A teen with a reputation for telling lies and creating trouble witnesses her new stepmother murder a man in a vacant parking lot. Now, she must convince her mother to believe her story before she enacts her plan to destroy her family.
When 15-year-old Lizzie is kidnapped, her friendly but divorced parents Judith and Martin are devastated. The police can't find the girl but Tracy Spencer comes forward claiming she's a psychic and knows where Lizzie is. Judith is elated, but it soon becomes clear that Tracy has an agenda of her own.
Willy Loman clings to the belief that he is a success as a salesman, that he is a beloved family man, that he is well-liked; but, as he grows older, he is forced to contemplate the unpleasant reality of his existence.
When Sharpe is ordered to whip the King of Spain's Irish Royal Brigade into shape, he faces dissent from the men who believe the British are slaughtering their relatives in Ireland and a spy from within.
A passionate manager is torn apart between loyalty to his son, a dodgy football agent, and his hometown club. This football drama gives you insight to the dark side of the game.
Princess Camille travels to America to create a cross-cultural college exchange program and falls for professor Rhett Davis, but when she discovers he was hired by her father to escort her, aka babysit her, she wonders if he cares more about her or his career.
Sam Elliot stars as Sam Houston, the visionary who nearly single-handedly forged the state of Texas into a powerful entity in its own right. Refusing to forget the Alamo (as if anyone could), Houston led the military in Texas' rebellion against Mexico. G.D. Spradlin co-stars as President Andrew Jackson, with Michael Beck appearing as Jim Bowie, James Stephens as Stephen Austin, and Richard Yniguez as Mexican General Santa Anna. Lensed on location in the Lone Star state, this sweeping made-for-TV film originally occupied three hours' screen time on November 22, 1986. Its title at that time was Houston: The Legend of Texas. ~ Hal Erickson, Rovi
A young man on a bicycle is turning a corner in front of an apparently abandoned building when he begins to hear the ringing of a cell phone. (A prequel to the first version of Ju-on, 2000.)
An urban family that can’t seem to get along gets stranded in a remote, impoverished lumber town two days before Christmas. When they become involved in the town’s home-grown Christmas pageant, they not only help solve the town’s problems but learn to connect with each other just in time for the holidays.
A young teacher, Emily Bennett, sets out to clear her name after digitally fabricated pornographic photos of her are sent to her students. She soon discovers that this incident is linked to the kidnapping of another young woman and that she is now the kidnapper's next target.
With their mother dead, Emily and Ben torment their nannies to quit as fast as their father hires them. Till a nanny named Kate shows up and slowly wins Ben over. That's bad enough, but when her father and Kate start to fall in love, Emily sets out to break them up and match him with her ballet teacher.
After Lisa Temple is brutally attacked and suffers from amnesia, it seems her bitter character has changed for the better, which causes her estranged husband Paul to have second thoughts about leaving her. As she rebuilds her life, Lisa and Paul fall in love again. However; there is danger lurking and one last angry memory waiting to surface. Will their love survive?
Two teenage siblings must save the lives of their inventor parents after a time-machine experiment goes awry and their parents become younger and younger versions of themselves.
What makes European cinema so special? Find out in Paul Joyce’s feature-length documentary, Pictures of Europe, which examines the differences between American independent and Hollywood movies and films from European directors. Featuring luminary iconoclasts from European cinema such as Agnes Varda, Bernardo Bertolucci and Pedro Almodovar, as well as American counterpoints from Paul Schrader, and those who have crossed back and forth, such as Paul Verhoeven
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