A bizarre sci-fi rock opera like little else being produced under the banner of Canadian film at the time, Metal Messiah is about an enigmatic metallic-skinned stranger trying to stop society's self-destructive obsession with rock and roll. Anchored in Toronto's live music scene if the late 1970s, this dystopian parable was the feature film debut of local music impresario and director Tibor Takács. Working with screenwriter Stephen Zoller, Takács' film is a crudely crafted, episodic work that plays out like a glam version of Amos Poe's avant-punk NYC flick The Foreigner (1978), but with even more ambition, attempting to scale to the bombastic rock opera heights of films like Phantom of the Paradise (1974) and Tommy (1975). (from: http://www.canuxploitation.com/review/metalmessiah.html)
Lou Reed recorded the album Berlin in 1973. It was a commercial failure. Over the next 33 years, he never performed the album live. For five nights in December 2006 at St. Ann's Warehouse Brooklyn, Lou Reed performed his masterwork about love's dark sisters: jealousy, rage and loss.
A taped performance of "Disney’s The Lion King 30th Anniversary – A Live-to-Film Concert Event" at the Hollywood Bowl, the special will celebrate the 30-year evolution of “The Lion King,” from the original 1994 animated film to the 1998 Tony Award-winning Broadway musical to the 2019 dramatic live-action film.
Sergiu Celibidache's fairy tale journey: from Moldavia to the Berlin Philharmonic. Despite World War II and countless challenges, he pursued his musical dreams with relentless dedication and refusal to compromise, inspiring many.
A kaleidoscopic collection of musical genres, Myths and Hymns explores the nature of faith and longing in a secular world, with 23 short musical films illuminating the search for answers through Flight, Work, Love, and Faith.
An account of the successful life and work of Spanish singer and actor Camilo Sesto (1946-2019), the portentous, almost miraculous, voice of Spanish pop music for decades, through his own point of view, told during his last interview and in many others, and through the words of those creators whose own work has been strongly influenced both by his art and his magnetic personality.
Don Letts examines the history of this notorious subculture in a fascinating documentary, which features interviews with members of different skinhead scenes through the decades. Beginning in the late 1960s, Don fondly recalls a time of multiracial harmony as youngsters bonded over a love of ska, reggae and smart clothes as white working-class kids were attracted to Jamaican culture and adopted its music and fashions. But when far-right politics targeted skinheads in the 1970s and 1980s, an ugly intolerance emerged, and Don reveals how the once-harmonious subgroup has since struggled to shake this stigma.
Elvis In Concert is a posthumous 1977 TV special starring Elvis Presley. It was Elvis' third and final TV special, following Elvis (aka The '68 Comeback Special) and Aloha From Hawaii. It was filmed during Presley's final tour in the cities of Omaha, Nebraska, on June 19, 1977, and Rapid City, South Dakota, on June 21, 1977. It was shown on CBS on October 3, 1977, two months after Presley died. It is one of the few videos of Elvis which remain unlikely to ever be released for home viewing and is only available in bootleg form.
Rome is on the verge of being conquered by Hannibal. While Rome's ruler, Fabius Maximus, plots a defense against Hannibal's armies, Fabius' fiancée, Amytis, is curious about the fearless conqueror. Amytis travels to Hannibal's camp just to get a look at him, but she ends up being captured. However, she is instantly smitten by the Carthaginian commander, so she tries to shift his attentions away from Rome -- and to her instead.
Seymour Polatkin is a successful, gay Indian poet from Spokane who confronts his past when he returns to his childhood home on the reservation to attend the funeral of a dear friend.
In 1815, Tsar Alexander I romances a working-class glove seller, while his double takes his place at the Vienna Congress. English-language version of Der Kongreß tanzt.
Erich Wolfgang Korngold's "Die tote Stadt" in a Bayerische Staatsoper production from 2019, directed by Simon Stone. Kirill Petrenko is conducting Jonas Kaufmann and Marlis Petersen.
Rowlf the Dog and the kids have fun doing all kinds of activities, including singing and dancing. It features interactive sing-alongs including "The Smile was on the Crocodile," "Over and Under," and more.
Herbert von Karajan directed this film of Verdi’s Shakespearan masterpiece as well as conducting the Berlin Philharmonic. As the tragic Moor of Venice, arguably his greatest role, John Vickers (in the words of critic David Cairns) "commands both the notes and the moral grandeur of the part. … And he has the aura of greatness – greatness of heart, of bearing, of musical and dramatic conception". Mirella Freni is a heartbreakingly lovely and fragile Desdemona, while the fine English baritone Peter Glossop plays the villainous Jago.
Aldo and his girlfriend Lucy reopen an abandoned opera house, but find out that the place is inhabited by a group of Phantoms wearing the Claude Rains 1943 Phantom of the Opera costume.
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