The former supervisor of the camp of political prisoners, Barkhatov, turned out to be an ordinary corporal in the war, failed, and did not want to change in the new circumstances and remained a camp "turntable". And during the war, being together with naive village people, he arranged a small "puppet" theater, where he became the main "puppeteer".
This film attempts to reconstruct the tension of the Battle of Shanghai through an episode in an understated way, introducting its story in a documentary mode. In the film story, Japan's marine regiment protects Japanese residents and Chinese refugees-women and young children-from rampant street fighting, Shanhai Rikusentai unsparingly uses its first eight minutes for an official-mannered self-justification of the war. From the viewpoint of explaining Japan's military operation,the narration refers to the city s spatial division in sync with maps on screen.
With the fishermen's life on the southeastern coast in the early 1960s as its background, the film depicts a group of militia women who work both as fisher women and fighters defending their homes and the motherland.
Ihr Unteroffizier offers a private and "childish" view of the war: that of a young girl who writes to three soldiers and sends them food and warm socks.
This is the true story of Jake McNiece, who led a band of tough and determined paratroopers called the Filthy Thirteen (part of the 101st Airborne platoon). His anti-authoritarian and no-nonsense attitude, mixed with his courageous spirit and wild antics, inspired the fictional tale of THE DIRTY DOZEN, both the book and subsequent film.
The action takes place in the autumn of 1942, when German army was approaching Stalingrad and a group of Belarussian partisans decides to make a disruption in the rear of German's troop trains. Having found themselves without equipment, they send the young Mikhas to mechanic Bugreev. He is accompanied by Sazon Ivanovich, who is also cooperating with Germans - by the secret task of partisans. They come to the lodge, where equipment is hidden, build a fire and start to clarify explosive. Sudden arrival of Germans crushes the heroes' plan.
Three Soviet prisoners of war escape from a fascist concentration camp at the end of the war. One of the guards helps them and runs with them. Many years later, this former German henchman meets one of the escapees and comes up with the idea of \u200b\u200bthe destruction of all the fugitives with whom he once escaped from a concentration camp; they abandoned him wounded during the escape. He begins to put his cruel plan into action, deciding to take revenge and thereby getting rid of witnesses to his crimes in the concentration camp...
A history of Argentina's last military dictatorship (1976-1983). After "La Republica Perdida" was made, which covered 1930 to 1976, there was an important part of Argentina's history yet to be told, which was too recent to be covered by the first documentary. The first movie was made at the end of the last dictatorship. This second documentary covers this last dictatorship from 1976 to 1983.
Though almost forgotten today, Veit Harlan was one of Nazi Germany's most notorious filmmakers. His most perfidious film was the treacherous anti-Semitic propaganda film Jud Süß - required viewing for all SS members. This documentary is an eye-opening examination of World War II film history as well as the story of a German family from the Third Reich to the present; one that is marked by reckoning, denial and liberation.
A group of very different men are summoned for their refresher training at Haglemoen military camp. One more strange than the other, we get to meet jovial salesman Goggen Rask, car mechanic Bottolph Johansen, nicknamed daydreamer, and ship-owner Rieber Larsen Jr. They form an unruly faction which Major Kampstrup struggles to maintain structured and prepared, not to mention keeping them inside the camp premises before they pretend sick to see the nurses Bitten and Florence. The men do their best to get through their rigourous training, with great confusion and comical situations.
After a heavy blow by the Piggy Empire, seven colorful birds with powerful and remarkable abilities are left with three precious eggs. The pigs, still hungry for more eggs to feast on, prey on these untouched eggs and snag them. Infuriated, the birds go about destroying the structures of pigs that fall within the birds' path in hopes of finding their eggs.
Upon becoming Prince Regent, the bellicose Lord Biu of Wu sends commander-general Si Ching-wan to rage wars between the Zhao and Chen Kingdoms. A small state that is long on literary excellence but short on military might, Chen is defenceless against the invading forces. The compassionate general answers the pleading of the Chen princess, Fung-ming, to sign a treaty of peace. In his speech to the lord, Deputy General Lau Mo-yeung accuses Si of treason so as to lay claim to Chen. The lord dispatches the valiant fighter Lui Chen-sing to Chen on an assassination mission, but the assassin is vanquished. Si prevails on Lui of his patriotism. Lord Biu fights Chen. In a dire attempt to redeem Chen, Si surrenders to the Wu camp. Lui pretends to have blinded Si to extricate him. The duo ally with a band of chivalrous fighters to overturn the corrupt regime. Dispossessed of his throne, Biu commits suicide. Si returns to his land to serve as an aide to the young king and marry Fung-ming.
The central character is a 7 year old girl called Sachiko. She has just lost her immediate family in the firebombing of Tokyo and takes the train to her uncle’s family in Kumagaya in Saitama Prefecture. She is not out of danger yet, for the train gets shot at by a plane along the journey. Her uncle meets her at the station and he and his whole family welcome her with open arms. With her cousins, Sachiko explores the beauty of the natural landscape around Kumagaya. Sadly, these beautiful days of late summer are not to last. The final movement of the film depicts the final air raid of the war. The city descends into fear and chaos and Sachiko gets separated from her family with tragic results.
In Slot in Memory, a 2013 short from Syrian filmmaker Khaled Abdulwahed, images of war are only visible through a tiny crack in an otherwise dark frame. Abdulwahed cuts between this crack and simple footage of children from Lebanon’s Sabra and Shatila refugee camps playing happily on a swing. Abdulwahed has said he had initially set out to tell a more direct account of war and trauma, but because he was physically unable to reach warzones inside Syria, he felt he couldn’t do such a project justice. Instead, filming the kids, he discovered the swing they were playing on had a crack in it, which inspired him to make the visual connection with the obscured war footage.
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