Live at Montreux 2000 is a concert DVD by Lou Reed, released in 2005 by Eagle Vision. It was recorded at the 2000 Montreux Jazz Festival in Montreux, Switzerland. Reed performed eight songs from the Album Ecstasy plus a few older ones. Lou Reed is one of the most influential artists of the rock era. From his days in the sixties as the main singer and songwriter of the Velvet Underground and through his mercurial solo career he has kept his audience and the critics on their toes with dramatic changes of musical direction from album to album. Underpinning everything however has been his unquestionable ability as a songwriter and performer of the highest class. Tracklisting: 1) Paranoia Key Of E 2) Turn To Me 3) Modern Dance 4) Ecstasy 5) Smalltown 6) Future Farmers Of America 7) Turning Around Time 8) Romeo Had Juliette 9) Riptide 10) Rock Minuet 11) Mystic Child 12) Tatters 13) Set The Twilight Reeling 14) Dirty Blvd 15) Dime Store Mystery 16) Perfect Day
Shortly after his separation, César forms a rock band with his teenage sons. Soon enough, the family project will reveal itself unsustainable. "Family Album" is a coming of age film comedy about the difficult bond between parents and children and the world of amateur rock bands.
This Musical-Comedy from Director Rene Cardona, features American actress Janice Logan as the dutiful daughter who is about to wed a much older man and widower as part of an arranged marriage orchestrated by her Father. Plans quickly change, however, once she meets a handsome singer and rising radio star, (played by actor Jose Pulido), who soon sweeps her off her feet-much to the dismay of her dear old Dad. Catchy musical numbers and a charismatic cast add to the charm of this war-time movie release.
A group of young Egyptians are planning to immigrate to the United States from Bucharest. But, when the man they hired steals their money and leave them on the Hungarian border, they are forced to work together to overcome adversity.
They called him the The Ice Man and The Master of the Telecaster, but above all else, Albert Collins was a consummate Texas bluesman. Ice Man or not, Albert was on fire the night of his taping on October 28, 1991. His performance was a wild ride, and the ACL stage proved too small for his antics, so with his long guitar chord in tow he took off into the audience during his ten-minute-plus finale of Frosty. He was first and foremost an entertainer, but nonetheless belongs up front in the pantheon of great blues guitarists.
Tupac: Assassination is a documentary film about the unsolved murder of rapper Tupac Shakur. The film is produced by Frank Alexander (Tupac's bodyguard who was the only guard assigned and present at the time of the shooting) and RJ Bond, who also directed the film.
Love Project despicts the lives of young adults developing within the artistic community around a production by director Touga. These Millennials are living in an era where everything seems transient, torn between their dreams of absolute freedom and anxieties about their uncertain future. They live in the fast lane and have difficult choices to make.
This domestic melodrama chronicles three generations of a family of music-hall owners. In the early 1900s, two variety stars, Kit Burns and Joe Swann, are staunch friends even when Kit marries Joe's dancing partner Evelyn. Joe fights in the Boer War where a bullet puts an end to his dancing days. He goes to work on the staff at Burns' Music Hall where Kit Jr. soon finds a place in his affections. Kit and Joe purchase the music hall and soon become a success.
Breakaway plays out like a visual symphony. A prototype for the best (but still, lesser) contemporary formalist music videos, like Peter Care’s “What’s the Frequency, Kenneth?” and “Drive” (both for REM), Conner’s movie is an experiment in the visual language of film. But no matter how powerful a formal analysis of his filmmaking process may be in suggesting how Conner’s rhythms affect us, there is much in Breakaway – in Basilotta’s brash and unbridled self-assertiveness, in Conner’s feverish camera style, and even in the uncomplicated honesty of Cobb’s catchy lyrics and tune – that defies verbalisation… and must simply be loved! -- Senses of Cinema
Loosely following a traditional Passover Seder, events from the Book of Exodus are retold by Moses, Aharon, the Angel of Death, Jesus, and the director's own father. But there's another side to this story: that of the Goddess, humankind's original deity. Seder-Masochism resurrects the Great Mother in a tragic struggle against the forces of Patriarchy.
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