Profiling the leading men of the glam rock era, Liza Tarbuck guides us through the glittering careers of Marc Bolan, David Bowie, Noddy Holder, Brian Ferry, Elton John and honorary glam king Suzi Quatro. Industry men including producer Tony Visconti, songwriter Mike Chapman and photographer Mick Rock give the insider angle to the work of these artists.
A portrait of the groundbreaking Moroccan band Nass El Ghiwane, documenting a series of electrifying live performances in Tunisia, Morocco, and France; on the streets of Casablanca; and in intimate conversations. Storytellers through song and traditional instruments, and with connections to political theatre, the band became a local phenomenon and an international sensation, thanks to their rebellious lyrics and sublime, fully acoustic sound, which draws on Berber rhythms, Malhun sung poetry, and Gnawa dances.
Returning to New York on an ocean liner, Lois Whiteman, Harry Barris and Art Jarrett decide to visit composer Burton Lane, who is also aboard, to rehearse a little. Saxophonists Benny Krueger and Rudy Wiedhoeft meet and perform with their instruments.
Built out of “a pile of radio junk,” Bethesda, Maryland’s WHFS was a music fan’s dream of a radio station: the place on the dial to hear music listeners loved and new tunes they soon would, all with an anything-goes mentality and an ear for the sounds of social change. This doc pays loving tribute to free-form radio and WHFS’s influence over FM stations across the US from the 1960s to the 1980s. All good things come to an end, and so did the disc-jockey-driven format that WHFS pioneered and made successful, but its legacy lives on. The station’s DJs relate its history with passion in this film that captures the tenor of an era, abetted by reminiscences of performers including Emmylou Harris, Taj Mahal, Jesse Colin Young, and others whose music found its way to ears and minds eager for something more than the same old Top 40 programming.
Based on the semi-hit Broadway musical of 1968 and starring original stage star Joel Grey, this TV version has been re-fashioned in significant ways. The premise here is that a small group of modern-day performers have gotten together in a rehearsal studio to celebrate George M. Cohan's life and work. Bernadette Peters also returns from the original cast, along with a cohort of movie, television and stage stars as the other cast members.
A film about Johnny Bode. Schlager diva, Operetta hero, filth musical innovator, enfant terrible, compulsive liar and amoral rogue. Johnny Bode (1912-1983) was very successful in Sweden and Europe. Yet he is today almost completely forgotten. Why? His life was so overwhelming, glamorous, fast and bizarre. So un-Swedish. He became fascinated by the nazism. Was arrested by the Gestapo and detained at Grini concentration camp in Norway. For five weeks. After the war he moved to East Berlin and proclaimed himself a dear friend of the GDR. Later he was deported and returned to Sweden. A time of fencing and small crimes followed. Escaped to Brussels at first and later Vienna. He was, as Juan Delgada, hired by the Vienna Opera to create new operettas. And was very successful. Johnny Bode died exhausted alone and abandoned in Malmö during the summer of 1983.
Toinet, Girelle and Pénible fish for sardines in Marseille. To dazzle their conquests, they present themselves as rich can manufacturers, while the little flower girls play movie stars. A ridiculous suitor wants to discuss a business deal, a potential sponsor appears and the whole tohu-bohu reclaims the songs of Vincent Scotto.
System of a Down at Cidade do Rock, Rio de Janeiro, Brazil on September 24, 2015. Setist: I-E-A-I-A-I-O / Suite-Pee (Incomplete) / Attack / Prison Song / Know / Aerials / Soldier Side - Intro / B.Y.O.B. / Soil / Darts / Radio/Video / Hypnotize / Temper / CUBErt / Needles / Deer Dance / Bounce / Suggestions / Psycho / Chop Suey! / Lonely Day / Question! / Lost in Hollywood / Vicinity of Obscenity / Forest / Cigaro / Toxicity (with Chino Moreno) / Sugar
Neurotic Broadway star Al Jackson faces professional ruin when he loses his voice. While recuperating in the country, he falls in love with farm girl Ruth Haines, the pretty aunt of precocious little Sybil Haines.
Filmed in Chicago & finished in 1959, The Cry of Jazz is filmmaker, composer and arranger Edward O. Bland's polemical essay on the politics of music and race - a forecast of what he called "the death of jazz." A landmark moment in black film, foreseeing the civil unrest of subsequent decades, it also features the only known footage of visionary pianist Sun Ra from his beloved Chicago period. Featured are ample images of tenor saxophonist John Gilmore and the rest of Ra's Arkestra in Windy City nightclubs, all shot in glorious black & white.
Microphone Check stands as a groundbreaking documentary offering a compelling narrative that delves into the often-overlooked origins and evolution of hip hop culture. As the first film of its kind to center primarily on the original pioneers of the genre, it sheds light on their invaluable contributions and untold stories. Beyond this pioneering approach, Microphone Check also distinguishes itself by being the first to comprehensively explore the origins of all the elements of hip hop, from DJing and MCing to graffiti and breakdancing. Through a captivating blend of interviews, archival footage, and cultural analysis, the film not only celebrates the creative ingenuity, social impact, and enduring legacy of hip hop but also reaffirms its status as a global cultural force.
A widowed man lives with his four daughters, but he always preventing them from mixing or working, and when the father goes out on pension, he decides to invest his reward in a company that he later discovers has seized his money, so he falls down the stairs and enters the hospital injured, and the daughters are forced to go down to work.
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