A group of Australian World War II diggers, veterans of the Kokoda campaign in Papua New Guinea, return to the battle site at Isurava 56 years later, to say a final farewell to the mates they left behind.
This movie is set at the start of World War II, with little shepherds on the green slopes of an Albanian mountain range featured as intrigued, distant observers of the Italian army and their prey, the partisan fighters who are hiding in the homes of the villagers. Even the Albanian police who are supposed to be helping the Italians do not betray the resistance fighters when they see them. The children watch as the hunter and hunted play out their drama below, not understanding that the scenes are more real than their own hunt for the five-legged rabbit that is supposed to be living in these hills. As the tragedies of war mount, the children start to become more involved - at one point they steal the weapons from some drunken Italian soldiers, nearly leading to a disaster on their part. Time and events rapidly unfold, and it soon becomes apparent that their innocence will not last for long because their own existence is threatened in a way they are just beginning to understand.
In the space between war and a new battle, NOT YET BEGUN TO FIGHT unfolds, offering an intimate look at the human cost of combat. A retired Marine Colonel reaches out to five men, a new generation returning from the battlefield. He brings them to the river. He puts a fly rod into their hand, teaches them to cast, and shares his secret: there are places where you can still be consumed by a simple act, find joy in a fight, and be redeemed as you gently release another creature, unharmed, into quiet waters.
Women from a variety of professions sign up to join a volunteer group looking after barrage balloons. Working through all weathers and all hours, after an eleven-week initial training period, they are committed to their work as well as their leisure-time activities.
A former Nazi captain anonymously travels the ruins of post-World War II Germany seeking to atone for his crimes by hunting down the members of the SS Death Squad who once worked under him.
When film director Morten Conradi´s father met Igor Trapitsin, a Russian prisoner of war, for the first time in Brønnøysund in Norway 1945, it was the beginning of a friendship that lasted until Morten’s father died in 1977. Morten always wanted to find Igor and find out how he survived the barbaric conditions in the camps during the Second World War. So in 2009 Morten went to Moscow to meet him. The answer Igor gave was unexpected, he simply said: "Singing saved my life".
A soldier abandoned by the government exists trapped inside of a dilapidated apartment. The only thing keeping him company is a radio, and a dead body.
A group of WW2 soldiers who were never meant to see the front lines. Not only did they end up on the front lines, but they were under-gunned and under-manned. Patton called them his "golden nugget", the Nazi's called them "The Ghost Corps".
The film follows Mrs. Sarika's departure to a Jewish retirement home. What was supposed to be a peaceful end to life, turns into the horror of the Holocaust, and she herself becomes a victim.
Ring of fire keeps a sense of menace to the end, the atmosphere is tense. There is no safe haven, and Beirut of yesterday becomes a chilling image of our world at war today .
Eight of the finest wartime works by the world-renowned poet Dylan Thomas who made a little-known but valuable contribution to Britain’s war effort scripting powerful propaganda films for the Ministry of Information. This anthology collects together eight of his finest wartime works: "THESE ARE THE MEN" (1943) - a blistering attack on the Nazis: "BALLOON SITE 568" (1942) - the women who worked as barrage balloon operators "WALES, GREEN MOUNTAIN, BLACK MOUNTAIN" (1942) - a tribute to Wales at war; "NEW TOWNS FOR OLD" (1942) - urban regeneration in the fictional town of Smokesdale; "THE BATTLE FOR FREEDOM" (1942) - the contribution made by the Empire towards the British war effort; "CEMA" (1942) - the Council for the Encouragement of Music and the Arts; "A CITY REBORN" (1945) - a salute to the city Coventry; "A SOLDIER COMES HOME" (1945) - a soldier on leave with his family in London.
An actuality film of the P&O troopship Nubia departing Southampton for the Boer War in South Africa on 21st October 1899. War had been declared on the 11th October so this departure forms part of a number of chartered ships leaving from around Britain every day. According to the BFI programme notes, the Nubia docked at Cape Town on 13 Nov 1899, after sailing for 23 days. The soldiers onboard included the 1st Battaliion Scots Guards and 2nd Battalion Northamptonshire regiment. These soldiers first saw action 10 days after docking on 23rd November at the Battle of Belmont. This film was made and distributed by the Fuerst Brothers in London.
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