After years of war, the King returns home and his son the Prince welcomes him, glad to see him safe and sound. The Prince is in love but the King disapproves their relationship.
Explore the country legend's hard-fought road to stardom. From her Appalachian roots to the Oscar-winning biopic of her life, Coal Miner's Daughter, Loretta Lynn struggled to balance family and her music career and is still going strong after more than 50 years. The documentary premieres the same day Lynn's first new studio album in over 10 years is released.
The "Devil's Evil Guitar" has been removed from the world by the supreme being, and rock and roll is a thing of the past in this newly puritanical environment. But what happens when the guitar is sent back by Vicious, an angel punk?
A young woman, who sells music recordings in the flea market in Madrid, passes herself off as a friend's girlfriend so that he doesn't lose his inheritance.
Maruzzella is in love with Salvatore, who in turn is infatuated with Donna Carmela, Maruzzella's stepmother. As if that were not enough, Carmela deprives Maruzzella of her inheritance. When Salvatore comes to visit Renato, his old poor and needy schoolmate, the situation takes a strange development.
Bring Us Your Women is an international anthology dedicated to women and the pursuit of divinity and freedom. The project seeks to tell existing and re-imagined stories of historic and mythical individuals, each presenting a message of humanity that transcends gender and religion.
Internet songwriter Chow (Cherry Ngan) is gifted with an extraordinary retentive memory. She never forgets anything she has heard. One day, she was kidnapped by Yung (Ronald Cheng), a street punk, to a remote fish raft so desolate that an escape plan seems to be a mission impossible. In the hope to flee with the only ability she has, Chow offers to give a spiritual music therapy to the rather maniacal kidnapper. What happens next is beyond anyone’s imagination – the two who have nothing in common begin to form an intimate bond and connection through music. More than that, Chow finds immense inspirations on this “floating stage”, while discovering the incredible singing voice and vocal range in Yung – a seemingly hopeless criminal can also possess a voice as captivating as the sound of nature…
The Committee, starring Paul Jones of Manfred Mann fame, is a unique document of Britain in the 1960s. After a very successful run in London’s West End in 1968, viewings of this controversial movie have been few and far between. Stunning black and white camera work by Ian Wilson brings to life this “chilling fable” by Max Steuer, a lecturer (now Reader Emeritus) at the London School of Economics. Avoiding easy answers, The Committee uses a surreal murder to explore the tension and conflict between bureaucracy on one side, and individual freedom on the other. Many films, such as Total Recall, Fahrenheit 451 and Camus’ The Stranger, see the state as ignorant and repressive, and pass over the inevitable weaknesses lying deep in individuals. Drawing on the ideas of R.D. Laing, a psychologically hip state faces an all too human protagonist.
Liu Sanjie is a story that originates from the Zhuang minority people; the largest of the minority groups in China. It’s based on the legend of a woman called Liu Sanjie (literally meaning “third sister of Liu family”). Across generations, the story has become an oral tradition amongst these people and similar characters have even been found to exist in other minority cultures. According to legend, Liu Sanjie had the gift of a beautiful singing voice from a very early age. So beautiful was her voice, she could quell anger and raise the spirits of the people around her. The story became famous around China when the movie Liu Sanjie was released in 1960 – a rare musical production in Chinese cinema.
A talented musician, about to trade his dreams for a safe career in his girlfriend's family business, finds his voice, but loses the girl, when a mysterious record label owner introduced him to a group of Brooklyn beatboxers.
Kawai Midori's father left the family a long time ago and since her mother passed away, she has taken care of her younger siblings by herself by working with a group of itinerant camellia oil peddlers. While she is In Izu selling camellia oil, she meets a young student, Katō Yutaka, who asks her to let him take her picture. The peddlers also meet a jazz band, and when Midori sings a song, teased by the band's star singer Nanjō Haruo, the band members are enraptured by her beautiful voice. She eventually joins the band and quickly becomes a popular jazz singer.
Destination Docklands was an event consisting of two concerts by musician Jean Michel Jarre on the Royal Victoria Docks, Docklands, London on Saturday 8th and Sunday 9th October 1988, to coincide with the release of Jarre's new album Revolutions. The concerts were attended by 100,000 people on each night.
Live concert at Nurburgring Germany for the European Black Album Tour 2012. Set List: Hit the Lights / Master of Puppets / Ride the Lightning / For Whom the Bell Tolls / Hell and Back / The Struggle Within / My Friend of Misery / The God That Failed / Of Wolf and Man / Nothing Else Matters / Through the Never / Don't Tread on Me / Wherever I May Roam / The Unforgiven / Holier Than Thou / Sad But True / Enter Sandman / Blackened / One / Seek & Destroy
Tom Bosley hosts a tribute to the American musical theater taped before a live audience featuring dozens of stars recreating their original performances. Among the show-stoppers are Chita Rivera's Spanish Rose dance in "Bye, Bye, Bireie," Ray Walston as the Devil in "Damn Yankees," Nell Carter singing the Fats Waller classic "Cash for Trash" from "Ain't Misbehavin," Glynis Johns with "Send in the Clowns" from "A Little Night Music," Barry Bostwick from "Grease," and many more.
We have detected that you are using an ad blocker. In order to view this page please disable your ad blocker or whitelist this site from your ad blocker. Thanks!
