Gabby doesn't want to breed his horse the Golden Sovereign with Roy's. When Sovereign and Roy's horse escape, the Sovereign gets shot accidentally by Skoville but Roy is blamed and jailed. A year later Roy returns with Trigger, the son of the Sovereign. When Skoville reveals he was present when the horse was shot, Roy sees an opportunity to clear his name.
From a mind unlike any other, Biophilia Live chronicles the multidimensional concert centered on the eighth studio album of avant-garde Icelandic artist Björk. Nick Fenton and Peter Strickland, unique voices in their own right, film Björk live in performance and punctuate her music with evocative animation and science and nature footage. The infinitely creative journey presents a culmination of work that represents one of the most original musical endeavors of a generation.
This John Dexter production, designed by Desmond Heeley, was a parting gift to the great American soprano Beverly Sills, who bid farewell to the Met as Norina, the smart young widow at the center of Donizetti’s comedy. The sensational Alfredo Kraus sings her beloved Ernesto. Håkan Hagegård, in his Met debut role and season, is Dr. Malatesta, the man who helps the young couple trick the crusty old bachelor of the title (Gabriel Bacquier at his comical best) into a fake marriage. This being a Donizetti comedy, it all turns out perfectly well at the end—and getting there is pure operatic fun.
The authorities summon many young men for forced labor in the Suez Canal, so Metwally leaves his sister Shafiqa alone with their old grandfather, whereupon Shafiqa is forced to succumb to the temptations of Diab, the district chief's son. As their sinful relationship is revealed, she is forced to leave for Asyut, where she becomes the mistress of Al Tarabishi, the supplier of slaves.
The rise to fame (and the near-fatal fall from it) of Patty Schemel, drummer for Courtney Love's seminal rock band, Hole. Given a Hi-8 video camera just before Hole's infamous Live Through This world tour, Patty captured stunningly intimate footage of the scene that has never been seen... until now. Not just an all-access backstage pass to the music that shaped a generation, Hit So Hard is a harrowing tale of overnight success, the cost of addiction, and ultimately, recovery and redemption.
A music student is expelled from school because he loves jazz, a kind of music that represents the US capitalism. He hires two street musicians to form a dixie band, and goes from one city to another trying to gain fame.
Given the chance to live in a simulated underwater home for a month, a scientist convinces his family to take advantage of the offer. Once the family agrees to move in, underwater mayhem occurs!
During his first international tour, Zemi, an up-and-coming Dominican rapper, faces the age-old battle between creative integrity and encompassing ambition. While external voices challenge his values, Zemi calls upon a powerful spirit to defend his truth.
One of four biopics—all to be released in 2027—focusing on individual members of The Beatles, this one telling the story of the group from the perspective of Ringo Starr.
A married couple Nisha Mathur and her husband Dilip Mathur, purchase a hotel in a scenic locale. In the beginning, no one comes to stay there, however, the hotel soon attracts several young couples; an ex-convict, who possesses some dark secrets out of Nisha's past; a police inspector who warns people against staying in this hotel; and a journalist Lisa. And then one by one people start turning up dead, brutally killed, by person(s) unknown. What is the secret behind this hotel?
When the temperamental star of a new Broadway musical revue in rehearsals walks out, director and choreographer Ted Sturgis suggests casting an unknown for the role. When it is announced in the newspapers, throngs of hopefuls show up. The revue's musical composer, Leo Belney, champions ballerina Joanna Moss, while gofer Bob Dowdy is enchanted by novice Suzy Doolittle. Then producer Felix Jordan persuades Ted's former dance partner, Madelyn Corlan, to come out of retirement to try out, much to Ted's great discomfort.
The Wiener Philharmoniker mounts, and Andrea Breth stages, this 2007 production of Pyotr Illych Tchaikovsky's opera Eugene Onegin, starring Peter Mattei, Joseph Kaiser, Anna Samuil and Renée Morloc. The Konzertvereinigung Wiener Staatsopernchor lends added musical accompaniment, under the baton of Daniel Barenboim.
As they are leaving the church following their wedding, Count Adrian Beltrami and Countess Anna-Marie are told that the Austrians are marching on the town to quell an Italian uprising. The bride and relatives induce the count to flee to his castle, but Tangy, a silhouette cutter, brings word from the revolutionary committee asking him to return; the count goes, asking Tangy to pose as the count and protect Anna-Marie.
Opera is an inherently theatrical medium that does not lend itself readily to the realism of film treatment. The shining exception is Puccini's Tosca, an action-packed melodrama that unfolds in three taut and gripping acts like the meatiest of Hollywood films noir. And unlike most operas, these three acts are set in three very specific Roman locales. Thus this 1976 film takes place in the church of Sant'Andrea della Valle (Act 1), the Palazzo Farnese (Act 2), and the Castel Sant'Angelo (Act 3).
Tonight We Sing is a 1953 musical biopic film, directed by Mitchell Leisen, based on the life and career of the celebrated impresario Sol Hurok. It stars David Wayne and Ezio Pinza.
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