A journey between hope and dystopia in a hallucinated Kinshasa, from the culture of the hair salon to futuristic solitary clubbing, from an urban parade to a dictator's sense of glory to a modern western in the style of Takeshi Kitano.
This is the candid and unabridged story of the Beatles as told by the insiders who worked, recorded and toured with the group from the Hamburg days to the bitter end. Featuring a meticulously researched and a comprehensive array of inside sources, here at last is the whole uncensored story of the life and work of the Beatles.
In 1999, a chain letter went viral on the internet, MTV’s Total Request Live was put up to a decision. Would they play New Kids on the Block’s awesomely bad and equally dated “Hangin’ Tough” music video on the countdown? Or refuse to give into the trolls and risks their impression of a democratic vote.
Rino Sashihara's idol group =LOVE and its sister group ≠ME (Not Equal Me) held day and night joint concert "IkoNoi Fes 2021" at Fuji-Q Highland Conifer Forest on Saturday, October 9, 2021.
The King Who Raved was created by Ramos Carrión, Vital Aza and Chapí in 1891; it is a milestone in the history of lyric theatre and on the stage of the Teatro de la Zarzuela. For few kings, not even the most popular kings of history, nor those most loved by their people, will have been so acclaimed, so applauded, or so hoorayed as our King in this kingdom of La Zarzuela.
Homeless veterans find family as they rent rooms from an eighteen-year-old girl struggling to support her thirteen-year-old brother while discovering her voice in Americana music.
When a romantic orchestra won't change their boring style into something more modern to get gigs, their girlfriends split and form a rock and roll orchestra that quickly becomes talk of the town. The guys are furious since they are relegated to their opening act as a comical number, but when the League of Virtue protests against the new satanic music, the old-fashioned music seems to win the day.
"The Crown Bride" - Kersti, Mats fiancee, has given birth to their illegitimate son with the help of an old midwife. Kersti and Mats are about to get married. But Mats's family demand that Kersti must be a virgin.
An exploration of Gunhill Road's return to music 40 years after breaking into the Billboard Top 40 charts in 1973. Every 40 Years is about second chances and the power of chasing your dream down one more time.
It truly is an historic performance. Domingo looking and singing like a god pouring out golden tones; Renato Bruson sounds, like the sublime Verdian Baritone that he was at that time; Nicolai Ghiaurov proves again that he was one of the greatest "Verdi Basses"; Mirella Freni shows that there was more to her than just being Mimi and Susannah-in fact I can remember reading that at the time of the premiere of this production that there were fist fights (not unusual in La Scala's gallery) between Mirella's many fans--between those fans that just wanting her to continue singing the light lyric repertoire that they were use to her singing and those that felt she should and could sing the lyric-spinto repertoire which, of course, she proved that,indeed, she could (She's still singing more than twenty years later). This performance captures some of the best Verdi singers of the time doing dear ole wonderful Giuseppi proud.
Carol (Ruth Terry), the cigarette girl at a swank Palm Springs hotel, dreams of singing in the establishment's nightclub. She gets a chance when her well-to-do uncle, "Colonel" Morgan (Alan Mowbray), and a pal blow into town ... until their visit turns out to be a con job. Carol's voice impresses the bandleader (Robert Livingston), but the hotel manager (Franklin Pangborn), still smarting from Morgan's chicanery, isn't ready to give her a chance.
A husband who listens to jazz instead of mopping the floor is brained with a mop by his wife; he dreams he's King of Jazzmania, a land of soapsuds where Louis Armstrong performs 'I'll Be Glad When You're Dead You Rascal You' and 'Shine'.
Sally is an orphan who was named by the telephone exchange where she was abandoned as a baby. In the orphanage, she discovered the joy of dancing. Working as a waitress, she serves Blair (Alexander Gray), and they both fall for each other, but Blair is engaged to socialite Marcia. Sally is hired to impersonate a famous Russian dancer named Noskerova, but at that engagement, she is found to be a phoney. Undaunted, she proceeds with her life and has a show on Broadway, but she still thinks of Blair.
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