There was an eery silence after a fire had destroyed the Moria camp completely in September 2020. Not just locally, but in public discourse. The world did not seem particularly concerned with the inhumane conditions in other camps on Europe’s external borders or the countless pushbacks in the Mediterranean. Nor did the arrest of six adolescents who were accused of arson resonate in any audible way – though even a second glance at the circumstances of the investigation and the criminal proceedings revealed the actions of the Greek judiciary to be questionable. Not to mention the underlying refugee policy of the European Union.
A short experimental documentary film that returns to the house in which the writer, collectve farmer and war refugee Rihhard Iher (1910-1980) wrote a 130-page letter to his children. A letter that he wrote for 25 years, while living as a war refugee.
A group of film students take on a challenge to film a short film in 48 hours. Fiorella, the assistant director, tries to carry out the shoot despite working with David, a chaotic director and ex-boyfriend, and a useless crew.
Oscar Renou, a 76-year-old citizen of Buenos Aires, updates his memories of his childhood home, and Natalia Kerbabian, the architect and activist behind the project “Ilustro para no ovidar”, draws it. Through this memory exercise, the documentary rescues the identity that is lost with the demolition of emblematic architecture of the City of Buenos Aires.
MURPHY, starring Prabhu Mundkur, Roshini Prakash and Ila Veermalla,It is an ode to the beauty and the struggle of bringing in the essence of familial bonds, friendship and above all love in the era of dispassion.
When he finds himself forcibly evicted from his house and with nowhere to go, Inmok lays wastepaper under a bridge and begins to stay there. Inmok’s companions under the bridge include an old man, who collects wastepaper; Kidong, who is kind and naive; and Seoyeon, a girl who wanders the streets. Inmok becomes their friendly guardian, but also becomes a crafty exploiter, blurring the boundary between good and evil.
Take a walk through the neighborhood to the forest with the "boy" as he's emerged into autumn vibes of fallen leaves and Halloween decor. But what happens when an ominous man in a mask approaches him in the woods?
The director Tomáš Hlaváček is loosely building upon the time-lapse documentary Housing Against Everyone, in which he captured the dispute surrounding the Rapid Re-Housing project in Brno. The topic of decent housing for families in need is also addressed in The Impossibility. People occupying rental apartments in Brno's “Kuncovka” wanted hot water, electricity and fair negotiations. Instead, they received bullying and threats from the owner, who, in his own words, “does not like coloured people”. Neither the police nor the city helped them. So they joined forces with activists and lawyers to fight for their rights. Hlaváček chronicles the months-long conflict with its legal follow-up as an engaged observer.
Lola and Fred go on a trip to a remote house for a photo shoot. On the journey, as Lola discovers that she is pregnant, a strange little four-year-old girl suddenly appears before her. Lola is terrified…
Audrey Tang, Taiwan’s first Minister of Digital Development and the world’s first transgender minister, faces a 50% chance of waking each morning due to a congenital heart condition. Her life mirrors Taiwan's transformation from a brutal martial law island to a beacon of transparency in the digital age.
In the post-apocalyptic world of "Daywalkers," humanity struggles to survive amidst strange creatures known as daywalkers, who masquerade as corpses by day and hunt unsuspecting prey with their white eyes. Our lone protagonist, equipped with lenses to shield his gaze, navigates the perilous daylight to hunt these creatures. When he encounters another survivor seeking aid against a purportedly active daywalker, he cautiously agrees to help. However, as night falls, a chilling revelation unfolds—the supposed survivor is a daywalker in disguise, leading to a fatal confrontation that challenges our protagonist's survival instincts to their limit. "Daywalkers" explores the thin line between trust and deception in a world overrun by darkness.
Close Circuit is an audiovisual essay exploring the affective power of repetition in ‘oddly satisfying’ and ASMR videos. The visual source material we used consisted of online videos connected to the OS genre, while the auditory source material was compiled from ASMR videos. The editing structure reflects the fragmented repetitivity of the source videos that have been looped and manipulated through different compositing, distortion, and AI effects to create a seamless flow of motion that is at once mesmerizing and disorienting. Hereby, we aim to emphasize the affective intensity of OS/ASMR videos as well as their uncanny nature as mechanical animated loops, depicting them as a manifestation of the ‘fraught relation’ between our bodies and our machines.
A bed sheet ghost tethered to the confines of his house craves time and attention from his roommate Dave. When Dave falls in love, the ghost has to decide between breaking the couple up or losing his only friend.
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