Good News with Bill & Gloria Gaither and their Homecoming Friends. Friends share good, good news. Includes: Good News Good, Good News - Tim Riley My Burdens Have Rolled Away That Old-Time Religion - Tanya Good Sykes Trying To Get A Glimpse - The Cathedrals You Can Lean On Me - Babbie Mason I'm Longing For Jesus To Come Back - LaBreeska Hemphill, Roger McDuff, John McDuff, Anthony Burger The Ninety And Nine - Donnie Sumner, The Talley Trio I'm Free - Lynda Randle, David Phelps When He Set Me Free - Russ Taff Thank You, Jesus - Stephen Hill, Lillie Knauls, Jessy Dixon, Babbie Mason, Lynda Randle, Meadowlark Lemon, Buddy Greene Lord, Feed Your Children - Michael English Except For Grace / Grace Grater Than Our Sin - The Martins What A Meeting In The Air - Rosa Nell Speer Powell, Mary Tom (Speer) Reid, Ben Speer, Guy Penrod, David Phelps, Vestal Goodman, Jeanne Johnson, LaBreeska Hemphill, Glen Payne, George Younce, Rex Nelon, Ray Dean Reese
Over twenty-five years after his death in July 1989, the controversial Austrian conductor Herbert von Karajan remains an enigma. He was the most successful conductor in the history of classical music. Many of his recordings - of Italian opera, of Wagner and Richard Strauss, of Sibelius, Beethoven and Brahms - are treasured by music lovers around the world. Yet, even at the peak of his fame, his performances were variously criticised for being too opulent, too manicured, lacking warmth or spiritual depth. This musical profile explores the many paradoxes in the life and music of this controversial figure, who forged his international reputation in London with the Philharmonia Orchestra shortly after the end of the Second World War and went on to reign supreme in the classical music world during his three decades with the Berlin Philharmonic. The film also examines Karajan's belief in the visual power of music, and his determination to leave behind a substantial legacy of music on film.
During World War II in Greece, under the submission of Germans, one Christian, Giorgos, falls in love with a Jewish, Estrea, something completely forbidden. Can they and their families overcome all the obstacles, along with racial discriminations and hardship? The story mainly takes place in an ouzeria, in which Tsitsanis works, one of the greatest Greek composer, librettist and singer in the 20th century.
A silent, little man carrying a violin case wanders into the kitchen of a swanky nightclub looking for a meal. The chef takes pity on him and convinces the nightclub's owner that the man is actually a world-famous artist. The owner insists that the man perform for his customers. That's when the fun begins.
Sophie and Paul (an aspiring musician) can't pay their London rent and turn to friends and family for support. Over the course of a summer, things go from bad to worse: The couple lose everything and find themselves lost in the underbelly of life on the streets. Though frustrated, their good humour and positivity land them odd jobs and a temporary shelter.
Françoise Hardy is one of the rare artists who keeps an intact aura and arouses such a fascination throughout her career with all generations. Her androgynous figure, her exceptional photogeny and her hieratic allure have inspired photographers and fashion designers alike and seduced the greatest rock stars such as David Bowie and Mick Jagger. This documentary film, rich in archives, skillfully mixes songs and confidences. It takes us on a fascinating journey through time, from the yéyé period to today, and into the artist's feelings.
Live from the Royal Opera 2008. David McVicar’s powerful 2008 production of Strauss's opera – based on a play by Oscar Wilde – takes the controversial and disturbing film 120 Days of Sodom as its visual reference. The action is set in a debauched palace, which has suggestions of Nazi Germany. Strauss’s ravishing and voluptuous score adds to the sexual alchemy that is conjured by an international cast led by Nadja Michael in the title role. Salome is filmed for the big screen with High Definition cameras and recorded in true surround sound.
A streetcar conductor has adventures with a would-be passenger hippo, a cow blocking the tracks, and a runaway train while he, his passengers, and some hobos sing the title song.
On Saturday May 26th, 1973 before 100,000 plus fans on the Great Lawn of Central Park in New York City, a generational talent singer-songwriter at the undeniable top of her game enjoyed a humbling homecoming a mere 14 miles from the house in Brooklyn where she grew up. The historic event highlighted the earth-moving power she’d unleashed with her watershed Tapestry (already being touted as one of the highest selling albums in history a mere two years after its release), all the way through her soon-to-be released song-cycle album Fantasy, (her fourth consecutive Lou Adler-produced album to land in Billboard’s Top Ten), Carole King’s performance that day was, according to Jack Nicholson, one of only two current events “proper” to be seen at in public.
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