Glyndebourne's pulsating new production of the Waltz King's much-loved comic operetta. Its story centers on a magnificent masked ball, given by a Russian prince, that brings together all the main characters in various disguises. The three-act journey from boudoir to ballroom to jail provides ample opportunities for farce and humor, but also for genuine human emotion and a surprisingly realistic view of urban life.
Following the successful documentary The Matthäus Mission of Reinbert de Leeuw, director Cherry Duyns is now showing the full implementation of the St Matthew Passion. It is a poignant performance in De Nieuwe Kerk conducted by Reinbert de Leeuw. With soloists Joanne Lunn (soprano), Delphine Galou (alto), Christopher Watson (tenor), Tomáš Král (bass), Andreas Wolf (Christ), Benedikt Kristjánsson (evangelist), Holland Baroque, the Nederlands Kamerkoor en the Roder Boys Choir. Concertmaster Judith Steenbrink.
After the Viennese premiere, the Fledermaus (the bat) conquered the world. It is one of the few operettas that are regularly performed at the major opera houses such as the Metropolitan Opera, the Scala Milan, the Vienna State Opera and the Royal Opera House Convent Garden in London. John Cox directed this lavishly equipped production by Julia Trevelyan Oman initially in London in 1977. On New Year's Eve 1990, this staging offered the luxurious ambiance for the farewell to Joan Sutherland from her London audience. The singer had admired them since her first great success at this prestigious opera house in the fifties. The rushing feast in the second act reached its climax with its stormy cheered performance and the commitment of her friends and colleagues Luciano Pavarotti and Marilyn Horne, with whom she often stood together on the stage.
Two American friends travel all over Europe and end up meeting an all female Rock Band from Holland and they pass themselves as record company executives. Both men return to the states and the band soon approaches them about signing to their record company and they soon start booking them gigs and getting them exposure but have to avoid getting caught and not reveal their true selves.
BULIMIA: THE MUSICAL follows a young girl's journey from first vomit to last breath, in fifteen minutes of laugh-out-loud, puke-your-guts-out song and dance, all wrapped up with a positive message.
In this strikingly modern 2016 production from the Zurich Opera House, Tcherniakov transposes the opera’s intrigue from forest and castle to living room and psychiatric office. The love story of the original work remains riveting, but Tcherniakov brings an unexpected psychological element to his mise en scène, with Prince Golaud as a psychiatrist and Mélisande as a young woman suffering from PTSD. You’ve never seen Pelléas like this!
The Moorish general Othello is manipulated into thinking that his new wife Desdemona has been carrying on an affair with his lieutenant Michael Cassio when in reality it is all part of the scheme of a bitter ensign named Iago.
Beyond Barricades is a documentary on political punk band Anti-Flag, featuring interviews with Tom Morello, Billy Bragg, Tim McIlrath, Brian Baker & More. The film explores the trials and tribulations of playing politically charged music and devoting your life to activism.
Julie and Carol at Carnegie Hall is an American musical comedy television showcase starring Julie Andrews and Carol Burnett, broadcast on CBS on June 11, 1962. The special was produced by Bob Banner and directed by Joe Hamilton. Banner came up with the idea in the Fall of 1961. Burnett was then a regular on The Garry Moore Show and Andrews had appeared as a guest twice, performing the song "Big D" from the musical The Most Happy Fella in the first appearance; and in the show's 1961 Christmas special, she did a number with Burnett and fellow guest Gwen Verdon plus an early performance of "My Favorite Things" (three years before she performed it as Maria while filming The Sound of Music). Mike Nichols wrote the script and co-wrote the song "You're So London" with Ken Welch. Writing began in February 1962 and the stars rehearsed for two weeks before the March 5 taping
A documentary film that explores the early Boston Hardcore music scene from the years 1981 through 1984. This film delves into the social and communal aspects of that particular era. The community, culture, straight edge and DIY (do it yourself) ethic of the time are all explored in the film. Never before seen archival footage, photographs, interviews and dramatizations make up the body of the film. Bands included are SS Decontrol, DYS, Gang Green, The FU's, Jerry's Kids, Negative FX, The Freeze, and more.
Lilith Fair made rock and roll history in the summer of 1997 as the first all-female music tour. These sold-out concert performances could only be described as magical, boasting many once-in-a-lifetime collaborations. That magic is captured here in Lilith Fair: A Celebration of Women in Music, which also includes never-before-seen backstage jams, intimate interviews and behind-the-scenes documentary footage of the artists. Songs: Building a Mystery (Sarah McLachlan), Water is Wide (Indigo Girls/Jewel/Sarah McLachlan), Bitch (Meredith Brooks), Tried to Be True (Indigo Girls/Sheryl Crow), Sunny Came Home (Shawn Colvin), Strong Enough (Sheryl Crow), Near You Always (Jewel), Shame on You (Indigo Girls), Ice Cream (Sarah McLachlan), Closer to Fine (Indigo Girls/Meredith Brooks/Jewel/Sarah McLachlan), I Need (Meredith Brooks), Wichita Skyline (Shawn Colvin), Angel (Sarah McLachlan), I Shall Believe (Sheryl Crow), Morning Song (Jewel), Big Yellow Taxi
The von Trapp family are struggling to survive in America, where their performances of European church music are not popular with the audiences. Only when they start performing more upbeat Austrian folk songs and even some American numbers do they become a success and finally find security and a new home.
A "behind-the-scenes" insight of the Romanian wedding industry, with cameramen, photographers and singers from all around the country in the spotlight. Their life stories, their editing styles, their hands-on-approach know-how and, of course, their performances at weddings, mix up in a shortcut-style film. George Stirbat, the 30-something one-man-show singer from the small town of Onesti returned home after a mini-Broadway career and Petru Manici, the coal mine electrician from the mining town of Petrosani, are just two of the most interesting characters the film follows in their quest to achieve perfection for the bride's and groom's memories. Something to remember.
Filmed during the History Tour - in front of 90,000+ fans - on Aug. 26th, 1997 at the Helsinki Olympic Stadium, this performance is believed to be the last, full, on-stage Concert ever recorded of The King of Pop!
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