During a cozy evening in front of the tv with sparkling wine and creamy tarts, Betty tells her friends Stefan and Gesa about her four-month stay in a neurological research institute, which results in them eventually revealing absurd and formative experiences from their own pasts. In the background other figures lurk, waiting for their chance to butt in and add their own to cents.
A journey in search of traces through the profound processes of transformation of Albanian history. In the archives, in forgotten places and in the memories of different generations, fractures and continuities emerge, left by the transition from communist dictatorship to capitalist democracy. Adopting an essayistic-poetic approach, the film explores the images of the regime and the regimes of images, revealing how much the history of Albania is inscribed in the fabric of its present.
Emilė always lives ten steps ahead: she knows how things should be. That doesn't help her on an awkward date - a poker party where everyone lives in the moment.
As my elder sister Jiao awaits childbirth in a pink maternity ward, speculation and expectation from women of four generations in my family superimpose and collide with their physical throes and haunting memories.
"Tee" (Nui Chernyim) is a young man who planned to start a big family with "Som Sri" (First Pornchita). But his life changed when Som Sri died suddenly. And when he lost his lover and never returned, he was immersed in sadness, hopelessness, discouragement, lack of energy, couldn't eat, couldn't sleep, was restless, and had liver problems. Until he started having health problems and led to the symptoms of being dead, "not as energetic" as before, causing great anxiety for his close friends "Thep" (Sutep Seesai) and "Louis" (Louis Chuanchuen). Both of them agreed that they had to help Tee get his life back in shape. So they took him to get treatment with all the methods they could think of. At the same time, Tee met "Suay" (Phimfia Kochakorn), a restaurant owner who was having serious debt problems. Tee offered to help and made him close to Suay until he started to open his heart to love again.
The American Southwest is a feature length blue chip natural history film narrated by indigenous environmentalist Quannah Chasinghorse. The movie journeys down the mighty Colorado River, examining the astonishing beauty and biodiversity of the region, while confronting the environmental destruction from dams and the perilous fate of the river. The story is told through never-before-seen wildlife sequences such as beavers building wetlands, condors recovering from the brink, and the potential return of Jaguars to American soil. The film beautifully advocates for better management of the river and increased wildlife conservation efforts in the iconic landscapes of The American Southwest.
Mamina, a mother suffering from Alzheimer's, is in the final stages of her life. The disease has destroyed her short-term memory, a significant portion of her motor skills, and all but one remaining memory: her time with her daughter, Daniela. Throughout the film, we see the real-world effects of Alzheimer's through the perspective of someone living with the disease, as well as the desperation she faces to hold on to the last thing that makes her feel safe—her memories.
Gloria is a distinguished painter, writer and gallerist from Argentina. After a long and intense life, dedicated to her family and art, she faces the darkest years: her husband, with whom she has been since adolescence, decides to distance herself from her and leave the country. And illnesses begin to stalk her, feeling that every step is a fight with the Lorca elf. After the end is based on real events.
With the eel threatened with extinction, the search for the mystery of its reproduction takes on a new dimension. What lies behind our obsession with controlling nature?
Every person handles grief and loss differently. This film reveals the experience of three sisters with care and a little laughter as they deal with death.
Invited into the traditionally private Gypsy community, Stacey discovers the complex balancing act young women face growing up in one of Britain’s most maligned ethnic minorities.
Bo (25) is haunted by their dreams. But these dreams aren't about monsters or ghouls, instead Bo is haunted by the mundane dreams that seem to reflect their mundane life. Bo spirals out of control trying to dream about something else other than brushing their teeth & eating breakfast.
The digital presence left by people I knew who died young has vanished. Songs they’ve uploaded, photo albums, public diary entries, all deleted and all that’s left is generic obituaries. When I think of these people, I think of a place. With two cameras, I’m capturing the outline of a memory we shared there in present and in past.
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