The tangled tale of a young family's struggles with a malevolent force that affects each family member differently. Rendered through police evidence, Mark, Marcela and Mia are tormented by a primal Greek mythological demon called Mormo.
Investigative journalist Lena-Christin Kalle discovers that the story of the Norwegian "German Girls" is sealed in Norwegian archives. This leads to a year-long hunt for what is hidden in the secret archives. Shocking stories from the few surviving women and witnesses reveal an unknown chapter in Norwegian post-war history.
An art collective experiments with ways to breach time and space and enter the infinity within the possible. But the instant is fleeting, and these moments quickly vanish. They must return to the political reality to which they are chained – bills to pay, a home to keep, jobs to hold, a possible play to produce.
After the recent passing of her husband, Imelda, a 70-year-old woman, starts experiencing ghostly apparitions in the place she has just moved to. Imelda will have to contend with these apparitions, the terror they bring, and the sad memories of a past filled with people who have departed from her life.
His name is Damien Rouxel. He made a choice not to take over the dairy business from his parents. At the age of 17, he left the family farm to pursue an artistic career at the Ecole des Beaux-Arts. It was then that his questions became obvious; his identity asserted itself, and trouble took root. He works and questions himself on gender, identity, pictorial art codes, agribashing, queerophobia, and family heritage. But far from forgetting his roots, he regularly returns to the family farm, where he stages his parents and sister, armed with his camera. Still dressed in their work coats, they agree to pose, giving a new reading of the great art references mixed with rural codes. And Damien, at the center of these often biblical scenes, plays with accessories and references: milk pumps, calf buckets, and tractors rub shoulders with nipples, sequins, and stilettos to create a new aesthetic.
A fearful bunny discovers a dancing orb of light. When the light begins to move, he must follow the light through the uncertainty of night, leading him to a stunning mythical encounter.
A gaze on the landscapes of the Democratic Republic of Congo to translate a sense of its unfathomable power, diversity and knowledge. The scenery is presented as a living entity inhabited by the symbolism of Congolese traditions. The visual approach borrows techniques from multispectral imaging, resulting in an otherworldly experience with surreal lights and colour. Combined with an original musical composition by Bear Bones, Lay Low, we enter into a sensory dialogue with the landscape, an intelligent, ageless being in constant transformation.
The documentary was created to mark the 50th anniversary of Pablo Picasso's death. Inspired by his famous quote, "Painting isn't an aesthetic operation; it's a form of magic" the film focuses on Picasso's life and legacy, centered around the Picasso Museum in Paris. It explores his deep connection to the city, his personal complexities, and new aspects of his work recently uncovered by historians.
In this short, humorous animation, a working class, rural lesbian couple happily plan their upcoming date night, in an ode to the joys of queers living with the land. Sung to the tune of 2008’s “(You Can Have) Whatever You Like” by T.I.
Yisrael was born into a loving American ultra-Orthodox Jewish family from Jerusalem. As he grew up and discovered that he was attracted to both men and women, everything changed.
Malena (31) grew up surrounded by empowered women, although always concerned about hegemonic beauty. This contradiction leads her to review the beauty pageants that marked her life and that of her family in order to answer why, in some way, everyone wants to be a Miss.
Louise Bourgeois: “My initial work was the fear of falling. Then it became the art of falling. How to fall without getting hurt. Later on it is the art of staying aloft.”
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