A little boy is told the tale about the development of Jakarta, when a village was divided into two, and causing the people to oppose each other. On one side, there is Anton while the other side is lead by Mahmud. Maulana, the village boy whom Anton has adopted, falls in love with Laila, the sister of Mahmud. This love affair irritates Majid, Mahmud’s right-hand man, because he has loves Laila, long before her meeting with Maulana. Maulana and Laila refuse to take sides between the two opposing sides, and try to reconcile them. But a battle is inevitable. In the end, Mahmud kills Anton; but Mahmud dies at the hand of Maulana, his future brother-in-law. Then Maulana runs to Laila’s house and confesses. Laila forgives him, but Majid cannot. He orders a boy to steal the gun of Sabeni, an informant, and he shoots Maulana with it. While the intention was to make this film a musical, it didn’t work as the “realistic world” and the “musical world” could not blend fully.
When a surprise package arrives from Miss Vera Goode with her new "Book of Manners for Children," Barney's friends question why minding their manners is so important. Barney explains that they have the perfect opportunity to be on their best behavior because they're invited to a party!
When progressive rock icon Neal Morse was preparing to tour his highly acclaimed 2012 studio release, "Momentum," he turned to YouTube to audition touring players to support his faithful duo of Mike Portnoy (drums) and Randy George (bass). He had high hopes, but the final players selected from more than 70 applicants dramatically surpassed his expectations. They hit the road for an 8-stop North American tour. And now that band's epic New York performance is captured on the new "Live Momentum" 2DVD/3CD Box Set.
With the help of her mother, family, friends, and fellow musicians, Aiyana Elliott reaches for her father, legendary cowboy troubadour, Ramblin' Jack Elliott. She explores who he is and how he got there, working back and forth between archival and contemporary footage. Born in 1932 in Brooklyn, busking through the South and West in the early 50s, a year with Woody Guthrie, six years flatpicking in Europe, a triumphant return to Greenwich Village in the early 60s, mentoring Bob Dylan, then life on the road, from gig to gig, singing and telling stories. A Grammy and the National Medal of Arts await Jack near the end of a long trail. What will Aiyana find for herself?
What happens when a dedicated husband and father quits his job, adopts the persona of a Western-Movie Singing Cowboy, takes on the entire art establishment (including Christo and Andy Warhol), and refuses to accept money for his art ? Meet Gerry Gaxiola, AKA The Maestro, an ex-wage slave who gave up everything to make art for art's sake. The Maestro's story could inspire a whole new generation of Van Goghs.
"I only say the sun goodbye." Dionisos captures the existential unease where insomnia echoes and shadows of past regrets linger. As days blend into unconsciousness, the night unveils a haunting struggle between personal demons and the unending flow of existence.
Beibut is a young musician who is confidently moving towards his dream. Getting used to the role of a father, Beibut tries to find a balance between creativity and family life. Everything goes well until he meets Zhul, a dancer who falls in love with him.
A music-driven short film presented as a visual prelude to Alicia Keys' sixth studio album, Here. Keys pays tribute to the communities that raised her in four slice-of-life segments depicting the coming of age experience in New York City.
A short history of movie music is presented, from silent films accompanied by a single piano, to the elaborate song scores for musicals (with scenes from MGM's musicals) and background music for dramas. Conductor/composer
Sam Costa is a man about town, dispensing wisdom and witty quips from the bed of his Space Age bachelor bad whilst watching a stream of musical performances on his picture wall
A striking interpretation of Mozart's opera that became a sensation at the 2008 Salzburg Festival. This is not only a rethinking of the place and time of the opera, but also a deep disclosure of the characters' characters, their ambiguous inner world. A simple, at first glance, plot is turned by the creators of the play into a dynamic psychological thriller.
Pigmeat and Shorty, who own "Pigmeat and Shorty's Bootery", are told by their landlord to either pay up or get out. They get caught trying to short-count him, and he threatens to have them arrested. After a series of disasters--they ruin a customer's suit, their store blows up--they get a telegram notifying them that a man they once did a kindness for has left them quite a bit of money and a house, but in order to get the inheritance, they have to spend a night in the bedroom of the man's house. When they arrive there, they notice two things--the place is kind of creepy and a series of spooky incidents leaves them to believe the house is haunted.
The impulsive and charismatic Don Giovanni travels through Europe seducing women, accompanied by his long-suffering servant Leporello. But when Don Giovanni commits murder, he unleashes a dark power beyond his control. Kasper Holten’s production is rich in both colourful comedy and exhilarating drama. Set designs by Es Devlin (Les Troyens) and costume designs by Anja Vang Kragh (Stella McCartney, John Galliano for Christian Dior), with video projections by Luke Halls and choreography by Signe Fabricius, portray the visually entrancing world of Don Giovanni. At the heart of the production are the beauty and invention of Mozart’s dazzling score, which ranges from gorgeous arias and dramatic duets to the brilliant layering of dance melodies that bring Act I to a virtuoso close.
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