In three chapters, this film takes us through the Nigerian megacity of Lagos and explores its fluid side. The tour begins with boatman Osan, constantly moving, balancing on his waterway. In split screens we see the human body as a vessel containing water. Then we are chauffeured through the flowing traffic to the Lagos market and finally perform a water dance above the rooftops of the city. Interspersed are mobile phone videos of a young man on Tarkwa Bay Beach: The waves are good, the sun is shining. May the water bless us!
The winters in the Siberian taiga may be long, but at least Moscow is far away. In the early 1990s, a religious community lead by former traffic cop Sergei Torop settled in the endless landscape at the foot of the eastern Sayan Mountains. After a religious revival he calls himself Vissarion, wears flowing robes, long hair and acts as the Son of God on earth. Misty-coloured portraits on which “the Teacher” gazes obliviously into the distance hang in the homes of his followers. Together they have created the model town of “Abode of Dawn”, also called “Sun City” by the locals, to build a new society.
The last years of the 10s were not easy. We had a World War, the Spanish flu pandemic, the first strikes in Brazil, and frosts threatening coffee plantations, announcig the beginning of a transition from rural to urban areas. And, in the midst of all this, painters, musicians and writers propose new paths for art. Set in the period from 1917 to 1922, the series presents the influences of all these events in a group of friends formed by Anita Malfatti, Oswald de Andrade, Mário de Andrade, Menotti Del Picchia and Tarsila do Amaral, who are willing to lead the changes they believe need to be made. With them, we will follow the first steps towards the creation of the transformative movement Brazilian Modernism.
Amateur Detective Logan Jones finds himself working simple and unfulfilling cases day after day, longing to find credibility in his work. When Logan is tasked with finding a child's missing teddy bear, he unwittingly stumbles into the hands of a mysterious cult who may hold the key to unleashing the Devil.
Follow Sondre Justad's journey from his childhood room in Henningsvær to becoming one of Norway's biggest pop artists. He started filming himself as a child, and through private notes and recordings, concerts, and festivals, we gain a unique insight into Sondre's inner and outer journey.
A young, desperate drifter enters the Eastern Melbourne suburbs in need of employment, but his path just happens to cross with a strange man wearing a twisted grin who promises to "spice up" his brief stay in Ferntree Gully... and the rocky offer turns ever so intriguing at the mention of a monetary reward.
There are large paintings showing views of houses wherever you look. Each house is meticulously outlined; at first glance, they all look the same. Sometimes they keep their distance from each other, sometimes they seem to float in the void. Combined in ever new arrangements, these houses seem strangely unlocalised. With stencil and brush, Johannes Kloosterhuis is already working on the next painting. Each house has its own story, but perhaps the idea of privately owned homes is an outdated ideal, he muses aloud.
James Wynn wants to ask his deceased father questions about the Family Business. He invents a device that gives him the ability to go back in time to 1985. However, when he arrives, there's a problem.
There are documentary heroes of such strength and vitality that you fall in love with their charm from the very first moments. As a viewer, you are ready to follow them through fire and water. Naima is exactly such a case – undoubtedly enhanced by the directorial talent and masterful dramatic work of Anna Thommen. Both fire and water will be present.
Three phone calls and three long shots connecting three seemingly unrelated characters, probing into the untold hardship of ordinary hustlers in the world’s most expensive city, Hong Kong, as her charm slowly fades.
After the death of her grandfather, Antonio Bonino, Toia found six negatives proving that he was a member of the Fascist Party and an aide to Benito Mussolini. Influenced by this discovery, the director sets out to trace her male family lineage, whom the end of World War II brought to Argentina. Instead of a clarification, however, the past crumbles and disintegrates into a mosaic of archival material, family films, excerpts from personal diaries and fragments of the works of Roberto Rossellini or Luchino Visconti. But it is the meanings that emerge from the combination of disparate images that offer answers and fill the information vacuum that has shaped generations of the family. The dynamics of the Bonino family's male-female relationships have a much darker basis than the social context of the time. In the story of grandfather, father, cousins and sons, Toia also finds a story of identity and of the role of wives, mothers, grandmothers and daughters in a history shaped by men.
Ukrainian actor Pavlo Aldoshyn played the lead role in the movie "Sniper. White Raven" based on the real events of the Russian-Ukrainian war in 2014. At the beginning of the full-scale invasion, Pavlo joined the Armed Forces. At the authors' request, the soldier returned from the frontline to Kyiv for the first time in order to play a civilian.
The Californian sun, which lights up the city, lights up again every evening in cinemas all over the world". Guided by these words from Blaise Cendrars, L.A. L.A. END is a stroll through Los Angeles, among the remnants of Hollywood's Golden Age. Following in the footsteps of a Marilyn Monroe lookalike, we meet a gallery of characters who paint a sensitive portrait of a bygone era that gradually becomes a portrait of a woman.
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