Uqbar, the father of a family, is disturbed in his desolate house by three mysterious creatures. They will order him to organize a delicious banquet in exchange for a better life for his family.
Ida is cleaning out the house that her grandfather, an artist, used to live in. She wades through a studio overflowing with artefacts, oddities and lost history. Similarly to S P A C E S, Štrbová treats the theme of memory and loss, combining fiction and documentary, letting the images of nostalgic childhood and the suffocating past flow associatively. To the sound of Francesco Geminiani's Concerto grosso no. 12, subtitled Madness, the fragile physicality of both dead and living relics stands out. The head of a dead parrot, a cast of her grandmother's breasts or a moss-covered real estate agent represent the discoveries of a personal archaeological site and exhibits of an introspective museum of family history.
An enterprising man determined to stay afloat amidst financial struggles opens a racy car wash designed to pull in money with the help of his cousin Rell. From bizarre customer requests to run-ins with local rivals, he attempts to manage his eccentric team and keep his risky business thriving.
Paola Molina in a big way! This artist's first recorded comedy special explores adulthood from ego, anxiety, fear of death, being the eccentric aunt to her nephews, sex and desire, and much more! I believe I'm the crack, a show to laugh and identify with the strangenesses of life.
Light is a fascinating phenomenon. Without light, there would be no cinema, no film – and no life. So light is at the origin of everything, and yet it remains invisible to the eye until it hits matter. This moment is – quite literally – the starting point of Thomas Riedelsheimer’s latest work, for the springtime spectacle of rainbow shreds in the cinematographer and documentary filmmaker’s flat became the starting point of a search for the origin of the images we form of this world. For this quest he dived deep into two spheres that seem to follow different laws but always strive to fathom the magical: physics and art.
A black-and-white debut usually falls into one of two categories: the “I’m broke, and you can tell” kind, and the “I’m going for artsy, and I nail it” kind. Edgardo Pistone’s first film falls by far in the second category. Being a triumph of stylish photography and camera work, it is a pleasure to watch. But this is more than just a pretty film. It’s a tale of passions and unsolvable conflicts that haunt Attilio, a young man from a working-class neighbourhood in Naples, tasked with protecting a beautiful prostitute.
Jeff and Steve, two friends, are on their way to meet each other, but as they rush to meet, one of them finds himself unexpectedly swept into an surprising turn of events
Mia, now a grandmother, thinks back to her teenage years, particularly to an evening in the countryside with friends, a memory she cherishes fondly. She then decides to write a letter to her granddaughter, Sophie, encouraging her to embrace life with joy.
After being raised on a pig farm in the UK, Matilda the pig decides to undergo a brave and daring escape in order to save herself and her piglets. However, the farmers have a different plan for Matilda and set out to bring her back.
A profile of Catherine, Princess of Wales, revealing her journey from fledgling speechmaker into a public-speaking powerhouse, whose words now galvanise generations. With her words analysed by body language experts, royal correspondents and journalists, the programme uncovers the tale of how she went from an outsider to becoming one of the most prominent members of the royal family
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