A fantasy inspired by the legend of Urashima Taro, who is said to have spent decades living in an undersea realm. Set on the Shonai Peninsula in Kagawa Prefecture, it presents a dream-like depiction of a young man's recovery from the death of a friend. University student Taro nearly drowns in the sea on a visit home but is rescued by his close hometown friend Masahiko, who instead loses his own life. Taro is wracked with guilt. Then one day, a strange girl named Mizuki appears before him.
Having just been fired and dumped by his wife, life couldn't possibly be worse for independent artist Gordon Hauge (Mark Redfield)—until he wrecks his car and finds himself in purgatory, that is. Once there, he is attacked by fanatic Shadowmen and legions of Ragmen—souls being enslaved and bent to some dark purpose. Gordon is rescued by an eccentric band of freedom fighters, people from different times of history who lost their lives in noble sacrifice. They recruit the reluctant and befuddled Gordon and set off on a wild adventure through the surreal landscapes of purgatory to battle the Despiser—an evil being who now reigns in this seemingly God-abandoned halfway house north of hell and south of heaven.
A girl, beautiful but heartless and ambitious, was the daughter of a poor miner and was devotedly loved by a man in her own station of life. She accepted his attentions willingly until a young engineer came along and paid court to her. She then dismissed her first suitor. Her father made a lucky strike, and they moved to the city to enjoy their wealth. This sealed the fate of the second suitor for a rich man became smitten with the girl and she accepted his advances. Perhaps she would have married him in time had it not been that she aroused the enmity of an old witch, deeply skilled in magic.
Based on Ed's book, The Only House, was thought to be just an alternate version of Necromania, which is also based on the book. This has proven to be untrue, although it appears to have been unfinished. According to Rudolph Grey: "Wood evidently began as director but was replaced by producer-cameraman Saul Resnick. In his resume, Wood tales screenplay credit. Uschi Digard did not remember shooting this 1970 1-day wonder, although she has extensive dialogue."
The story follows a young genius university professor who is able to learn any language. He is asked to decipher a code used in wireless communication: the Luger Code, developed by werewolves, enemies to mankind. Startled to find that he cannot decipher the code and desperate to study it, the professor embarks on a journey to capture a living werewolf to aid him.
Adrian, a teenager tried to prevent illegal logger from cutting the tree in the forest. He was mauled and was left life less under a rubber tree. The tree revived him an bestowed him the powers of elasticity and morphing. Adrian decided to use his powers for good and becomes the superhero Lastikman. His main villain was who possesses the same powers.
Anya and her beloved Yurko come to visit the girl’s parents in the Ukrainian Carpathian village in the summer. At the Ivan Kupala celebration, a local heartthrob named Ivanka, nicknamed Morena, puts her eye on and charms him. Strange and mystical events begin to happen to lovers after meeting with Morena. A conflict breaks out between girls – their relationship turns into a desperate war that leaves blood in their wake. This feud will forever change them.
Confident and popular sixteen-year-old Emma is in a coma. Why? What happened to her? To find out, she becomes an invisible “ghost” for a few days. She can see all, hear all, and dive back into her memories to rebuild her story.
This is a story of a seemingly quiet and unobtrusive man, author of a colossal and partly unfinished literary work. We will try to trace back to the origins of his inspiration so as to understand why his work met and still meets with so much success. How did JRR Tolkien manage, through the power of words alone, to so widely instill wisps of magic in the midst of a particularly disenchanted 20th century?
Parallel tales of young couples desperately escaping cruel false fathers, each couple on the run across different regions of the country and during increasingly contemporary time periods.
A surrealistic nightmare inspired by an 1855 photographic portrait, in which the magic tricks of early cinema are used to eerie effect. Creepy and beautiful at the same time, it does not share platitudinous ways to frighten the audience with the vast majority of modern horrors. Countess di Castiglione is a really existed Italian courtesan famous for her beauty and wide acquaintanceship among the ruling elite of those times. She directed Pierre-Louis Pierson to help her create 700 different photographs in which she re-created the signature moments of her life for the camera. Robert de Montesquiou, a Symbolist poet, dandy, and avid art collector, was fascinated by the Countess di Castiglione. He spent thirteen years writing a biography, La Divine Comtesse, which appeared in 1913. After her death, he collected 433 of her photographs, all of which entered the collection of the Metropolitan Museum of Art.
Santo goes up against the vampire Baron Brakola, who has returned to seek vengeance on the descendants of the Knight in the Silver Mask (Santo's colonial era ancestor).
Lemuel Gulliver (Lubomír Kostelka) has had a car accident and continues his journey across the unknown countryside on foot. On the road he finds a dead rabbit dressed like a man and takes a watch from its waistcoat breast pocket. The half-ruined house that he enters reminds Lemuel of his childhood and brings up a painful memory of a dearly loved girl Markéta who was drowned years ago. Gulliver finds himself in Balnibarbi, a country where he doesn't understand the laws and habits and so continually offends against public decency. It is a day when people are ordered to keep their mouths shut and they force their visitor to follow suit. He faces harsh interrogation and finds it difficult to explain that he is not the rabbit Oscar whose watch has been found in his possession.
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