As part of its 30th anniversary, and for the first time in its history, Cirque du Soleil will present a truly unique, exclusive music event celebrating 30 years of music. Music has always been a central character in Cirque du Soleil shows. It accompanies the artists, punctuates the performance and triggers emotions. The 75-minute concert will pay tribute to the music of Cirque du Soleil and will feature a choir of 70 voices (under the artistic direction of Gregory Charles) and 6 soloists accompanied by 28 musicians. The audience will hear singers Paul Bisson, Audrey Brisson-Jutras, Dominic Dagenais, Estelle Esse, Mathieu Lavoie, Anna Liani, Francine Poitras and Roxanne Potvin interpret some of the songs that have defined the music of Cirque du Soleil shows of the past 30 years.
Louis Prima, between song numbers, tells how he happened to get a job in a Hollywood cafe playing music while a couple, unrelated to anything else, play a slot machine in the background. This short was reissued in 1944 and again in 1952. Lucille Ball has a bit part. Song numbers include; "Way Down Yonder in New Orleans", "Up a Lazy River", "Dinah","Basin Street Blues" and "Johnny Get Your Gun."
A docufilm that tells the life of Mahmood between Milan and Egypt, his dearest loved ones, the music, the victories in Sanremo, Eurovision, the European tour, the backstage of the his works. An inner journey that has music as its backbone and where love and absence find their way to coexist. Thanks to his music we explore Alessandro's world, his search for something, which led him to have more than he could dream of and which always accompanies his distant gaze, as if every time he had to go home from a trip or leave. for a new goal.
Hal Willner's Harry Smith Project concerts in London, New York and Los Angeles celebrated the eccentric collector genius and his influential Anthology of American Folk Music. Instrumental in inspiring the urban folk revival of the 1960s, the Anthology's continuing impact on modern music is incalculable. Drawing on this legacy, these landmark shows brought together a remarkable roster of artists performing their own unique interpretations of these classic songs.
Jack Mason of the Coast Guard Academy meets Mary at the graduation ball and falls in love with her, though the girl's mother finds wealthy Rex Cutting a more proper choice for her daughter. On a yachting cruise arranged by Mrs. Trumbull, Jack is not invited. Meanwhile, Mary suspects Rex of picking up contraband beyond the 12-mile limit and refuses his proposal of marriage, while Betty, her impish sister, drives Skippy to distraction in the galley, where he has installed an automatic kitchen that does most of his work. Jack smuggles himself aboard but is forcibly ejected at port by a coast guard, and Mrs. Trumbull discourages his attempt to elope with Mary; but on a subsequent cruise, he hides himself in a lifeboat with two aides. When the captain stops to take on a cargo of rum, Jack and his aides take over the vessel, and a battle ensues. The yacht is wrecked on an island, and Jack proves his heroism, while Rex reveals his true colors and is identified as a fugitive bootlegger.
Talent, a working title, is the story of a failed songwriter, to be played by Erivo, who returns home to Chicago to lead a group of at-risk youth in their annual talent show.
From Lemmy filmmaker Wes Orshoski comes the story of the long-ignored pioneers of punk: The Damned, the first U.K. punks on wax and the first to cross the Atlantic. This authorized film includes appearances from Chrissie Hynde, Mick Jones (The Clash), Lemmy and members of Pink Floyd, Black Flag, GNR, the Sex Pistols, Blondie, Buzzcocks, and more. Shot around the globe over three years, the film charts the band's complex history and infighting, as it celebrated its 35th anniversary and found its estranged former members striking out on their own anniversary tour, while still others battle cancer.
In this Puppetoon animated short film (an Academy Award Best Short Subject, Cartoons nominee), Tubby the Tuba is disappointed that his sound limits what he's permitted to do in an orchestra of self-playing instruments that, unlike him, get to play pretty melodies. A chance meeting with a bullfrog changes everything.
Waltz Time is a 1945 British musical film directed by Paul L. Stein and starring Carol Raye, Peter Graves and Patricia Medina. In Imperial Vienna a young Grand Duchess is prevented from marrying the man she loves.
The wild and woolly early days of New York -- when it was still known as New Amsterdam -- provide the backdrop for this period musical-comedy. In 1650, Peter Stuyvesant (Charles Coburn) arrives in New Amsterdam to assume his duties as governor. Stuyvesant is hardly the fun-loving type, and one of his first official acts is to call for the death of Brom Broeck (Nelson Eddy), a newspaper publisher well-known for his fearless exposes of police and government corruption. However, Broeck hasn't done anything that would justify the death penalty, so Stuyvesant waits (without much patience) for Broeck to step out of line. Broeck is romancing a beautiful woman named Tina Tienhoven (Constance Dowling), whose sister Ulda (Shelley Winters) happens to be dating his best friend, Ten Pin (Johnnie "Scat" Davis). After Stuyvesant's men toss Broeck in jail on a trumped-up charge, Stuyvesant sets his sights on winning Tina's affections.
Grace Chang delivers an eye-opening performance as a lusty nightclub singer climbing the social ladder in seedy Wanchai. Borrowing story and song elements from Georges Bizet’s CARMEN, this Wong Tin-Lam directed musical has flair and polish to rival Hollywood, and a superstar leading lady that would any film industry would have a tough time matching! A key film from the celebrated Cathay Film Studios.
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