"Salad Days: A Decade of Punk in Washington, DC (1980-90)" examines the early DIY punk scene in the Nation's Capital. It was a decade when seminal bands like Bad Brains, Minor Threat, Government Issue, Scream, Void, Faith, Rites of Spring, Marginal Man, Fugazi, and others released their own records and booked their own shows-without major record label constraints or mainstream media scrutiny. Contextually, it was a cultural watershed that predated the alternative music explosion of the 1990s (and the industry's subsequent implosion). Thirty years later, DC's original DIY punk spirit serves as a reminder of the hopefulness of youth, the power of community and the strength of conviction.
Upholsterer's assistant Irene O'Dare meets wealthy Don Marshall while she is measuring chairs for Mrs. Herman Vincent at her Long Island estate. Charmed by her, Don anonymously purchases Madame Lucy's, an exclusive Manhattan boutique, and instructs newly hired manager Mr. Smith to offer Irene a job as a model. She soon catches the eye of socialite Bob Vincent, whose mother is hosting a ball at the family mansion. To promote Madame Lucy's dress line, Mr. Smith arranges for his models to be invited to the ball.
For the past ten years Zappa in composing has turned away from Rock and Roll music - for which he first became famous - and has been working on new, contemporary, orchestral electronic music; in solitude and beyond any commercial conventions or commitments. It is the first time that Zappa has allowed a film crew to study him during compositional work, actually filming the first moments of a new compositional process. By contrast, in a staged interview Zappa gives comments on music. This film seeks to reveal the sensetivities of Zappa's personality and character also beyond narrative content.
Masako is a humble waitress who has a chance encounter with playboy Tamotsu. With the aid of his sister, Tamotsu seeks to win Masako's affection despite the disapproval of his wealthy parents and Masako's own feelings towards the working-class cabbie Noro.
In this short film by Norman McLaren, dancers enact the Greek tragedy of Narcissus, the beautiful youth whose excessive self-love condemned him to a trapped existence. Skilfully merging film, dance and music, the film is a compendium of the techniques McLaren acquired over a lifetime of experimentation.
Based on a True Story, we journey back to 1980 to see John King, a 10yr old African American boy, see his mother experience the Joy of Salvation, after witnessing her endure domestic violence, to then desire and experience Salvation deeply for himself. He then begins a hard journey and increases in his love for God, which results in him answering the call to Evangelism. See him in his everyday life, at home, school, church, and play, as he learns the importance of being obedient and respecting his parents, teachers, and elders by facing the consequences of his actions. The underline story is a true return to core parenting by introducing our youth to the Lord at a young age. Other short cross sub-stories involve using wisdom dealing with a dreaded disease, the lack of respect for our public school educators, and the irreplaceable benefits of continuing to offer music/band programs in schools.
The night's most anticipated appearance came from Beyoncé and Jay-Z, who brought their On the Run II show to Johannesburg while paying tribute to Nelson "Mandiba" Mandela.
Anthology music film starring Japanese singer-songwriter Yumi Matsutoya. It takes place on a train intercut with a series of flashbacks or daydreams which serve as long-form music videos.
This seminal work of avant-garde opera from composer Philip Glass and director Robert Wilson arrives full-circle, coming to France, the site of its 1976 Avignon Festival world premiere, at the tail end of this 2014 revival tour for a landmark Theâtre du Châtelet production and a first ever filming by award-winning arts filmmaker Don Kent. Eschewing conventional narrative, the opera revolves loosely around pacifist Einstein’s relationship to the creation of the atomic bomb.
This documentary is a journey into our own fascination, a collection of portraits of folk musicians living in New England, and a study of the ground on which their music is founded. We listen to them as they tell their stories and play their music. First and foremost, Behind a Hill is a tribute to these musicians and a rare peep into the house parties and basement jams of New England, in the northwestern corner of the USA, with the vain hope attached that maybe you, the viewer, will grow as fond of the music as we have. When we first encountered these musicians, we were overwhelmed by the quality of their musical output. We were entranced by the melodies, harmonies, rhythms, and tempos and every other element that constitutes a song (or, as is often the case, a piece of abstract drone music, heavy feedback, or someone banging a steel pipe against a bag of dirt while chanting in a yet undiscovered language, or...).
Clapton, live from Los Angeles' Staples Center on August 18, 2002, part of the sold-out worldwide tour that followed Clapton's 2001 album "Reptile." This concert DVD features live material spanning his entire career. Recorded in concert at The Staples Center in Los Angeles, August 18 2001, this performance spans Clapton's entire career and even throws in a cover of "Somewhere Over the Rainbow" for good measure. Based around the album REPTILE, which had just been released at the time, this footage also includes the songs "Layla," "Tears in Heaven," "Sunshine of Your Love" and many more.
Rapid montage of still images assembled from the detritus of my camera roll, collected over the past five to ten years. Upon completing the film, I subsequently experienced an inexplicable spontaneous bout of involuntarily selective amnesia, wherein I completely forgot my iPhone passcode and had to erase everything without a backup. Thus, these are some of the only images rescued from my folly and neglect.
Calvin Harris' Ultra Music Full Set on Miami 2024, featuring his biggest hits, including new reworks of his collaborations with Rihanna and Ellie Goulding, brought to you by UMF Films and Final Kid.
This performance of Richard Strauss' opera Der Rosenkavalier (1979) features the vocal talents of Gwyneth Jones in the lead role; recorded at the National Theatre Munich.
Malcolm McLaren, writes, directs and narrates the "history" of Oxford Street. With musical performances by The Pogues and Kirsty MacColl, Tom Jones, Sinead O'Connor, Happy Mondays and more.
We have detected that you are using an ad blocker. In order to view this page please disable your ad blocker or whitelist this site from your ad blocker. Thanks!
