A dance of shapes. A title card tells us this is an experiment in conveying the mental images of music in a visual form. Liszt's "Second Hungarian Rhapsody" is the music. The shapes, all two-dimensional, are circles primarily, with some squares and rectangles, and a few triangles. The shapes move rhythmically to the music: receding from view or moving across the screen. Red circles on a blue background; light blue squares; white rectangles. Then, a red background of many circles with a few in the foreground. Red gives way to blue then to white. Shapes reappear as Liszt's themes re-occur. Then, with a few staccato notes and images, it's over.
This documentary on the effect the talent competition "Afghan Star" has on the incredibly diverse inhabitants of Afghanistan affords a glimpse into a country rarely seen. Contestants risk their lives to appear on the television show that is a raging success with the public and also monitored closely by the government.
Composed of four stories, each part of 10 minutes, namely: "Rainbow and Zebra", "The Goddess of Victory and the Snail", "The Ant and Love Letter", and "His Royal Highness and the Sheep".
Exploring how punk influenced politics in late-1970s Britain, when a group of artists united to take on the National Front, armed only with a fanzine and a love of music.
A special behind-the-scenes look at the making of the audiobook edition of "d'ILLUSION: The Houdini Musical" and how it did its part in helping keep theater and the arts alive during the COVID-19 pandemic.
A documentary on the Rolling Stones that was shot in 1965 on a two-stop tour of Ireland, just as "(I Can't Get No) Satisfaction" was becoming a worldwide sensation.
Blonde goddess Marika Rökk plays Julia Koster, a ravishing red-headed musical revue star and her opening number, "At Night It Isn't Right To Be Alone", playing to a packed theater, is both an eye-popper and a jaw-dropper.
In the early Spanish Civil Post-war, in Madrid, during the most hard times of the Franco dictatorship, a group of second-rate players try to get out of their wretched lives taking advantage of the artistic caprices of the son of a rich man who supports the regime. They try to stage a Pre-war 'zarzuela' (a sort of Spanish operetta), 'La Corte Del Faraón', which ironically, thirty years later, is too obscene for the regime censorship. They finally manage to perform the 'zarzuela' but end up in the police station where they confirm that justice depends on which side are you on
In December 2019, The Tabernacle Choir, Orchestra at Temple Square, and Bells at Temple Square joined with award–winning star Kelli O’Hara and renowned actor Richard Thomas to celebrate this simple, timely message of Christmas—a message of love, selfless service, and gratitude for a Savior who brings peace. With vocalists, instrumentalists, bell ringers, dancers, the Gabriel Trumpet Ensemble, and the Cold Creek bluegrass band, these concerts were a visual and musical spectacle. Now you can relive every moment and enjoy four bonus features for a look behind-the-scenes with the guest artists, directors, and producers.
A documentary on funk and P-funk and the bands and artists that made it all happen: James Brown, Sly Stone, George Clinton, Bootsy Collins, Maurice White and his Earth Wind & Fire, Average White Band, Kool & The Gang and lots more. It tells the story of black American music and how it evolved from funk to more main stream to disco to hiphop to contemporary R 'n B and its impact on society. Music and live footage from the bands, interviews with artists and band members of Kool & The Gang, Earth Wind & Fire, George Clinton and lots more.
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