In this meta-film, the film students of the Department of Film at the School of Arts, Design and Architecture in Helsinki collectively make fun of themselves, their film studies and the state of Finnish cinema. Legendary director Krzysztof Kieslowski makes a cameo appearance, shivering in the chilling winds of Katajanokka.
Bel, 19, has not revealed to Jasper, 22, that she has never slept with anyone before, or that she has endometriosis. He 'finds out' shortly after they have slept together for the first time.
Zi is a solitary and methodical person who spends most of their time working—specifically, creating realistic human body prosthetics to be used as props in films. One weekend, while they are alone, a swarm of insects begins to invade their home and consume their body
From kissing his crush, Tyler, in the school bathroom to seeing him kiss a girl a moment later, Lachie's desire for love leads him to respond to an anonymous profile on a hook-up app. Will the date with this stranger finally give Lachie what he has always wanted or will he leave still searching.
If You Can’t Larp, You’ll Cry - is an experimental video performance work featuring Li Yi Fan, Harrison Hall and Mat Spisbah. The work scrutinizes the shift in digital media production brought about by the subscription economy and the implications of not owning but merely accessing software. It explores how these tools have changed the way we communicate, and created new desires for understanding and connection. Through the work, the group speculates that services and hacks to use video technology could construct a new politics of life by projecting a totality yet to come.
They were one of the biggest bands of the 1990s. The most defining band of the britpop revolution. But as they became legends, the two brother's rivalry threatened to stop the music. This...is the story of Oasis.
After taking a pill at a birthday party, 18 year old Alice starts to find herself down a psychedelic rabbit hole. Her friends speak her darkest thoughts aloud, reality around her distorts and the façade falls. She’s confronted with a cake, her deepest fear, and she must find her way out of this spiral or else she’ll end up consumed. When she’s pressured by her friends to eat just a single slice, Alice can’t help herself. Her only way out is to put an end to what pains her, but is it herself or her mental illness that must be off with their head?
A personal city symphony where an eco-anxious soul explores the intersections of natural and artificial. The filmmaker’s internal conflicts are reflected through the contradictions of early spring. This experimental short documentary invites the viewer to take the time and truly pay attention to one’s surroundings.
While experiencing writer’s block in developing this film, and waiting for inspiration to strike, it hit the filmmaker that all of the friends she intended to shoot, her so-called muses, had ADHD. Drawing a connection between her muses — charismatic centers of attention — and the generalized assault on our attention centers, Van-Huy uses ADHD as a fake theme around which to engage her muse-friends in interviews and in improvised activities based on these conversations, to make what she calls an “Action Documentary.”
A photographer goes to work at a party. There he meets Sátira, a singer who will transform his night in an unexpected way. Among drinks, cigarettes and glances that say more than they should, the night becomes a scenery for tensions, complicities and small escapes.
Letters, photos, furniture, hats, pipes, combs, eyeglasses, pens, pen holders, infinite books. An inventory of all, almost all, or simply some of the things that rest in the neocolonial house of a man whose name was Ricardo Rojas and who, one hundred years ago, wrote a delirious book called Eurindia.
The director’s fortuitous meeting with filmmaker Mercedes Frutos prompts an inquiry into the challenges she faced in her only feature film, New Hope. Shot in 1984 and inspired by a Bioy Casares short story, the film went through a 12-year journey until its commercial release.
We have detected that you are using an ad blocker. In order to view this page please disable your ad blocker or whitelist this site from your ad blocker. Thanks!