Werther loves Charlotte, but she promised her mother on her deathbed that she would marry Albert. After the marriage Charlotte suggests that Werther should travel - but not forget her. In addition to the singing and orchestral accompaniment, the entire cast acts very convincingly. And, there's no backstage mugging, entrances and spoken nonsense to spoil the experience of the drama.
Memphis is set in the places where rock and roll was born in the 1950s: the seedy nightclubs, radio stations and recording studios of the musically-rich Tennessee city. With an original score, it tells the fictional story of DJ Huey Calhoun, a good ole' local boy with a passion for R&B music and Felicia Farrell, an up-and-coming black singer that he meets one fateful night on Beale Street. Despite the objections of their loved ones (Huey's close-minded mama and Felicia's cautious brother, a club owner), they embark on a dangerous affair. As their careers rise, the relationship is challenged by personal ambition and the pressures of an outside world unable to accept their love. Originally shown in select theatres, then broadcast as an episode of the PBS series "Great Performances" (season 39, episode 11).
Bridges to Babylon Tour '97–98 by The Rolling Stones is a video from a concert which was filmed in St. Louis, Missouri 12-December-1997 during the Bridges to Babylon Tour 1997-1998. It features a single, massive oval video screen behind the band on the main stage, a stripped-down set on a small stage in the middle of the arena floor, and guest appearances by Dave Matthews ("Wild Horses") and Josh Redman.
A comedy based on NBC's "People Are Funny" radio (and later television) program with Art Linkletter with a fictional story of how the program came to be on a national network from its humble beginning at a Nevada radio station. Jack Haley is a producer with only half-rights to the program while Ozzie Nelson and Helen Walker are the radio writers and supply the romance. Rudy Vallee, always able to burlesque himself intentional and, quite often, unintentional, is the owner of the sought-after sponsoring company. Frances Langford, as herself, sings "I'm in the Mood for Love" while the Vagabonds quartet (billed 12th and last) chimes in on "Angeline" and "The Old Square Dance is Back Again."
This feature length documentary charts the story of the great Bunny ‘Striker’ Lee. A legend himself, there’s not a lot of pioneers of roots and reggae that he didn’t work with, becoming the go-to producer for that dub sound coming out of Jamaica in the sixties and seventies, further cementing his legacy when he started licensing his productions straight to London labels. Diggory Kenrick’s doco calls on not only Lee himself to tell the story, but features the likes of U Roy, Dennis Alcapone, Lee “Scratch” Perry, Sly and Robbie, Johnny Clarke and Johnny Holt among others.
An epic Love story in which two lovers Heer and Ranjha get along with each other but unfortunately their Love story is not easy. Ranjha fights his way to get Heer but he is not able to do so.
Witness how ZED comes to life in its making-of documentary. Learn how the show became more than its individual pieces. Through the nurturance and cultivation of a sense of community between ZED artists, musicians and technicians, Francois Girard encouraged the show to develop its own arrangement and follow the rhythm of its own heartbeat.
In the slums of Cairo, youth dancing to electro chaabi, new music that blends folk song, electro beats and freestyles chanted in the style of rap. The idea is to merge the sounds and styles so chaotic. One slogan mangling! Victim of corruption and social segregation, youth in neighborhoods exorcise partying. Release of body and a speech repressed transgression religious taboos: more than just a musical phenomenon, Electro Chaabi is a healthy outlet for youth oppressed by the prohibitions imposed.
The story of a disabled beggar in Charleston,S.C. who falls in love with a prostitute, this is the first filmed version of Gershwin's opera which uses Gershwin's own orchestrations and practically all of the music, with only one major cut.
Antonio Carlos Gomes Belchior Fontenelle Fernandes, or simply Belchior, in a self-portrait that plunges into the wild heart of the poet, singer and composer from Ceará, Brazil who, with his work and his cutting ideas, marked and still marks the lives of so many people.
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