Night club owner Dan Moore is trying to collect a debt owed to him by playboy Reggie Van Dorn, but Reggie is a playboy with no money but lots of social connections. In lieu of the cash, Dan gets Reggie to introduce him to the swells of high society. They go to the opera and, after hearing Yvonne Malloy sing, Dan falls in love with her. Reggie introduces them, but the introduction is to Yvonne's double and stand-in, Toots. This leads to many complications for all concerned.
Captures the performance of "Battle of Pride" held on August 25 in Yokohama. Special Feature / Bonus Track: bonus videos: "Hypnosis Mic -Division Rap Battle-: Rule the Stage -Flava Edition-" (60 min. approx.), "Documentary of Rule the Stage -Battle of Pride-" (100 min. approx.)
From their early formation in Philadelphia’s underground music scene, to their business partnership with a local, independent record label, filmmaker Justin J. Jackson’s documentary Rosetta: Audio/Visual chronicles the musical accomplishments, monetary struggles, and intimate friendships of blue-collar, do-it-yourself, post-metal band Rosetta. Every album is a creative milestone, each tour a test of faith. Four years in the making, Rosetta: Audio/Visual tells the story of emotional and material sacrifice made by an electronics technician, high school civics teacher, coffee shop barista, and martial arts instructor in order to achieve financial control and artistic freedom.
Sameer is the archetypal struggler who leaves his dad in Delhi and comes to Mumbai, chasing dreams of becoming a star in Bollywood. Does he manage to survive the bleak and grueling rounds of endless auditions, broken promises and missed chances?
Elton John's 'The Million Dollar Piano' is a residency at The Colosseum at Caesars Palace in Las Vegas. The show has been running since September 2011 with the most recent leg being 16 shows between March 29 and April 26 2014. The concerts are the culmination of Elton John's decades long partnership with Yamaha pianos. This film features classic Elton John tracks from across his extraordinary career performed either with his band, with percussionist Ray Cooper or solo. The multimedia staging is extraordinary with vast screens behind the stage illustrating the songs, and the piano itself acting as a screen for graphics and animations. Elton John is the ultimate live showman and this is the definitive Elton John concert experience.
Leipzig, December 1734: Christmas brings the Bach family together. The first snow has fallen and the children Gottfried and Elisabeth are delighted about the arrival of their older brothers Friedemann and Emanuel. The Thomaskantor has retired to his music room. Anna Magdalena supports her husband, as there are only a few days left and his latest work, the six-part "Christmas Oratorio", must be finished on time. It is awaited with suspicion by the city council and the gentlemen of the consistory, who have long found Bach's waywardness a thorn in their side and fear that, after the premiere of the St. Matthew Passion a few years earlier, the St. Thomas Church will once again be filled with "operatic" music. With the oratorio, Johann Sebastian Bach hopes that he will finally become court composer in Dresden. And, as always, he demands that all members of the family join forces to help him. But differences of opinion are increasingly delaying the completion of Bach's most famous work.
The Faces recorded live in London at BBC Studios for the Sounds for Saturday programme. Rebroadcast in 2010 as part of VH-1's Crown Jewels of The BBC collection.
Recorded and filmed on Journey's "Escape" tour in November of 1981 at the Houston Summit in Houston, Texas, "Live In Houston 1981" captures the band at the height of their commercial success. The concert was first filmed and recorded as a concert for the then-fledgling MTV network Hits such as "Lights", "Lovin', Touchin', Squeezin'", "Wheel in the Sky", and "Any Way You Want It" are in evidence plus tracks from the band's then-current album "Escape" like its title cut, "Open Arms", "Who's Cryin' Now" and "Don't Stop Believin'" .
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