After the fire of the Imatra cinema in Tampere in 1927, the Finnish film industry worked together to produce an educational film about a cinema that was safe for the public. The film was intended to be shown as an educational film in film projectionists' courses, but due to its comedic content, it was also shown at public screenings. Oscar Lindelöf (1887–1954), a pioneer of Finnish cinema, plays a triple role as a reckless projectionist, the projectionist-in-charge of Kino-Palatsi and the instructor of a projectionist course.
The title refers to a pond in Wuhan, China that local anglers frequent, but where they can’t catch any fish. The film depicts several individuals’ strange behaviors in public spaces and their internal struggles.
The 97th installment and collection of horror videos that carefully select and introduce psychic images that are being born from darkness and are about to be buried in the darkness!
The first installment in a film series of unforgettable "distorted" horror videos. Includes "The Unexpected Black Shadow," where a dashcam in a parked car captures something unforeseen, and "The Black Wanderer," among 10 videos that reveal the hidden horrors lurking in everyday life.
The first installment in a series showcasing carefully selected spirit videos, so filled with curses they were nearly too disturbing to release. One video, from an unknown contributor, appears to have been filmed near the sea, where the camera eventually captures something unbelievable...
On the way home, the teddy bear I picked up drunk from the pain of a broken heart became a person. The man who introduced himself as a wish-granting teddy bear proposes to live with her, and she forgets the pain of her heartbreak by being with him.
The film captures four years (late 2019-late 2023) of an unprecedented wave of feminist and antifascist activism, as expressed onto walls through collages sharing the similar graphic style. Political gestures, both individual and collective, these calls to rise up against patriarchy and capitalism, as a response to the silencing of acts of violence, are changing all at one time the public space and subjectivities under our very eyes. Trespassing, taking (back) the streets, making visible what wasn’t, in a society becoming more and more violently polarized. Here and elsewhere, as long as it will take.
Film-maker Joshua Naish uses real interviews, archival footage and his own poetry to create a sample-based, audiovisual collage based around one question: "Would your younger self feel comfortable with the person you are now?"
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