Richthofen (aka Richthofen, The Red Knight of the Air and Richthofen, The Red Ace of Germany) is a 1927 German silent war film directed by Desider Kertesz and Peter Joseph. The film was subsequently re-mastered with sound and music effects and re-released in the United States in 1929. The film stars Georg Burghardt, Sybil Moore and Arne Molander. Richthofen was the first film to portray the life of the First World War fighter pilot Manfred von Richthofen.
In a remote area in Afghanistan, stories of the lives of a young shepherdess, a birdcatcher boy and a mourning teacher are intertwined after their school is burnt down. The young shepherdess takes the risk of saving a woman US soldier after a helicopter crash; the birdcatcher boy takes shelter in a tank with the birds, the pin-ups and the illegal music that he loves; and the mourning teacher seeks vengeance on the one who has widowed her…
June 1941. Two young village boys are taken by surprise by the outbreak of war. One of them receives a summons to the draft board, although he is not at all eager to go to the front. Another boy, an ardent Komsomol member goes to the militia voluntarily. Accelerated military courses, broken first love - and a platoon of militia with our friends find themselves on the edge of the impending German armada ... The test by fire will show who is who ...
The Blitz: Days that Changed WWII tells the story of one of the most pivotal six-month periods of the 20th century, beginning in August 1940 as Nazi Germany has conquered most of Western Europe. Britain now stands alone against Hitler’s Luftwaffe as it rains bombs on its cities, villages and ports. As they face daily bombardment and destruction along with threats of gas attacks and invasion, the people of Great Britain come together to make a heroic stand.
Two illegal fighters hide from Ustasha regime in the abandoned villa from which Jews are expelled. Tensions arising from their situation mixes with thoughts of the previous owners of the place.
Recounts the so-called 'Battle of Inchon', an episode at the end of World War II during the amphibious invasion of Korea, resulting in a decisive victory and a strategic reversal in favor of the Allied forces.
Vera is a young woman in the Kingdom of Yugoslavia who gets entangled in the WW2 spy network and also in the patriarchal society full of powerful, arrogant men with whom she deals bravely and arrogantly.
The main character of the film is a journalist — Liza, a woman in her mid-forties, who, 25 years ago, worked as a war reporter during the Georgian-Abkhazian military conflict (1992-1993), which Russia provoked for the purpose of occupying Abkhazia.
During the revolution, Japan is defeated but has yet to surrender so a 14-year-old boy insists on joining the army, to avenge his father, who is incarcerated in Nusa Kambangan for murder. His actions are brave yet extreme in every way. Recognising this, the commander promotes the boy to section head, even though all his men are older than he is. He takes the most dangerous missions and as a result, one of his men dies. The late man’s girlfriend then volunteers, and is also killed, after being just as reckless as the boy.
In a world imbued with magical realism, a few musical notes are enough to reunite those who love each other. Gabo, a man swept up in the whirlwind of war, dreams of this piano tune that will bring him home. With its use of magical realism and family love themes, 'A Piano Tune' will embark you into a life's journey in time, full of tense moments and pure emotion.
The film is also a tribute to author Gabriel García Márquez, an emblematic figure of Colombian culture.
“Al Makhtufun” won the 1998 Best Short Documentary Film Award at the Mediterranean Film Festival for highlighting the issue of abducted Lebanese. The film raises two major issues: The abductee’s physical absence and his spiritual presence among his family members, and the parents silently wishing his return. The documentary looks at documents kept by Wadad, a mother who decides to step outside her comfort zone and share her papers and forms when other parents would not.
Empty landscapes from Korea and Vietnam evoke a tranquil existence in which a monster, an invisible enemy, is felt lurking beyond the frame. 'Scape' is comprised entirely of landscape footage shot by U.S. war cinematographers, depicting an existential environment of rolling hills and descending fog.
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