Returned home after a year of army, Vio discover with surprise his friends and the neighborhood changed fundamentally. The area is now controlled by Davinci, a drug dealer because of which his father Vio lost the house, and for his friends, beatings with rival gang have become a way of life. Nevertheless, Vio is happy: he met the love of his life, Ramona, and between them grows a love story and they will do anything for that love, including him fighting on Davinci, who wants to take Ramona as his wife by force. Unfortunately, love proves to be not a sufficient condition for Vio and Ramona to fulfilling the dream,of love but makes you understand that not even in death those two can not be separated.
"Highway Hypnosis" - alternatively referred to as "white line fever" - is a dazed state in which a driver may travel long stretches of open road in a compliant and normal fashion, yet with little-to-no recollection of how their destination was reached.
Karajan had been appointed music director for life of the Berlin Philharmonic in 1955, and soon the orchestra mastered the entire palette of Karajan's subtly defined phrasings, moods and orchestral colors. At home in the majesty of Bruckner or the raw power of Beethoven, the orchestra was also able to "let go" with Suppé or a Lisztian Hungarian Rhapsody, as the recording illustrates. For the 1978 New Year's Eve concert with the Berlin Philharmonic, Karajan put together a program of exclusively popular classical works, pieces that would guarantee a bubbly good time. Following Verdi's Overture to "La forza del destino" are the two major works of the program, Bizet's Arlésienne Suite No. 2 and Liszt's Hungarian Rhapsody No. 2. The Hungarian March, or "Rákóczy March," from Berlioz's "La damnation de Faust" never fails to rouse listeners with its instrumentation. The program closes with the Intermezzo from Mascagni's "L'amico Fritz" and the popular Overture to "Leichte Kavallerie" by Supp&eac
After a tragic event, a sheltered young woman seeks the comfort of some long-forgotten scary story records from her youth. The specter of losing her family home and a string of crimes in her neighborhood propel her toward a dark obsession with the frightening tales. Eerily, they begin to reveal occult truths and hint at a violent, inescapable fate. Like a disease, the stories begin to infect others who enter her world, creating disturbing encounters that bring her to the threshold of terror.
On January 24, 2014, Carole King was honored as the 2014 MusiCares Person of the Year. At a gala event in Los Angeles, Carole and a cast of superstar guests performed some of the quintessential songs from her renowned and celebrated career.
Janacek: Intimate Excursions is a short experimental documentary that attempts to find visual references in the correspondence of Leos Janacek, the Czechoslovak composer.
This short plugs the new tunes written by Mack Gordon and Harry Revel for the movie "College Rhythm" and shows the audience how they were written and rehearsed. Naturally it also advertises the movie.
Documentary about Brazilian music circa 1969, with extremely rare scenes, such as the only color footage of Pixinguinha, images of João da Baiana, one of the fathers of Samba, Maria Bethânia rehearsing at Barroco nightclub, Baden Powell playing his acoustic guitar, Paulinho da Viola showing his masterpiece "Coisas do Mundo, Minha Nega", that he had just finished, and Márcia, a singer from São Paulo.
The third film version of James Hagan's play, this time with songs added, starring Dennis Morgan as a dentist who marries patient and loyal Dorothy Malone despite his constant infatuation with sexy flirt Janis Paige. Filmed previously in 1933 ("One Sunday Afternoon") and 1941 ("The Strawberry Blonde").
On the way to Warsaw after a crude oil fraud in southern Poland, conman Adam Deren meets singer Liza. He decides to invest his money in a venture deemed to be a failure - a small cabaret where Liza could perform.
Writer Tom Davis hosts a Blues Brothers retrospective that tells the whole truth about the legendary band's early days and righteous ways. The Blues Brothers were an unforgettable part of Saturday Night Live's golden era, making their musical debut in bee costumes singing "I'm a King Bee," and becoming an overnight sensation. Switching to hats and shades inspired by John Lee Hooker, they combined classic Chicago Blues with Stax-Volt R&B to create a sound all their own. Their first album, Briefcase Full of Blues, went double-platinum and led quickly to their hit movie and milestone soundtrack album. The rest is history, and it's all here in a music-filled, memory-blasting account of a band that will always be on a mission from God.
The Directorial Debut of Naomi Scott (Charlies Angels, Aladdin) and Husband Jordan Spence brings a quirky creative Music Film with striking visuals. This story explores the way in which 'forgetting' is not an easy task.
In this amiable Columbia B musical, society girl Ann Miller escapes her Back Bay family by performing in the chorus line in a burlesque house. But trouble starts when her boss (William Wright) decides to build her up as a star. One of the many bread-and-butter Columbia productions graced by the contributions of Cole’s in-house dance studio. Cole dances behind Miller in “I’m Gonna See My Baby.” --Museum of Modern Art
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