In a dystopian future, the population is divided between the elite "numbers" and the destitute "names" who escape the hardships of the their lives at a magic cabaret run by Zax. When Zax falls for a slumming-it "number" he builds a robot replica of her.
In the mid-1990s reports emerged that Prince had fallen into dispute with his record company. Having signed what was ostensibly a new, 100 million dollar contract just a couple of years before, Prince was now demanding - not unreasonably to most commentators - control of his masters and the freedom to release what he wanted when he wanted. After a bitter war of words, during which the star scrawled Slave across his cheek whenever he appeared in public and routinely dissed his label, the parties finally settled and Prince henceforth was free to take full control of his music and the way it was sold to consumers. Prince approached this task with devastating foresight as he routinely created new marketing concepts which, with time, became the norm across the music world.
The stuffy manager of lovely opera singer Vicki Cassel and her uncle, a classical conductor, is determined to close down the noisy nightclub next door to the Cassels' home. The club's owners--Steve, a handsome ladies' man, and Jeff, his clownish sidekick--hatch a plan to keep the club open. Steve arranges to meet--and woo--Vicki and then invite her and her uncle to the club. When Vicki's snobbish aunt and the manager discover that Vicki now favors popular music over the classics, they arrange to get the club closed. But that doesn't keep Steve and Jeff down. Instead, they decide to put on a Broadway show if they can get a backer. They find their "angel" in Vicki's uncle who agrees to finance the show only if Vicki is the leading lady. But again, Vicki's aunt and manager may be the spoiler in everyone's plans.
A look at the "mod" culture of the, visiting the Sunset Strip in West Hollywood, going from discotheques to dirt bike competitions, surfing, karate, go-carting, political protests and pot parties.
Requiem in D minor, K 626 by Mozart, Wolfgang Amadeus Performer: Walter Berry Gundula Janowitz Christa Ludwig Peter Schreier Orchestra/Ensemble: Wienere Symphoniker Orchestra Conductor: Bohm Karl Chor der Wiener Staatsoper Period: Classical Written: 1971 ; UNITEL
James Taylor's "One Man Band," a new CD/DVD set of live recordings and the stories behind the songs. The set list is drawn from Taylor's recent concerts at the Colonial Theatre in the Berkshires and features new performances from some of the iconic singer/songwriter's most beloved recordings including "Something in the Way," "Carolina in my Mind," and "Fire and Rain," interspersed with Taylor's insightful and humorous anecdotes on the inspiration for the songs.
On 4th November 2007, thirty years to the exact day since their last visit, The Stranglers made a triumphant return to The Roundhouse in London. To commemorate this anniversary, the set list was based on the original 'Heroes' Tour of 1977, showcasing material from their debut album Rattus Norvegicus and it's follow up No More Heroes. Featuring the classic four-piece format, with bassist Jean-Jacques Burnel sharing lead vocals with guitarist Baz Warne, the distinctive keyboard sounds of Dave Greenfield and the awesome percussion skills of Jet Black.
Public Service Broadcasting – a band who bring wit, invention and multimedia spectacle to the stage – return to the Proms after their previous, staggeringly innovative, 2019 outing, The Race for Space. This time, Public Service Broadcasting join conductor Jules Buckley and the BBC Symphony Orchestra for This New Noise, a world premiere specially commissioned for the BBC’s centenary The band’s use of archive footage, sampling and imaginative musical techniques travels back through a hundred years of broadcasting history, making this a musical event like no other.
First of several filmed versions of a popular period operetta, in which an early 18th century noblewoman in Poland falls in love with a revolutionary student activist.
This documentary mixes rare historic footage with review and criticism from experts, friends, fellow musicians who played with Bob, and even the odd enemy... covering the period 1966-1978.
In a cantina across the border, Bob Hamlin shoots a man that threatens his friend. He and his pals escape but return that night for the dance as Bob is attracted to Conchita. Running once more from the Rurales, Bob takes Conchita. They escape again only to find themselves pinned down when Buck and his gang of horse thieves attack.
A girls only hotel in Austria, run by a man-hating grandmother. Her daughter and three pretty grand daughters are chased by men, nevertheless (and chase the guys themselves), so everything is back to heterosexual normality in the happy ending. It's a musical.
Theater manager James Guthrie's (Melvyn Douglas) career depends on famed soprano Elsa Terry (Grace Moore) singing in his Buenos Aires opera house, however, Elsa breaks the contract in favor of a more lucrative deal in Paris. Desperate, James begins showering her with flowers and candy in an attempt to woo her to the Argentinian opera house. When Elsa overhears James confess to his friend Pancho that he'd be willing to resort to kidnapping to get Elsa to Argentina, she mistakenly believes his motives to be solely romantic.
Nina is easy to find. She is on the industrial estate, near the gas tower, She is fifteen, addicted to drugs and on the game. George is one of her nastier punters. His arrival turns the temperature up on her already combusting life. He is the scummiest of scummy men, someone you really don't want to be involved with, at all. A magician and a taxi driver offer Nina a quick fix but doesn't everyone want something in return? She won't take it lying down. Scummy man is a gripping glimpse into the lost and misplaced lives on todays back streets. The film is brutally honest, intense and not afraid.
A story about Vincent Moro, an almost invisible man that works at a refridgerator factory when USA wasn't the A-nation it is today and therefor was called USB. Vincent has been working at the factory for 20 years when he suddenly finds out that he is fired.
O Baú do Raul é o mais novo título do Multishow ao Vivo - uma parceria do canal com a gravadora Som Livre e Kika Seixas. Gravado no último mês de agosto, na Fundição Progresso, tradicional templo do rock carioca, o show foi uma homenagem prestada pelos amigos ao legítimo ídolo do rock brasileiro, no ano em que completa 15 anos de sua morte. Baú do Raul - Multishow ao Vivo traz um registro deste momento inesquecível em CD e DVD, que chegarão às lojas em novembro. Toni Garrido, Baia, CPM22, Marcelo Nova, Rick Ferreira, Zelia Duncan, Pitty, B Negão , Marcelo D2, Gabriel O Pensador, Detonautas, Erika e os Autoramas, Lobão, Arnaldo Brandão, Raimundos, Pedro Luis e A Parede, Caetano Veloso, AfroReggae, Sandra de Sá, Nazi (Ira!) recriam os principais sucessos de Raul em uma perfeita mistura que vai do rock à MPB, passando por hip hop, reggae, e música eletrônica.
Johnny Cash's second Christmas special includes an all-star tribute to Elvis Presley, who died in August 1977, two months before this program was taped for CBS television. Fellow rockabilly pioneers Carl Perkins, Jerry Lee Lewis and Roy Orbison join Cash on "This Train is Bound For Glory" in memory of Presley, whose affinity for such sacred music was well-known. The 1977 special also includes holiday guest performances as Johnny takes the stage with Roy Clark for a spirited rendition of "Frosty The Snow Man" as well as the Statler Brothers with the yuletide classic "Blue Christmas."
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