At a Jewish school camp in 2006, repressed teenager Tali finds a porn magazine hidden in a classmate’s prayer book and steals it. Between the pages and behind the closed doors of the girls’ cabin, she begins to question her sexuality. When her friends return to the cabin later that night, the conversation turns to hook-ups with boys; and, amid simmering tensions, the magazine is uncovered. Seeking refuge in the bathroom, Tali is chanced upon by her friend Mim, who has just had an unsatisfying encounter with a boy named Josh. After the two girls share an unexpected moment of intimacy, Tali’s thoughts are torn between Mim and Josh, and she decides to take action.
When their best friend Noelle’s sister passes away, Kris becomes a recluse. Three years later, Noelle shows up at their door, and the two estranged friends discuss the past, the present, and the uncertain future.
When creating the film “Only a Trace Remains,” a connection was established between the film and soil fungi, without the authors expecting to receive any specific results in return. However, the microorganisms were generous. Although part of the film is no longer on the reel, its traces continue to circulate in the ecological system. How can this complex connection be described?
The more Henry insists on fulfilling his role as a provider father, the further he drifts from the chance of returning home. From his brother’s farm, he tries to sell a calf in order to send money to his family—who no longer waits for him. Poor posture will collapse his body, worn out from insisting on a lost cause.
Amidst the silent, frozen wilderness of Greenland, a small sailboat becomes home for the winter. This documentary follows the remarkable story of adventurers Juho, Sohvi, and their dog Nova, who deliberately freeze their vessel into the Arctic ice for the season. Filmed by a visiting documentarian who spends a week onboard, the short film offers an intimate look at the surprisingly ordinary life lived in an extraordinary location—exploring the resilience, routine, and profound isolation of spending a winter locked in the ice.
Documentary that follows Enrique Dussel in his final days, as at 87 years old he continues writing the conclusion of his Aesthetics, a philosophical work developed from a Latin American perspective that challenges the Eurocentric vision. With his health severely weakened, the philosopher persists in his intellectual work.
Ojo de Mujer is a documentary that features four Nicaraguan women filmmakers, whose testimonies allows us to learn about their begginings and how they have contributed to building a collective memory within their communities, leaving lasting roots for future generations of filmmakers in the country.
In the mountains of Colombia, Juan, a 13-year-old indigenous peasant boy, is forced to flee from the monster of war. In his escape, between the whistling of bullets and the guidance of his ancestors, he awakens an ancestral power that transforms him into Tuktu: a Taita of extraordinary strength destined to return to sow the peace of the earth.
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