Lautaro remembers, or can’t seem to forget, about a casual yet slightly fantastic encounter he had on a bus. During one or many nights he’ll make an effort to either remember or forget about it.
In his new, contemporary reincarnation, Grisha lives with his mother in Jaffa, but his soul has been wandering the world for 400 years. Born in the 17th century in a Jewish shtetl, he dies and is reincarnated, journeying through centuries, across countries, and into different bodies. What compels him to return to Earth time and time again? An unforgiven sin or an all-consuming love for his soulmate? What is life—a blessing or a curse? His mother, Marina, is skeptical of all his fantasies. To her, “Life is the one and only; everything else is just a beautiful metaphor.”
Best friends Ian and Blair aspire to become the next YouTube sensation. However, their relationship begins to sour when Ian finds himself pursuing bigger and better creative opportunities.
Pippa lives in a supervised home for young mothers struggling to adapt, where she must prove her ability to fulfill her parental role. Over the course of one night, and despite the curfew imposed on her, Pippa leaves the shelter with her baby.
Riccardo is fascinated by Jeffrey Dahmer, a famous American serial killer. He recognizes himself in this man, a homosexual like himself, for whom he feels a love that he has never felt in his own life. I travel with him to Milwaukee, the city where Dahmer committed his murders, to film him as his encounter with reality puts his fantasy and our friendship to the test.
Ardi, a 21-year-old cinephile who prides himself on being immune to Indonesian horror films. Introduced by Kitti, an ambitious film producer, and Rossi, a creative director working on a new project, Ardi expresses his disdain for local horror films, which he believes are of poor quality and rely too much on cheap jump scares. Through interviews and interactions with his friends, including humorous moments shared while watching horror films together, Ardi's arrogance and skepticism toward the genre are evident. His friends challenge him to watch clips from some of the most terrifying horror films, hoping to make him experience fear. However, Ardi remains unimpressed by each clip shown, continuing to mock the genre's ability to frighten him. As the film progresses, Ardi's journey becomes not just a challenge of fear but a humorous exploration of his own biases and the nature of horror in contemporary Indonesian cinema.
We have detected that you are using an ad blocker. In order to view this page please disable your ad blocker or whitelist this site from your ad blocker. Thanks!
