A traveling scholar, intent on translating a Buddhist sutra that is said to have power over the creatures of the afterlife. He slowly finds himself entangled in a mysterious plot involving witchcraft, demons, and a battle to preserve his own soul from the attacks of the supernatural underworld.
Billy Frank is an ordinary kid, until his family inherits an old castle and Billy learns he's a distant relative of the infamous Dr. Frankenstein. Billy's folks decide to visit their family estate, and Billy soon discovers they're not alone.
Derrick, a corporate lawyer with a large trust fund, and Zane, a criminal, live in opposite social spheres. Although they never meet, their lives are more connected than either one of them could ever imagine.
From the depths of space he is coming... Ancient beyond understanding, his power is immeasurable. He has destroyed half the universe and is on his way here. He is… Genma. Only two people are aware of the imminent catastrophe: Princess Luna, a modern day prophetess and Vega, a cybernetic crusader from a world long since ravaged by Genma. Determined to spare the Earth from a similar fate, Luna and Vega must try to mobilize the most potent psychics in the world. Together, this army of fledging psychic warriors must succeed where billions have tried... and failed. But will they be able to gather their champions in time? Genma’s agents are already on Earth to ensure that their master meets with no opposition!
A man journeys by rail to a nameless sanatorium where his father has recently died. Once there, time loses its linearity and he finds himself in a world that appears both strange and strangely familiar.
A fish-out-of-water comedy where the fish can set people on fire! Wendy (Chingmy Yau) arrives in Hong Kong to stay with her aunt Big Beer (Deannie Ip), who shares a space with her landlord Charles (Lawrence Cheng). There’s just one problem: Wendy can set things on fire with her mind. Her pyrokinetic powers are accompanied with some bad luck, so the victim usually gets a double whammy of charred flesh and misfortune.
Goopy Gyne and Bagha Byne are banished from their respective villages for being bad musicians. However, with their skills, they succeed in pleasing the king of ghosts who grants them three boons. How will they succeed in preventing the war between Halla and Shundi which is looming large?
Kari and Onia meet in Cannes, experiencing love at first sight. Upon returning to Sakartvelo, they are quarantined in different hotels in the midst of the COVID-19 pandemic. They stay in touch via phone calls and video chat. Kari teaches Onia Caucasian Yoga breath training and they travel in past to meet a variety of Georgian historical figures during their important life events, in order to understand the wisdom and limits of love.
The 'Here Comes Christmas Candy Cane' is an important part of Ponyville: it’s the beacon that shows jolly old Santa Claus the way to the town as he makes his holiday rounds each year. But when Minty accidentally breaks it, it looks like Ponyville is destined to have a bleak holiday season. Minty is determined to do anything to save Christmas for her Pony friends while they, in turn, band together to try and cheer up their despondent four-legged friend.
Làng Wū Yáo is a boy born with a supernatural singing voice. Secluded in the snowy mountains, he is put through severe training by his blind mother. Her wish is for her son's voice to be unrivaled, so that it will be heard by the imperial court. But the intense training results in a tragic accident, where she dies. Left an orphan as a result, Làng wanders the land. His voice is used as a tool by the wicked and greedy, with his heart being ground down in the process. Eventually his strange singing catches the ear of the princess of Xī Yōu, and Làng is elevated to the stage his mother had dreamt of. But what awaits him is a life or death battle performance against other musicians for the amusement of the members of the court.
A young Halloween buff accidentally downloads recently deceased stand-up comic, who ends up helping her foil two bumbling crooks, as well as finishing her haunted house.
A forest full of animated animals encourage a pair of snails, who are fully clad in black because they are in mourning for a dead leaf, to celebrate the new spring and reclaim the colors of life. Based on the children's poem by Jacques Prévert entitled "Chanson des escargots qui font à l'enterrement" ("Song of the snails who are on their way to a funeral").
Martin (deceased) is stuck in a dead-end job, welcoming the newly departed into the afterlife. All he dreams of is going 'Up There'. But his plans are thrown into disarray when he has to team up with the relentlessly chirpy Rash and together they lose a new arrival. The mismatched pair give chase and end up in a remote seaside town populated by cocky teenagers, sinister old women and the enigmatic Liz, who has 'suicide written all over her'. Can they stop bickering long enough to find the lost soul? Will Rash be reunited with his brother Chunky? And can Martin get back in time to finally get 'Up There'? UP THERE is a killer comedy about life, death and irritating friends.
Oliver is a young priest of that Vasaria order, and a devout servant of his church. He has grown up with legends of a god who dwells on G, a distant island so forbidden that even speaking its name brings certain damnation! When Oliver saves the mute girl Ohiri from slavery, their destinies become intertwined and they set out on a perilous journey to G. Actually a silenced sorceress from the forbidden island, Ohiri is involved in a deadly game of survival that brings her and Oliver face to face with treacherous dark elves, powerful elementals, and a quest filled with plot twists, magic, and wonder.
The time has come for Eli and the Shane Gang to take their new friend Junjie home to the strange and beautiful Eastern Caverns. But when they arrive, they are shocked to find a world darker and more dangerous than Junjie remembers.
Following the phenomenal success of “The Threepenny Opera”, the film industry wants to win over the celebrated author. But Bertolt Brecht is not prepared to play by their rules. His concept of the “Threepenny Film” is radical, uncompromising, political, and incisive.
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