Duke Ellington plays hot jazz in a fictional story that finds him down on his luck; he tries in vain to dissuade his friend, dancer Fredi Washington, from working with heart trouble even though it means work for his band. Sure enough, she collapses on stage...
The concept of this promo directed by Kathryn Bigelow was proposed by New Order's manager Rob Gretton, who was inspired by the clichés of the videos of then-popular American glam metal groups on MTV. Bigelow intercut the band footage with a narrative between Bill Paxton and Femi Gardiner.
Kamalpur-based Khular family make a lot of sacrifices to get their daughter and eldest son married; as well as ensure their youngest, Himmat, gets a good education in Patiala's Punjabi University. After Himmat completes his education and returns home, the family even arrange his marriage with an America-based wealthy bride so that he can re-locate abroad and live a better life. The family's peace and harmony is shattered, the house gets divided, after Himmat refuses to marry the bride, and instead sets off with his friends to open a lowly Dhaba. He also starts wooing Resham, the wealthy daughter of Deep Singh, the President of Punjab Hotel Association - who will never permit her to marry a lowly Dhaba owner, and is already making plans to get her married to someone very wealthy.
Nashville-based rockers Kings of Leon take the stage at The O2, London's renowned arena, where they unleash a long set of hit tunes, including "Be Somebody," "Sex on Fire," "Molly's Chambers," "Use Somebody," "Notion" and "Knocked Up."
Singer-songwriter Sora has moved to an apartment complex in Dong Teng Town. In the closet, she stumbles upon a large number of old cassette tapes filled with the "inner voice" of a former resident, Tokio.
A group of stage actors who hate Ahmed Aluwi, the rich young man, starts attacking him in the magazines; when Ahemd knows about that, he decides to check the situation himself and he falls in love with one the actress over there; he pretends to be a poor simple actor, just to be near her; she starts responding to him without knowing his true identity.
Asti is obsessed to unite all his elder brother's friends of rock band named The Bandits. She started to get close to them one by one by reminding the memory of his brother Bonnie, Asti got Damon, the guitarist who now works in a dangdut bar to join in. Then they ask Gendro-the former drummer of the Bandits- now married and having financial difficulties. Then, they ask Bule, who had became a transsexual. In the mean time, Soljah, the keyboardist who's put on too much weight, is missing. They could not find him anywhere. The conflict comes between the story to get a vocalist and the love story of Asti and Damon.
As the release of the ‘Tutto Verdi’ series from the Teatro Regio progresses, one has begun to have fears that the later Verdi operas will fail to measure up to the standards that have been set on DVD by productions from international houses across the globe. The issues of the early and middle period Verdi works have been welcome, because these pieces are so rarely encountered in the opera house; but with Macbeth and Luisa Miller we are coming to operas that have been performed by major artists in major productions with superb orchestras and conductors.
The story of singer-songwriter Colin Hay, former front-man of Men At Work. We follow Hay from his earliest days in Scotland, through his family's emigration to Australia, to the massive, worldwide success of his band, to the depths of addiction and failure, to a slow climb back up the ladder seeking relevance, artistic freedom and ultimately, transcendence.
A contemporary take on the 17th-century genre of the pastiche, this delightful Baroque fantasy brings together some of the greatest arias and ensembles by Handel, Vivaldi, Rameau, Purcell, and other composers with a new English libretto by Jeremy Sams, inspired by Shakespeare’s The Tempest and A Midsummer Night’s Dream. The all-star cast is headed by David Daniels as Prospero, Joyce DiDonato as Sycorax, Danielle de Niese as Ariel, Luca Pisaroni as Caliban, and the legendary Plácido Domingo as Neptune. Early music specialist William Christie conducts this dazzling world-premiere production, designed and directed by Phelim McDermott and Julian Crouch.
An evening in an old time dance hall in Sao Paulo introduces us to local characters who reminisce about the past, wonder about the future, have fun, flirt, fight and, of course, dance. Its earthy humour and eternal themes of ageing, loneliness and desire is an antidote to grumpy old men and women everywhere.
In Venice, a city full of beauty, love, music, and brutal trash talk, Pom Klementieff and her team say "Au Revoir, Chris Hemsworth" with a French song written by Simon Pegg and Pom Klementieff.
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