Alan built a castle in rural Illinois with his late love Adrianne. Facing life alone, he revisits their fantasy through musical reenactments transporting him to the world they shared.
"Stevie Wonder: Songs in the Key of Life — An All-Star GRAMMY Salute" will feature some of today's top artists covering songs by the legendary GRAMMY winner, as well as other archival material. In addition, various presenters will help highlight the historical impact of Wonder's songs on music and our culture. In the 56-year history of the GRAMMY Awards, Wonder is the only artist to have received Album of the Year honors in three out of four consecutive years with Innervisions, Fulfillingness' First Finale, and the seminal Songs in the Key of Life. With a catalog that is one of the richest treasure troves in American music, his songs are still revered and influential today and his longevity as one of America's — and the world's — most respected and beloved artists is well earned.
In this sequel to The Jolson Story, we pick up the singer's career just as he has returned to the stage after a premature retirement. But his wife has left him and the appeal of the spotlight isn't what it used to be. This time Jolson trades in the stage for life in the fast lane: women, horses, travel. It takes the death of Moma Yoelson and World War II to bring Jolson back to earth - and to the stage. Once again teamed with manager Steve Martin, Jolson travels the world entertaining troops everywhere from Alaska to Africa. When he finally collapses from exhaustion it takes young, pretty nurse Ellen Clark to show him there's more to life than "just rushing around".
By the time Never Mind the Bollocks Here's the Sex Pistols was released, on 28 October 1977, both the band and the punk culture that had formed around them had begun to unravel.
A star-studded short film encouraging people to get COVID-19 vaccines and featuring the song "The Rhythm of Life" from the 1966 classic musical, Sweet Charity.
Four disparate friends one a homosexual strive to be wonderful spouses and parents, yet despite good intentions, they all struggle with personal dramas. While Cynthia and her husband are no longer intimate, Mylene has learned her spouse is sleeping around. In the meantime, Louise fears her daughter isn't pretty enough, and gay foster father Mandy must come out of the closet.
Classical music student arrives from Buenos Aires to live with his rocker cousin in Rio De Janeiro. Between parties full of rock and roll, he has to decide between his childhood girlfriend, now a respectful businesswoman, and the volleyball player Vera.
Kennedy is a rebellious, young musician who believes that talent and determination are all it takes to be a success. But as he and his loyal bandmates learn, success carries a heavy price .
One man, one camera, one goal...to capture the essence of adventure. An experimental, often abstract new type of filmmaking process creating color rich visuals combined with a lush soundtrack that grounds the project. A unique cinematic experience.
Coppélia, a mechanical doll made by the toy-maker Dr. Coppelius, is so life-like that some believe she is his daughter. The mistake leads to intrigue and jealousy in love. Directed by Ross MacGibbon, with Leanne Benjamin and Carlos Acosta.
This is an extremely rare example of science fiction, Hong Kong style, but, fittingly, it's unlike any sci-fi flick you've ever seen. Alien abductions, suicide pacts, superstardom, and the reality of science fiction itself is spotlighted in this bright, crazy, truly out of this world epic -- one of the more unusual movies in the Hong Kong cinema of the early 1980s. And if you know 80's Hong Kong cinema at all, you know that's really saying something!
Yan Zilang is an internationally acclaimed conductor working in the United States. After his former teacher inherits a group of problem students, Zilang returns to Hong Kong to assist with training them. Although it won’t be an easy task, Zilang is prepared to do everything he can to help the kids find their voices.
To avoid hostilities, Maryan, the ward of Doc May, a medicine show owner, induces Pop Garner, a circus owner, to join forces with her guardian. Doc May and Daphne, his wife, work as clowns; and Garry, a singing soldier of fortune, sings along with Maryan's act. Ruth, Maryan's partner, quits to get married; and Joe, who is jealous of Garry, replaces her with Trixie, his former assistant. When Garry announces his engagement to Maryan, Trixie persuades him to join a strip poker game in a drunken state and "compromises" him in the presence of his fiancée. Grief-stricken, Maryan falls during her act, and Garry, robbed of circus funds, is arrested. In spite of her injuries, Maryan, learning of Trixie's treachery, performs the act with her and forces a confession by threatening to drop her; Garry is released and is welcomed back to the show.
Recordings of two live performances by Malice Mizer edited into a complete concert experience of the visual kei band’s third studio album "merveilles", filmed while on tour during 1998 at the Nippon Budōkan Hall (April 1) and Yokohama Arena (July 22) in Japan. The live video features an onstage cathedral set piece, theatrics, costume changes, and skits performed as openings/endings to songs. The final show of the merveilles ~Shuuen to Kisuu~ tour held July 22, 1998 at Yokohama Arena (featured in the film) would be lead vocalist Gackt’s last performance with Malice Mizer before leaving the band in January of 1999 and drummer Kami’s last live show before his sudden passing on June 21, 1999.
THE GET LOST LOSERS follows the most cantankerous rock band in Hollywood as it prepares for a super-clutch industry showcase and one last shot at fame. Official Selection: Montauk Film Festival & Culver City Film Festival. Winner at FOTA, The Canadian Cinematography Awards and The Studio City Film Festival.
As part of the Spectre world tour, Laibach returned to the city after which it is named (Križanke 16. 5. 2014). The concert was clearly divided into three parts. In the first part, they presented material from the new album. With Milan Fras and Mina Špiler in the foreground and a recognizable animation in the background, the band replayed the new album and ended it with the song Whistleblowers. In the second part, they played some old songs from Brat moj through B Machina, Leben Tod to See that my grave and kept clean. For the third part or additions, they left Tanz mit Laibach and Das Spiel ist Aus. Laibach proved once again that they remain a young, agile and current band.
What happens when a group of talented kids from a performing arts school are faced with an impossible challenge — create a showcase in only two weeks that shows the world how they were created to shine?
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