A network of images drawn from the archive of Torajan videographer, Victor, collide to paint a journal-like portrait of both his community and personal life, its grief and its joy.
Two friends meet and the news is given that the grandmother of one of them has died. What was supposed to be a moment of consolation ends up becoming a change of perspective on death.
Experience George Andrews, a semi-autobiographical masterpiece written, directed, and starring Wanzer himself. This newly digitized 16mm film is an experimental and thought-provoking exploration of memory, reality, and the social conventions of 1970s middle-class aspirations. Dr. Smith attributes Wanzer's dazzling array of stylistic techniques to his love for avant-garde pioneers like Maya Deren, Jean Cocteau, and Ingmar Bergman. George Andrews employs montage, slow-motion, and non-linear storytelling to challenge conventional cinematic norms as it challenges the conventional worldviews of its characters.
A drug addict falls under the care of his connection and his two daughters. While in rehabilitation one day he comes across an old love interest of his, who is engaged and living a happy life. Feeling the need to get back at her, he conspires with one of the daughters to pull a prank on the new couple, but instead come across a web of deception in the process.
In the final months of World War II, 14-year-old Seita and his sister Setsuko are orphaned when their mother is killed during an air raid in Kobe, Japan. After a falling out with their aunt, they move into an abandoned bomb shelter. With no surviving relatives and their emergency rations depleted, Seita and Setsuko struggle to survive.
A journey in pursuit of two disparate skulls, each belonging to an enemy of the state, tracking their spirits through the vanished villages of a remote peninsular territory.
Through the eyes of the two protagonists, HONEYDEW tells the story of a small town in the grip of a dramatic existential change due to the recent legalization of marijuana.
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