Union soldiers march off to battle amid cheering crowds. After the battle turns against the Union Army, one soldier runs away, hiding in his girlfriend's house. Ashamed of his cowardice, he finds his courage and crosses enemy lines to bring help to his trapped comrades.
Continuing where His Trust (1911) leaves off, George takes care of his deceased master's daughter after her mother's death. He sacrifices his own meager savings to give the girl a good life, until the money runs out and he tries to steal money from the girl's rich cousin.
During the last desperate months of World War II, an Allied mission to regain Ramree Island off the coast of Burma ends in horror when an embattled group of soldiers find themselves trapped in dense swampland infested with deadly saltwater crocodiles. As the men are picked off one by one by the hungry reptiles, those that remain resort to increasingly desperate measures to survive the onslaught of carnage and get off the island alive.
Third movie of the Sangokushi animated film trilogy. The movie covers the longest time span of the three films, from Liu Bei's expedition to Shu in 211 CE to the death of Kongming in 234 CE.
Germany, January 1939: a day in a concentration camp. Subjected to harsh military discipline the hungry prisoners are digging a huge hole and filling it up again. Several are tortured, die of exhaustion, in the electric fence, or are shot.
Based on Muneta Hiroshi's military novel. The main character, Yamaguchi Zensuke, is a military dog soldier. He joins the army and winds up sent overseas to China as a part of the military dog unit. He's ridiculed by others due to his inability to advance.
In Nazi-occupied Rome, a beautiful bootlegger, to the chagrin of her lover, gives sanctuary to three escaped POWs: an American pilot, a Russian sergeant and a British major.
Film will be based on the female flying unit that fought in the Battle of Moscow. They were dubbed "Night Witches" by the frightened German soldiers because of the deadly stealth of their light planes.
Documentary short film depicting the correct methods of surviving the crash landing of a military aircraft in the desert. Methods of conserving water, providing shelter, and signaling for help are depicted.
Near the end of the war in Germany, GI Steve Boland, a self-described "sharp-operator", meets a German girl, Ilsa, and they fall in love. Ilsa's brother Karl, whom she has not seen in three years, and his fellow Nazi Ludwig visit Ilsa. Karl proudly informs her that he and Ludwig are "Werewolves", a group of Nazi assassins parachuted behind Allied lines for the purpose of killing Allied High Command officers. She and Steve go to Army Intelligence with their information, where Steve is immediately arrested for being A.W.O.L. Captain Melton of Army G-2 intervenes on Steve's behalf, as G-2 has had a suspicion about the existence of the "Werewolves" but no concrete info before now.
Produced by the Army Pictorial Service, Signal Corps, with the cooperation of the Army Air Forces and the United States Navy, and released by Warner Bros. for the War Activities Committee shortly after the surrender of Japan. Follow General Douglas MacArthur and his men from their exile from the Philippines in early 1942, through the signing of the instrument of surrender on the USS Missouri on September 1, 1945. Preserved by the Academy Film Archive in 2013.
Based on a true story. Near the end of World War II, two German deserters are put in an Allied POW camp. When a rigid and militaristic German colonel learns about their desertion, he wants them court-martialed, even if the war is over. The uninterested Allied officers oblige him, and the two men face the firing squad on "the fifth day of peace".
This fictionalized portrayal of Emiliano Zapata as an Indigenous Mexican shaman, directed by Alfonso Arau, was reportedly the most expensive Mexican movie ever produced, with a massive ad campaign, and the largest ever opening in the nation's history. Unusual in the Mexican film industry, Zapata was financed independently.
Their family name alone evokes horror: Himmler, Frank, Goering, Hoess. This film looks at the descendants of the most powerful figures in the Nazi regime: men and women who were left a legacy that indelibly associates them with one of the greatest abominations in history. What is it like to have grown up with a name that immediately raises images of genocide? How do they live with the weight of their ancestors' crimes? Is it possible to move on from the crimes of their ancestors?
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