In the middle of Sherman's March, in eastern Georgia, Confederate infantry, cavalry, and artillery make a bold stand against the overwhelming numbers of the Union army as it tears across Georgia.
A young medic decides to escape the devastating horrors of war and wanders off into the endless snowy wilderness. Unexpectedly, he crosses paths with a family who has set a table in the cold fields.
The famous scientist, academician and art critic Andrei Ilyin, who survived with the Hermitage staff the harsh trials of the Leningrad blockade, returned to his hometown after many years. The whole life of Ilyin is connected with Leningrad. A life that in the distant years of World War II would have seemed to have no future, but which, despite the unbearable horror of hunger and devastation, continued only in the name of the future ...
The story begins in a small rural village in Ladimirevci, Eastern Croatia in 1943, where a land owner Sima is helping the Partisan Movement and the official Ustasha regime in order to save the life of his son Beneš, who is enlisted in the German army. Sima doesn't want to let his son fight for the wrong side any more, and doesn't want to give him to the Partisans either, so he hides him in his attic for the time being. The story is interwoven with episodes of Sima trying to muster a beautiful stallion - Sokol - who only answers to his son Beneš and clearly doesn't like his old man.
Cooper is a Union Army officer who after being jilted by girlfriend, Virginia Bruce, volunteers on what could be a suicide mission. He volunteers to go behind enemy lines disguised in Confederate gray as a staff officer to Robert E. Lee. He's to ride to a certain plantation which is a local brigade headquarters and deliberately let himself be caught with maps showing false Union troop positions. Of course, the penalty, then as now, is execution.
In his experimental short film "Brutalität in Stein" (Brutality in Stone), Alexander Kluge demonstrates how Nazi architecture used dimensions of inhuman and super-human scale to bolster the regime's politics of the same kind. Shots of huge neo-classical architectural structures from the Nazi period are confronted with equally anti-human national-socialist language as a voice-over.
Cyrano de Begerac is joyous, witty, a poet, a leader and filled with plenty of charisma and bravado in 17th Century France. He has only one flaw: an unusually long nose which makes him unattractive to any woman. Thus, he cannot have the woman he loves, his cousin Roxanne. Roxanne loves an officer in his army who gets tongue-tied in front of women. Who will Roxanne love? Will Cyrano ever find love? Or will he find happiness in helping the officer woo Roxanne? This is a story of split personalities, human frailty and unrequited love.
World War II. Patriot Jonuz Bruga has troubles with his young son, Selim, who leads an immoral lifestyle and does not support the anti-fascist war, while his brothers fight in the city's guerrilla units.
A collection of stories set during the Spanish Civil War, ranging from an account of Republican executions in a Madrid bombarded by Franco's forces and his fascist allies, to an Andalusian marquess who sets out to hunt communists with his personal death squad, to a militia woman who saves the life of a right-wing lawyer out of compassion.
In Luanda, one of the world's poorest and most dangerous places, three students from Angola's only music school work towards their end-of-year concert. The Music School is Angola's first and only school of its kind. It houses some 80 students, most of them desperately poor. Many face disapproval and outright rejection from their families who can't see a future in music. This film asks if, despite the ravages of 27 years of civil war, musical passion can overcome terrible hardships.
A film about the people of Saigon told through the experiences of three young American journalists who, in 1970, explored the consequences of war and of the American presence in Vietnam. It is not a film about the Vietnam War, but about the people who lived on the fringe of battle. The views of the city are arresting, but away from the shrines and the open-air markets lies another city, swollen with refugees and war orphans, where every inch of habitable space is coveted. (NFB)
A young Japanese-American orphan in California is taken in by a priest who is actually a Japanese secret agent and a samurai warrior. Due to the samurai's training, the boy murders his English teacher, kills the American parents who have adopted him, smuggles Japanese secret plans into the country, and eventually becomes the governor of California with plans to infiltrate Japanese spies into the state so they can take over.
Filmmaker Trevor Graham is an Australian 'hummus tragic'. Every week in his Bondi Beach home he observes the hummus making ritual, mashing chickpeas, lemon juice, garlic and tahina. But when the Hummus War erupted in 2008, among the usual suspects, Israel, Lebanon and Palestine, Graham was hungry for more. But this war ha no soldiers, bullets or tanks. Just chickpeas and hummus. Make Hummus Not War is a humorous homage to the chickpea's most distinguished dish. But there's a personal story, how Graham became a hummus tragic, a father who served in Palestine during WW2 and two lovers in his life, one Syrian, one Jewish, with whom he shared a great culinary passion.
The American Civil War is the setting for this film which portrays the efforts of a girl, with the aid of her boyfriend, to deliver a message to the Confederate army while the Yankees try prevent them. After disguising themselves as Yankee soldiers, Nan and her young man are recognized, chased, and the young man killed. Nan manages to deliver the message but only after being shot herself, collapsing after the commander is in possession of the important news.
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