In a losing war for a nameless cause a soldier is sent to the combat zone to deliver a message from high above to the officer in charge. His mission proves to be harder than anticipated since the havoc has apparently dissolved any vestige of order or structure and every man seems to be fighting for himself. The soldier remains unyielding in his quest however; confident in the importance and relevance of the message he carries, hoping that it will contain vital information that will save his life and his comrades. But he might be in for a big disappointment...
During the Great Repression of 1937, the Chekist Darambalsan was given the task of "arresting the person who spread rumors that a reincarnation would be born in Arkhangai province and destroying the reincarnation." Darambalsan searched for and destroyed the reincarnation, but at the last moment, he discovered that the reincarnation that was supposed to appear was himself, and he killed himself for his views and beliefs. The bitter story of the repression is depicted in this film, where one person accused the other in various ways and used it as a political game.
“It’s a story, adapted from the homonymous drama, that the new Forth Army struggles with the branch of Jiangsu-Shandong-Anhui of Kuomindang for Anti-Japanese, solidification and against surrender, abruption during the way going east.It reflects the complicate situation during the Anti-Japanese War andthe victory of the Anti-Japanese unibus policies of the CCP Center and Chairman Mao.” From the English Red Movie blurb
Sergei Govorukhin, son of well known Soviet and Russian film director Stanislav Govorukhin, was a Russian scriptwriter and war correspondent. This is his first and only documentary, dealing with his feelings about the first war he covered - the first Chechen war - as well as his very cynical view of Russian society during this time. These feelings and opinions were shared by many other war correspondents and cameramen at the time. The author used heavily contrasting footage and sound to illustrate his point of the indifference of 90's/early 2000's Russian society towards the conflicts it found itself in after the Second World War.
Following the Battle of Jena in 1806 as the French armies commanded by Napoleon overrun Prussia, a small detachment of Prussian troops take up position in a windmill and resolve fight to the last man to hold them off for as long as possible. Meanwhile, the windmill owner's daughter chooses to stay and fight alongside them.
At the height of the Second World War, two young soldiers on different sides of history begin to question the war that they once glorified, and are forced to choose how to respond.
1945. Soviet offensive is approaching Cracow. Local resistance cooperate despite political differences to save the city from destruction planned by Germans.
Beirut – or indeed maybe any city, anywhere – is at war with itself. Here, no conflict is ever resolved, and no wall is ever repaired. The explosions resonate better in this city full of holes. Young men who live here are caught between military service and religious affiliation. I visit some friends, gather their suicidal testaments. No one goes anywhere. I cross my city in every way possible, day and night. 16mm
A vulture, a gorilla and a hyena (“with no small resemblances to actual dictators”) bully the woodland animals, who eventually fight back, using the letter V as their victory symbol.
In May 1808, the fortress, renamed Sveaborg, surrendered to Russian troops and, together with the fleet and fortifications, went to the Russian Empire.
Nikolaeva, the wife of a Red Army commander, and her two small children did not have time to evacuate and remained in the city occupied by the Germans. By hiding a persecuted woman in her house, Nikolaeva herself comes under suspicion. Having miraculously escaped arrest, she and her children are now forced to leave the city...
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