Fhen dreamed of the same girl every night, but every time he woke, he couldn't remember her face. He became so obsessed with her that he left reality behind like his best friend
Years afterwards, director Carla Valencia Dávila rediscovers videos of a cycling trip she made through Uruguay in her youth. The shots of rolling highways, deserted hotels, and unexpected encounters set her thinking. It feels as if someone else had filmed them.
9 m² is the surface area of a cell shared by two prisoners during their incarceration in a prison. Alternately interpreters and filmers, ten of them will stage their daily life in a series of strong moments: friendship, indifference, confrontation, solitude... So many fragments of prison reality.
Ferhat (49), a factory manager in Istanbul, and Handan (45), a bank manager, decide to have a child through surrogacy with Lia (28), a young artist of Georgian and Ukrainian descent. Shortly after their daughter Ada (1) is born, war breaks out between Russia and Ukraine. As a result, Lia is forced to stay in Istanbul with Ferhat and Handan for a while longer. Believing that surrogacy is the formula that will take her to Europe, Lia does not want to leave Ada.
During a stay in her native Greece, Olia hears that her friend Sofia has cancer. Her doctors and family are keeping the illness hidden from her, and Olia isn’t allowed to give anything away either. She decides to investigate the rationale behind this practice.
Ángelo, a public servant tasked with informing the creatures of his world when they will die must track down a creature who was never notified and is destined to die within hours.
Four friends, once inseparable, find their secrets and betrayals unraveling during a church drama performance. As they struggle to keep their true selves hidden, a new member joins their group, unaware of the web of deceit and heartbreak that threatens to tear them apart.
Two cousins begin a routine heist: deliver a cooler to a customer at the order of their boss. But when they realize the cooler’s contents, they soon find themselves in the presence of familiar bad company.
A film that explores the layers of memory, archive and the phenomenon of being in the contemporary world. Through personal stories, archival images and jointly created documentary fragments, the film creates a space where the past encounters lost realities.
Thirty years ago, Diego Gutiérrez moved to the Netherlands. For his latest film, he returned to Mexico, seeking answers to lingering questions. How do you cope with loneliness and grief? How do you connect with nature? Is an easier life in a less dangerous country also a better life?
A young film professor and his student will find themselves entangled in a plot revolving around a mysterious can of film containing secret information related to one of the darkest chapters in human history. Which force will ultimately retain this mysterious can of film? Good or evil?
In the wee small hours, the lives of an extroverted home-based manicurist, a sick fast food employee, a stressed architecture student and a couple of “turros” become entangled in unexpected ways while waiting for the bus
MEAT-THING is a absurdist comedy about Jo, a quiet butcher whose routine unravels when a slab of meat begins to speak to her. As the meat—strangely alive and deeply self-aware—forces Jo to confront questions of existence, shame, and meaning, she spirals through a city that continues without noticing. Haunted but unwilling to accept what’s happening, Jo carries the talking flesh to a friend’s ramen shop, where, under the weight of his own denial, he gives it up. The meat is chopped and served without protest. A deadpan exploration of guilt, disconnection, and the absurd comfort of pretending nothing’s wrong.
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