Presented in the form of a feverish love dream, 1001 Nights is the first and only installment of the ground-breaking "Filmharmonic" project, which presents original compositions created by pairs of A-list film composers and directors.
Vanille is a little Parisian girl who has just arrived in Guadeloupe. She will be immersed in an exotic and mysterious adventure, meeting picturesque characters and magical flowers, all embellished with a touch of Creole. These holidays promise to be rich and full of surprises!
Felix in Exile introduces a new character to the 'Drawings for Projection' series: Nandi, an African woman, who appears at the beginning of the film making drawings of the landscape. She observes the land with surveyor's instruments, watching African bodies, with bleeding wounds, which melt into the landscape. She is recording the evidence of violence and massacre that is part of South Africa's recent history. Felix Teitelbaum, who features in Kentridge's first and fourth films as the humane and loving alter-ego to the ruthless capitalist white South African psyche, appears here semi-naked and alone in a foreign hotel room, brooding over Nandi's drawings of the damaged African landscape, which cover his suitcase and walls. Kentridge has commented: 'Felix in Exile was made at the time just before the first general election in South Africa, and questioned the way in which the people who had died on the journey to this new dispensation would be remembered'.
A young boy named Guskou lives in the countryside with his parents and little sister. A string of droughts and other natural disasters tear the family apart, and Guskou is forced to leave home and seek his fortunes on his own. Driven by a desire to improve the quality of life of his poor countrymen, he eventually joins a group of scientists called the Ihatov Volcano Department; he takes part in scientific projects to fight the natural disasters that drove him from his home.
Satomi and Yasunori are filled with happy expectations for their newborn baby Orine while driving home from a maternity hospital. However, a sudden accident strikes and Orine loses her parents. Nineteen years later, Orine is on the run from the police. While she is trying to escape, Orine is contacted by Yuri Aoshima, a member of a shady organization who offers her shelter in an unmanned experimental space station. However, Orine boards the station to find that it is not as unmanned as she thought: her mother, Satomi, is waiting for her there. As Orine and Satomi make up for their lost time together, the mysteries of Satomi's true identity, Yuri's goals, and a man called "SENSEI" who aims to take over the station continue to deepen.
Entertaining Dadaist experimental short, similar to Man Ray's work, full of shifting geometric shapes, stock footage of seagulls, flying eyeballs, and glaring floating heads.
This is an animated short made using audio of Film Director David Lynch telling the story of when he met George Lucas about possibly directing Return of The Jedi.
When Lola, a friend of the Bratz Girlz, is faced with eviction for harboring animals that she has rescued, the Bratz must combine their brainpower and talent to save them. The result is a hot rhythm benefit concert staged with the intent to find homes for all of Lola's adorable Petz. To assure their success, the Girlz accessorize and bling-out the Petz in true Bratz style.
A schizophrenic pickpocket scours the underground trains at the command of his inner demons. But when an accidental score reconnects him with a long-lost love, he must test his strength and defy the voices in his head. In the end, the quest for love proves the most meaningful endeavor of all, and the final cure for his sickness.
Tom chases Jerry into a fish cannery; they get sealed into cans. Tom breaks out, but falls off a pier as the cans roll under him. A shark chases him out of the water; Tom drops an anchor on the shark. Meanwhile, Jerry has been hopping in his can; Tom opens it, and puts his finger in, which Jerry bites. Jerry tricks Tom into falling off the end of another pier, and right into the shark's path again. The shark manages to get Tom into a very precarious position, barely holding the jaws apart. Jerry takes pity, and dumps a shaker full of pepper into the shark, which ends up on the processing line and stuffed into a huge can. Tom is unrepentant, so Jerry tricks him with a fake shark fin.
A mouse fakes blindness and plays his fiddle; he returns home, where it becomes apparent he's rich. The tax collector arrives, and he pulls various levers and presses buttons to make his home look like a shack. The tax collector can't catch him. A cat sees this and tries baiting a trap with a gold coin; that fails, but a gold crown on his tooth lures the mouse in. Or does it? The mouse telling this story to his grandchildren looks oddly familiar...
Cosmonauts investigate an asteroid belt between Mars and Jupiter. They believe that it might be the remains of a planet. Parallels are drawn to the Greek god Phaethon, who in Greek mythology was the son of the sun god Helios.
Set in the land of Yuguto, the people thought that the land they live is the size of the world, but it’s actually divided into several areas, each with a respective king. Even though there were small wars among areas, the kings had roundtable meetings to maintain peace and balance. It was until a dark group of dark monsters appeared. Chain Chronicle: The Light of Haecceitas is the first of a trilogy of movies, the TV series version is the movies chopped up into 20-minute segments with an opener, closer, and a small intro and recap added in to smooth out the runtime. Movie 3 (TV episodes 9-12).
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