – there were six of them at the time, he later remembers. Quickly learning German, he got politically involved in refugee projects, and spoke publicly about his experiences. A move to Jena for university followed: a new everyday life with exam stress, living in a shared flat, a relationship. It was during his studies that he finally felt that he was no longer being reduced to his experience as a refugee: he belonged. Alayham found his feet, as much as possible in a foreign country. But when is “arriving” truly over? Over a period of ten years, documentary filmmaker Fredo Wulf accompanied Alayham on his journey from Schleswig-Holstein via Jena to Heidelberg, where he has lived since getting his medical license.
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