In a world where everyone seems to be glued to their screen, filmmaker Milou Gevers follows a rare group: people without a smartphone. What do they miss, what do they gain and how do they navigate life offline? Gevers investigates their habits, challenges and advantages. Through intimate conversations and sharp observations, we are challenged to question our own digital habits. Is a life without a smartphone still possible? And if so, what does it look like?
At the end of the day, rain falls over the city of La Plata. Early morning workers begin their shift without surprises. However, the wounds of the flood dampen during stormy nights. Tasks and rituals persist, awaiting something to happen: dawn or a break in the rain.
A shift in source material while maintaining the core principles of digital destruction. New footage is subjected to unpredictable degradation—glitches emerge, dissolve, and evolve in a chaotic interplay of color and fragmentation. An exploration of breaking images in unfamiliar ways.
After yet another after-party, Mia has an identity crisis, and for a few hours, her two best friends will try their best to help her overcome a crucial, if not the most important, moment of her life.
A young horse is about to experience its first training. Race day is approaching at the track. In full gallop, horses inspire admiration with their power and grace – but do races truly let them be free, or are they merely fulfilling human ambitions?
The film focuses on the stories of three children with autism and their families. When a husband, unable to bear the fate of his child's autism, chooses to jump from a building; when 'mom' becomes the only word in the universe of a child who cannot communicate with the outside world; when an autistic child, carefully cared for into adulthood, comforts their crying mother by saying, 'I will take care of mom'... These are not just stories—they are real-life glimpses into the lives of over ten million people with autism.
A young man leaves home to throw away the garbage, among the containers he notices a framed portrait that catches his attention. Something about it tells him to take it home.
Prince Joachim and author Steffen Jacobsen are on a hike through Jutland, bringing with them their own life stories. A beautiful nature film with a words of wisdom along the way.
If an A-bomb test serves as a rehearsal for mankind’s ultimate performance, what would an encore look like? Rachmaninoff’s Prelude in C-sharp Minor tolls the last bells for a strange march to the scaffold. A black-clad figure (concert pianist—or Death himself?) shares the screen with vintage bomb-testing footage, ending with the masters of war claiming their credit.
Fotorevolte tells how the world's global storage space overflows and all (digital) photographs and films come to life. People are displaced from their reality by photos of sights and celebrities, logos and film characters. The boundary between the real and the virtual world becomes blurred. When someone then dumps the internet the world sinks into a pixel mash.
Everyone knows the animated heroine Cirkeline and her mousy friends Ingolf and Frederik. For generations they have been enjoyed by children and their parents. But few people know the woman who invented Cirkeline. Her name is Hanne Hastrup, and like many other women, she lost her place in the spotlight to a man – but in this case, to her own husband, artist and animator Jannik Hastrup. They found each other and began collaborating on the famous Cirkeline films, and now they sit side by side on a sofa and tell the story of the creation of the icon in the red dress with the black spots.
The only witness to the murder of the bride of police captain Artem Nenashev was a smart speaker with a voice assistant. In the last minutes of her life, Yulia, with its help, was able to encrypt the name of the criminal. Nenashev opens the sealed apartment to solve the puzzle in the form of colored lighting of the home, track down the killer and prove his innocence.
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