His name is Damien Rouxel. He made a choice not to take over the dairy business from his parents. At the age of 17, he left the family farm to pursue an artistic career at the Ecole des Beaux-Arts. It was then that his questions became obvious; his identity asserted itself, and trouble took root. He works and questions himself on gender, identity, pictorial art codes, agribashing, queerophobia, and family heritage. But far from forgetting his roots, he regularly returns to the family farm, where he stages his parents and sister, armed with his camera. Still dressed in their work coats, they agree to pose, giving a new reading of the great art references mixed with rural codes. And Damien, at the center of these often biblical scenes, plays with accessories and references: milk pumps, calf buckets, and tractors rub shoulders with nipples, sequins, and stilettos to create a new aesthetic.
A fearful bunny discovers a dancing orb of light. When the light begins to move, he must follow the light through the uncertainty of night, leading him to a stunning mythical encounter.
A gaze on the landscapes of the Democratic Republic of Congo to translate a sense of its unfathomable power, diversity and knowledge. The scenery is presented as a living entity inhabited by the symbolism of Congolese traditions. The visual approach borrows techniques from multispectral imaging, resulting in an otherworldly experience with surreal lights and colour. Combined with an original musical composition by Bear Bones, Lay Low, we enter into a sensory dialogue with the landscape, an intelligent, ageless being in constant transformation.
The documentary was created to mark the 50th anniversary of Pablo Picasso's death. Inspired by his famous quote, "Painting isn't an aesthetic operation; it's a form of magic" the film focuses on Picasso's life and legacy, centered around the Picasso Museum in Paris. It explores his deep connection to the city, his personal complexities, and new aspects of his work recently uncovered by historians.
In this short, humorous animation, a working class, rural lesbian couple happily plan their upcoming date night, in an ode to the joys of queers living with the land. Sung to the tune of 2008’s “(You Can Have) Whatever You Like” by T.I.
Yisrael was born into a loving American ultra-Orthodox Jewish family from Jerusalem. As he grew up and discovered that he was attracted to both men and women, everything changed.
Malena (31) grew up surrounded by empowered women, although always concerned about hegemonic beauty. This contradiction leads her to review the beauty pageants that marked her life and that of her family in order to answer why, in some way, everyone wants to be a Miss.
Louise Bourgeois: “My initial work was the fear of falling. Then it became the art of falling. How to fall without getting hurt. Later on it is the art of staying aloft.”
Marcos then, Marcos now. Filipino workers unite and lead the struggle for economic and political rights, determined to shape the course of history. In between, a janitor painstakingly rewinds videotapes featuring these struggles, unknowingly aiding in the preservation of history.
Natasha loses her 4-year-old son to drowning and blames her alcoholic brother, Jeremy, who was taking care of him on the night of the tragedy. Both of their lives are irrevocably ruined by the boy's death. After hitting rock bottom, they both learn that, as hard as it might be, their only chance of survival lies in forgiveness and in choosing to let go.
The angels have given the Captain of the Sea Butches the holy assignment to travel to a lesbian bar on Venus to get hold of the strongest vibrator in the whole universe – the weapon needed in the fight to destroy the phallic of the evil gentrifiers.
When depersonalisation and derealisation detach them from reality, a young Thai art graduate and an anonymous Frenchman recount their experiences of feeling alienated and unsure of their existence.
In the wake of Russia’s invasion of Ukraine Yana’s deeply personal journey unfolds against a backdrop of chaos and constant feeling of war. She navigates heartbreak family conflicts and a blossoming love with Yaroslava who dreams of defying oppression while battling lung cancer. Their story evolves in a city consumed by violence and oppression.
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