In November of 1970 James Taylor and Carole King first performed together at the Troubadour on Santa Monica Boulevard in West Hollywood, California. Taylor had just released his debut album for the Beatles' newly formed Apple Records and King was finding her way as a first time solo performer even though by then she was a famous songwriter with a string of hits for other artists. When they returned to the club for a two-week co-headlining run in 1971 their lives were somewhat different. That summer Taylor's "Fire and Rain" was topping the charts and King's landmark Tapestry was on its way to making her a music superstar. Thirty-six years later, in November 2007, James Taylor, Carole King and members of their renowned original band "The Section" (featuring guitarist Danny Kortchmar, bassist Leland Sklar and drummer Russell Kunkel) returned to the Troubadour for a three-night, six-show run to celebrate the venue's 50th anniversary.
A body and a performance at night in the desert, illuminated by the headlights of luxury automobiles parked in a circle. We become familiar with one of the vehicles' occupants, a man, who was accompanied by the lingerie-clad master of ceremonies and the fit, minimally-clothed dancer.
Inspired by one of the twentieth century's greatest novels, composer Lorin Maazel evokes Orwell's totalitarian nightmare, where "Big Brother" is always watching, and those guilty of "thoughtcrime" are condemned to face their worst fears in the infamous "Room 101". Filmed during world premiere performances of Robert Lepage's spectacular and psychologically gripping Royal Opera production and conducted by the composer, an international cast brings George Orwell's dark vision to shattering operatic life.
SEX AND BROADCASTING is a feature length documentary about New Jersey's WFMU, the world's strangest and most unique radio station, and one man's attempt to keep it alive in the face of recession, the persistent threat of commercial media, and the challenges that come with keeping a rebellious group of outsiders together.
Agent Pete Garland is fired by society singer Monica Barrett after he got her a new radio contract, because she thinks her lawyer friend Teddy Leeds fits in better with her social status. To get even, Pete wants to make an unknown singer into a star. He finds Ruth Allison, drives her hard through rehearsals and makes her a star. But she is worried about her past, something she hasn't told Pete: She's an ex-convict and jumped bail in order to keep her partners in crime out of it. Further she's in love with Pete, but feels that he's still carrying a torch for Monica. When Monica's popularity is decreasing, Pete is able to get Ruth a stint on the program, the result is Monica is fired and Ruth get her job, but Monica takes revenge by revealing Ruth's past. Ruth considers it is best for her to disappear before being arrested, but she has become a star in public opinion. Will she get Pete or will she go to prison again?
Best known for their powerful, iconic, and superb performances, K-pop band MONSTA X is loved by - and devoted to - their countless fans around the world. As a gift to their fandom, this brand-new film gives an intimate look at their rigorous journey over the past six years including exclusive one-on-one interviews with each individual member, personal stories from their time in America, and a special concert clip exclusively for MONBEBE. This unmissable cinema event also includes high-energy musical performances of their chart-topping hits along with an exclusive first-look at their upcoming album. Challenge, evolve, and dream. Celebrate the magnificent achievements and the stunning tomorrow of MONSTA X.
Live at Turbinenhalle, Oberhausen, Germany, December 3, 2016 1. Imaginations from the Other Side 8:26 2. I’m Alive 5:40 3. A Past and Future Secret 4:13 4. The Script for My Requiem 6:32 5. Mordred’s Song 5:20 6. Born in a Mourning Hall 5:37 7. Bright Eyes 5:41 8. Another Holy War 5:02 9. And the Story Ends 7:18
Maverick underground American/Lebanese musician and ethnomusicologist Alan Bishop (Sun City Girls and Sublime Frequencies), lands as a stranger in Cairo, soon after the 2011 uprisings, and teams up with three young Egyptian musicians for the translation of his old songs into Arabic. Under Bishop’s mentorship, this unlikely collaboration transforms into a band, The Invisible Hands.
LUZIA takes you to an imaginary Mexico, like in a waking dream, where light (“luz” in Spanish) quenches the spirit and rain (“lluvia”) soothes the soul. With a surrealistic series of grand visual surprises and breathtaking acrobatic performances, LUZIA cleverly brings to the stage multiple places, faces and sounds of Mexico taken from both tradition and modernity.
It is California in 1852 that only recently being surrendered by Mexico to the United States and admitted into the union. Most of the land-owners of California were the descendants of the Dons who had colonized it a hundred years before and whose title deeds bore the signature and seal of a long-dead Spanish king. But, by a loop-hole in the law, the title-deeds of the Dons could not be recognized, and this opened the door of organized gangs of land-grabbers, such as the one led by Joe Kincaid, to operate with a prime excuse for legitimate plunder and robbery. In most cases the law was unable to cope with the situation. Then Rosita Castro, the daughter of Don Pasqual Castro, masked and disguised as a man, organized a band of vigilantes to fight against the tyranny of the outlaws, aided by an undercover federal agent, Jim Kearney.
In 1950s Naples, a couple struggles to be together against the will of the mother-in-law. In the end, not only will they be together, but the mother-in-law-to-be, a widow, finds love as well.
It's no exaggeration to say this might be the most intense and groundbreaking 45-minute performance in the history of rock. Jimi Hendrix's debut American set at 1967's Monterey Pop Festival is generally considered one of the most radical and legendary live shows ever. Virtually unknown to American audiences at the time, even though he was already an established entity in the UK, Hendrix and his two-piece Experience explode on stage, ripping through blues classics "Rock Me Baby" and Howlin' Wolf's "Killing Floor," interpreting and electrifying Bob Dylan's "Like a Rolling Stone," debuting songs from his yet-to-be-released first album and closing with the now historic sacrificing/burning of his guitar during an unhinged version of "Wild Thing" that even its writer Chip Taylor would never have imagined. Hendrix uses feedback and distortion to enhance the songs in whisper-to-scream intensity, blazing territory that had not been previously explored with as much soul-frazzled power.
A comedy based on NBC's "People Are Funny" radio (and later television) program with Art Linkletter with a fictional story of how the program came to be on a national network from its humble beginning at a Nevada radio station. Jack Haley is a producer with only half-rights to the program while Ozzie Nelson and Helen Walker are the radio writers and supply the romance. Rudy Vallee, always able to burlesque himself intentional and, quite often, unintentional, is the owner of the sought-after sponsoring company. Frances Langford, as herself, sings "I'm in the Mood for Love" while the Vagabonds quartet (billed 12th and last) chimes in on "Angeline" and "The Old Square Dance is Back Again."
A circus performer falls in love with the son of a plantation owner in antebellum New Orleans. When the young man's stepmother objects to the wedding, the couple break apart and go their separate ways for a time. Also in the mix are two circus comics who feud over the heart of another Southern belle.
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