"The Highway of Blues" is a documentary about the history of the blues. The film is a part of the series "Music, love, passion... or more than that" signed by the RTS documentary program. Most of the film was shot on authentic locations in America, and the main protagonist in the role of narrator, is the frontman of the band Texas Flood, Nenad Zlatanovic.
Walking amidst Eden with its lush green foliage, Adam and Eve discover a dock and a lake in the depths of the overgrown Earth. Upon exploring, the two discover that the lake brings a more sinister meaning to their journey, forcing Eve into ritualistic release and sacrifice where blood is shed and the ego is reborn.
Two queer Asian American college students struggle to reconnect at their favorite hometown Chinese buffet. As tensions build over the course of the evening, the two begin to question their friendship and why they still come to Grand Super Buffet.
In this third installment of the Butchers series, three women find themselves being hunted by a vicious killer who slaughters people and hacks them up in his abattoir van, while a clever sheriff pieces together the clues he's leaving behind. Limbs will be severed and heads will roll as anyone in his path, innocent or guilty, will find themselves on the jagged edge of his bonesaw.
Robert Rabiah visits Lebanon, delving into their culture, political issues and interviews prominent people, ordinary citizens, and the next generation about the current situation facing the country now.
Satisfied with the life he’s lived so far and worried that it’s only downhill from here, a middle aged man decides to kill himself. But unfortunately for him, a disparate group of uninvited guests want to have a say in the matter.
Fatoş, the youngest mental health patient at a care facility, has struggled with seizures caused by her illness throughout her life. Her greatest void, however, is the absence of a mother’s love. This documentary explores the daily life at the care facility through Fatoş’s eyes.
The Tetterode building, a former type foundry in Amsterdam’s city centre, was squatted forty years ago. An unconventional community of almost 250 artists and other creatives still lives and works there. Although this haven remained independent of the housing market for years, the world around them has changed beyond recognition. A place to live and work is unaffordable for many people today. In Power in Our Hands, Onur Can Tepe paints a melancholic and contemplative portrait of an unusual community. The residents are growing old, and spaces are rarely vacated. New energy is needed, but where can the old guard go? The film is an appeal for diversity in housing and creative studios in the city centre. To what extent can we cling to a rich history while making room for the future?
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