In this joyful version, a beautiful mechanical doll interferes with the happiness of two lovers. Original choreography by Marius Petita. New version by Sergei Vikharev. Music by Leo Delibes. Live performance 29 May 2011.
Story of The Clingers form the start to finish in the music world from little girls "The Clinger Sisters" to a rock and roll band "The Clingers" and the results of their life and times.
A strong representation of the current jazz fusion scene got together in july 1991 with this sampling of artists from the GRP label. They included frequent jazz-rock collaborator Ernie Watt, and David Benoit, master of a "jazz-lite" style. But guitarist Lee Ritenour is key man here: he calls most of the shots, and six of the eight pieces are his, including a fine tribute to early inspiration Wes Montgomery on "24th Street Blues." For the most part, easy-going and mellow are the watchwords on this program - not surprising since the players tend to be based in Los Angeles. Ritenour's "Etude" stands out for its creation of atmosphere, and so do Dave Valentin's solo melodic meanderings on a selection of wooden flutes backed by his own vocal effects. All elements considered the bill is a demonstration of top-drawer musicianship, awareness of contemporary styles – and versatility.
Vasoula is a poor girl who works as a secretary for a cranky older lady, Ms Kleio who loves novels with knights and lives secluded in her mansion with her butler Aristeidis. One day, in the absence of Ms Kleio, Vasoula is visited by a couple, Popi and Mitsos Bezestainis who ask if they can stay. The sudden return of Ms Kleio causes great upheaval kai Vasoula is forced to introduce Mitsos as her husband, who is a sailor and often away. When Ms Kleio dies, she leaves her entire estate to Vasoula whom she mentions in her will as "wife of Dimitrios Bezestainis". Now, the problems begin, and they can only be solved when Vasoula marries Mitsos.
The fortunes of down-on-his-luck crooner Asfour (Farid Al Atrache) change overnight when he discovers a mysterious lamp housing a charming genie (Samia Gamal) in this sweet comedy. She can make anything he wishes come true, so he asks for help in luring his distracted girlfriend from the charms of a rich competitor. But Asfour soon learns he should be careful what to wish for, as he soon realizes his heart may lie elsewhere.
Miley Cyrus performs an acoustic set of original songs and covers including Britney Spears's "Gimme More," and is joined by Noah Cyrus for a rendition of "I Got So High That I Saw Jesus."
James Brown's legacy has influenced rap, soul, funk and R&B. But along with his huge talent, there's a dark side to Brown's success that includes stints in prison and unceasing tabloid speculation. This in-depth documentary takes a look at the meteoric highs and deep lows of Brown's career, offering some fascinating insights from the Godfather of Soul himself, as well as interview footage with Chuck D, Little Richard, Wyclef Jean and many others.
Jason Aldean made history in his home state when he became the first artist to ever hold a concert at the University of Georgia's Sanford Stadium, playing to a sold-out crowd of over 66,000 fans in one of the most defining moments of his career. Now, in this live concert film, he gives fans the opportunity to witness the high-energy, state-of-the-art show first-hand. The 18-song set list showcases 10 of his No. one songs including; She's Country; Big Green Tractor; My Kinda Party; Take A Little Ride, and offers a rare glimpse behind the scenes from the time he and his team begin the planning stages of this show right up to the moment he takes the stage. Also featured in the 90-minute film are personal interviews from Aldean, footage from his record-breaking Fenway Park and Wrigley Field stadium shows held in the Summer of 2013, as well as appearances by Kelly Clarkson, Luke Bryan, and Ludacris as each of them join Aldean on songs they've recorded together.
'The Shadow of the Sun' draws upon Derek Jarman’s interest with alchemical processes as a metaphor for reprocessing Super-8 film. Jarman once described film’s union of light and matter as “an alchemical conjunction” and experimented throughout his career with creating dream symbolism through the superimposition of image and action. Originally called English Apocalypse, the film’s final title is derived from a 17th Century alchemical text that used the phrase as a synonym for the philosopher’s stone – the highly sought substance that turns base metals into gold and silver. The film was intended as a step toward the idea of an ambient video, that like its musical counterpart, was designed to enhance an environment.
An admiral's son with no interest in carrying on the family tradition is a successful crooner. He finally joins the Navy to prove he can, but with no real love in it.
Bringing his unique sense of humor to this bizarre and original piece of moviemaking, Tom Waits takes the audience through a musical journey with his jazzy, quirky, bluesy tunes presented as you would never, ever, ever expect.
We have detected that you are using an ad blocker. In order to view this page please disable your ad blocker or whitelist this site from your ad blocker. Thanks!
