1974 concert on German TV show Musikladen/Beat Club. 1. Jam 2. Contusion 3. Higher Ground 4. Don't You Worry 'Bout A Thing 5. I Can See The Sun In Late December 6. He's Misstra Know-It-All 7. Living For The City 8. Superstition. Stevie Wonder vocals, keyboards / Reggie McBride bass / Mike Sembello lead guitar, keyboards / Ollie E. Brown drums / Marlo Henderson rhythm guitar / Denice Williams, Shirley Brewer & Lani Groves background vocals
Miles Davis live at The Isle Of Wight Festival , August 29, 1970. Tracks include Bitches Brew, It's About That Time, Sanctuary, Spanish Keys, and The Theme. Featuring Miles on Trumpet, Gary Bartz on saxophone, Chick Corea on electric piano, Keith Jarrett on electronic organ Dave Holland on electric bass, Jack DeJohnette on drums, Airto Moreira on percussion. Footage shot by documentary director Murray Lerner.
Paulette plays in the back yard, in the shade of a tall tree, with her doll, somewhere out in the countryside. Secretly watching other children have fun without her makes her sad. Then suddenly the wooden chair she is sitting on begins to move, and throws her off. She bravely gets on the chair again, which starts to buck like a wild horse, making her very happy. Racing through the countryside, the chair then throws her off, right into the middle of the group of playing children, helping her overcome her shyness.
Ever since its triumphant premiere in 1960, Frederick Ashton's La Fille mal gardee has been treasured as one of his happiest creations - his artistic tribute to nature, and an expression of his feelings for his beloved Suffolk countryside. Marianela Nunez and Carlos Acosta perfectly portray the young lovers Lise and Colas, determined to thwart the plans of Widow Simone to marry off her wayward daughter to Alain, the simple son of wealthy Farmer Thomas. Osbert Lancaster's colourful, picture-book designs, along with Ferdinand Herold's tuneful score, arranged by John Lanchbery, provide the perfect setting for Ashton's blissfully bucolic ballet, complete with haywain, pony, maypole and ribbons, a cockrel and his chickens and, of course, the famous clog dance, here wonderfully led by William Tuckett as the irascible but lovable Widow Simone.
All the throbbing eroticism—and ultimate heartbreak—of Puccini’s youthful score is unleashed by James Levine and his top-flight cast. Plácido Domingo is Des Grieux, the handsome, headstrong young aristocrat who falls head over heels for the enticing, impetuous Manon Lescaut (Renata Scotto). Manon returns his love, but her obsession with luxury ruins them both. Gian Carlo Menotti’s opulent production, with sets and costumes by Desmond Heeley, superbly captures the colorful world of 18th century France.
Live Monsters is a live DVD by Depeche Mode's singer Dave Gahan. It was released by Mute Films on 1 March 2004. The DVD was filmed on 5 July 2003 at the Paris Olympia during Gahan's 'Paper Monsters Tour'.
The Godfather of Grunge is captured live on his TRANS tour on this release filmed in Berlin in October 1982. The gravel-voiced, messy rock legend is as impassioned as ever, banging out 11 hits, including the classics "Hey Hey, My My," "Like a Hurricane," "Cinnamon Girl," and "Needle and the Damage Done" as well as such new songs as "Transformer Man" and "Computer Age."
The centerpiece of this DVD is a 90-minute concert by Nick Cave & the Bad Seeds, performing live in Lyon, France, in the summer of 2001 during a European tour in support of the album No More Shall We Part. Its mature and emotive textures dominate this show, which means if you're hoping to see Cave whipping himself into a frenzy while Blixa Bargeld rattles the walls with his guitar, well, you're out of luck. However, this footage proves that, in more subtle form, Cave is still a magnetic and compelling performer and that the Bad Seeds have grown into a singularly gifted ensemble who bring just the right amount of drama and force to Cave's superb songs (with guitarist Mick Harvey and violinist Warren Ellis taking top honors at this performance). Beautifully shot, intelligently edited, and boasting crisp and full-bodied audio, God Is in the House is a fine document of Cave and his collaborators on a good night.
The group Seventeen has found all its members already, but they have been training without having been able to debut yet. They are asked to complete a set of missions in order to gain the right to have a one hour long live debut broadcast as the goal of the reality show.
The production bears the imprint of the conductor, Marko Letonja, and the director, Tobias Richter, whose understanding is ideal: both breathe a troupe spirit - specific to comedy - into this heterogeneous cast, which brings together young and old. Both give as much importance to recitatives as to arias and ensembles.
This classic show was one of Judy's last appearances at the historic Palladium Theatre in London. This unforgettable night also marked a young Liza Minelli's first public stage performance with her legendary mother. Witness Garland's exquisite talent as she performs the most-loved songs of her career while a budding Liza Minnelli more than holds her own offering a glimpse of the performative talent that would eventually launch a stunning career of her own.
Martha Eggerth heads the cast of Casta Diva, but the central character is famed Italian composer Vincenzo Bellini, here played by American actor Phillips Holmes. Paying but scant attention the facts, the film concentrates on Bellini's colorful love life. Evidently the film went through several rewriting processes, as witness the curious performances of Donald Calthrop and Arthur Margetson, whose characters do complete about-faces halfway through the story. Amidst so many British accents, Martha Eggerth's Polish intonations seem out of place, but she photographs beautifully and sings quite well. Casta Diva was attractively filmed on location in Naples.
Not to be confused with the 1954 remake (by Gallone himself) or to the English language version "The Divine Spark" (also directed by Gallone and starred by Eggerth).
In the study of a lawyer, two young spouses tell their story. The singer Tony manages to reach the much coveted success, and can thus marry his girlfriend. But a clause in his record contract obliges him to remain a bachelor for two years.
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