In 2010, this film started out as an ordinary documentary about the maker's family and the city of Salamya where they come from. However, it immediately fixates on its first subject: Hassan, the maker's farmer cousin with a shed full of cows he is very fond of. When Ali Sheikh Khudr returned two years later, the war proved to have inflicted deep wounds.
Mr. Komak, a musician from one foreign power, and Ra Sol Ju, Navy communicator of DPRK, who also does have a sense of music, met twice. First, on the Korean War, where she captured him, and then at the Festival of Youth and Students in Berlin. Many years later, Komak is coming to the festival in Pyongyang, with hope to find her.
This film is a story from the Mahabharatam where Draupadi, the wife of the Pandavas, resists the advances of Keechaka, a lustful general in the court of King Virata. The confrontation leads to Keechaka's death, highlighting Draupadi's resilience during the Pandavas' exile.
It narrates the struggle between two groups of cousins in the Kurukshetra War and the fates of the Kaurava and the Pāṇḍava princes and their successors.
The film tells the story of a married couple of civilians who came under intense fire from the enemy Russian army in the Izyum region in their car. The 93rd "Kholodny Yar" military brigade, not having the opportunity to safely approach Ukrainian civilians, conducted an unprecedented rescue operation with the help of drones. The plot is based on real events.
Story of the London Philharmonic Orchestra in World War II, from going bust, to being taken over by the musicians to run itself. Starring many of the members of the orchestra themselves
The year is 1864, and the young officer cadet Felix courageously throws himself at the prussian troops in Fredericia. From there, his regiment is ordered to travel to Dybbøl, where fierce battles against the German forces are awaiting them. While staying at a farm, Felix meets the farmer's daughter Karen who will later save his life. (stumfilm.dk)
Following the Battle of Jena in 1806 as the French armies commanded by Napoleon overrun Prussia, a small detachment of Prussian troops take up position in a windmill and resolve fight to the last man to hold them off for as long as possible. Meanwhile, the windmill owner's daughter chooses to stay and fight alongside them.
Julien Temple's wartime documentary parody "Punk Can Take It" (1979) - a theatrically released promo for the UK Subs, complete with narration by BBC voice-over veteran John Snagge - paints a glorious picture of England in a punk rock "identity crisis". Punk morale was higher than ever before. Punks were fused together not by fear, but by a surging spirit of revenge, immortality, and the courage never to submit or yield. This proved that punk won't go away and that punks themselves are becoming younger and nastier everyday. They have no time for the precarious thrills of nostalgia nor for its trivial rules.
In 1943, the Imperial Japanese Secret Service made a film called Calling Australia! to show the "exemplary conditions" under which prisoners of war were kept, and to "soften up" the Australian public for the anticipated occupation of their country by Japanese forces. Prisoners of Propaganda tells why the film was made, and how it came to be forgotten.
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