In the year 298 of the Divine Era, elementary school girls Washio Sumi, Nogi Sonoko, and Minowa Gin are tasked with an important mission. They are to become heroes and fight Vertex, a mysterious enemy that is attacking Shinju-sama, the god tree that protects Shikoku, the only area in the world that is still habitable. What they don't know, is that this fight will cost them more than they could have ever imagined.
A science-fiction fantasy based loosely on the classical Japanese Noh theatre drama Adachi-ga Hara about the demon Onibaba, of which lyrical extracts are quoted at intermission-like intervals throughout the film. The plot centres on a journey made by a space pilot named Yūkei who arrives at a planet upon which a murderous "witch" is said to reside.
Follow Rhonda, a woman with a dark past and a mysterious power, as she is pursued by an unknown assailant after the death of her father. Aided only by her wits and a pair of orphans, she journeys through a decaying, dystopian metropolis populated by raiders, gangs, and the supernatural. As she struggles to survive in this harsh urban tangle, she meets both friends and enemies, and searches for answers about this power, "The Ether", awakening within her.
Koji Nanjo, a young rock star, falls in love with soccer player Takuto Izumi. Koji eventually learns that Izumi's mother killed his father out of severe and intense love. Izumi took all the guilt for his father's murder and refuses to go pro because of fear that his past will be discovered by the media. Izumi detests Koji's company and encouragement and severely dislikes the attention from the press, but Koji cannot stay away for he soon realizes that his love for Izumi is very similar to the love that Izumi's mother felt for his father.
A young boy named Guskou lives in the countryside with his parents and little sister. A string of droughts and other natural disasters tear the family apart, and Guskou is forced to leave home and seek his fortunes on his own. Driven by a desire to improve the quality of life of his poor countrymen, he eventually joins a group of scientists called the Ihatov Volcano Department; he takes part in scientific projects to fight the natural disasters that drove him from his home.
At a nightclub, the crowd demands Goopy Geer, and the lanky dog doesn't disappoint them. He gives a zany performance on the piano, but the employees and the customers are just as wacky. A gorilla waiter dances while serving. Three identical cats display a peculiar way of eating. A chicken has a nauseating way of making chicken soup. The nightclub singer tells corny jokes. Even the hat racks come to life and dance. A horse imbibing a too-strong drink provides the show-stopper.
A collection of the classic morality tales narrated by Bill Cosby as "Aesop" that have been passed down from family to family for thousands of years. Every story has a lesson.
Ayako Mano, who is nearly identical in appearance to Yohko, is introduced; she has spent her life training and honing her abilities so that one day she may defeat Yohko and become the devil hunter of the Mano family, and now she is ready for the final confrontation. Yohko continues to live her life and is unaware of Ayako until she starts stealing away every guy that on whom Yohko has a crush. Then one night while taking a bath, Yohko hears something outside and gives chase. She then meets up with an Azusa look-alike. She and Ayako attack the unsuspecting Yohko with crushing attacks, while Yohko parries the onslaught. The fight stops, but Ayako vows to finish it. Madoka reveals a certain part of her past that relates to the encounter.
A sheltered aristocratic woman in feudal Japan, bored and unfamiliar with the world outside her estate, passes the time copying a special Buddhist sutra sent by her father who has been absent on official business for years. While gazing out her window one late afternoon, the setting sun creates a vision of a holy figure in the distant mountains.
Jack, a headless prankster from Grim's past, uses Billy to steal Grim's scythe so he can destroy Grim and take over the world with demons from the Netherworld.
Kuso no Sora Tobu Kikaitachi (Imaginary Flying Machines) is a 2002 Japanese animated short film produced by Studio Ghibli for their near exclusive use in the Ghibli Museum. It features director Hayao Miyazaki as the narrator, in the form of a humanoid pig, reminiscent of Porco from Porco Rosso, telling the story of flight and the many machines imagined to achieve it.
As Pacworlders excitedly decorate for Berry Day, Pac is saddened about missing his parents as he receives a picture ornament of them from his Aunt Spheria. The teens reminisce of their childhood Berry Day as they enjoy Christmas eggnog. Since Berry Day is one of the happiest days of the year, Betrayus launches a plan to get rid of the day by capturing Santa Pac and his Round Deer and to possess the gifts and Berry Day decorations. All Pac wants for Berry Day is to see his parents Sunny and Zac and is overjoyed when they arrive. But, his parents tell him they want to see the tree of life in the secret location which is forbidden. Are these Pac’s real parents or are they a trick from Betrayus and Dr. Slimestein? Let’s hope Berry Day can be merry after all.
While sheltering from the rain, a boy meets a girl who gives him a feather, asking him to meet her again. But the next day, the boy can't find that place again. Half a century later he returns to the same city, still carrying the feather.
Ever wonder who was the fastest Road Runner or Speedy Gonzales? This cartoon aimed to answer that all-important question between two of Warner Brothers' speediest characters. Of course, the race (set in an American desert) wouldn't be interesting without Wile E. Coyote or Sylvester trying to nab the bird and mouse. Both the hard-luck coyote and the puddy tat use a variety of tactics to grap their respective dinners, all which (of course) fail. In the end, Wile E. and Sylvester use a supersonic jet to pass their prey at the finish line (and "win" the race), but their vehicle quickly careens over the cliff. The poor puddy tat fall down over the cliff, just like Wile E. has so many times.
A man who no longer can afford his rent is forced to sell his beloved furniture. The furniture can not bear to be parted from their owner and decides to return home. Often confused with Bosetti's film Le Garde meuble automatique (1912).
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