In a stirring blend of archival footage, fictional recreations, interviews, and animation, the film delves into the story of Italy’s ‘Unknown Soldier’. November 4, 2021, in fact, is the hundredth anniversary of the burial of the Unknown Soldier in the Altare della Patria in Rome. Thanks to a collaboration with the Ministry of Defense, the Friuli Venezia Giulia Region, the city of Aquileia, and the Istituto Luce Cinecittà, this film reconstructs the events that led up to that event in 1921
Based on the famous historical novel by Alessandro Manzoni, and set between 1628 and 1630 in Lombardy, Northern Italy, during the Spanish domination, the film displays the marriage between two young textile workers, Renzo and Lucia. The 1922 version is one of the most ambitious and spectacular films in all Italian silent cinema, with remarkable mass scenes and some images that sparked controversy.
In 1523, young Thomas Müntzer arrives with his wife Ottilie in the Thuringian village Allstedt to assume the rectorate. As a follower of Luther′s teachings, he finds in the Bible not only reasons for clerical, but also for secular reforms. But when Luther turns away from the rural population after a discord with Müntzer, it is Müntzer who becomes the peoples′ spokesman. He is forced to go to Southern Germany, where he convenes with revolting farmers. But his way leads him back to Thuringia. In 1525, he and Heinrich Pfeiffer form the centre of the Thuringian peasant uprising in Mühlhausen, but their success is diminished by the fact that peasants and craftsmen don′t seem to be able to work together. In Frankenhausen, Müntzer becomes the leader of a peasants′ army that is set to fighting the ruler′s army – and sustains a devastating loss. Müntzer is arrested and sentenced to death by decapitation for his insurgency.
The momentous film stars Mykola Nademskyi as the grandfather of Tymish (Semen Svashenko), whom he alerts to secret treasure buried in the mountains of Zvenygora – Treasure that rightfully belongs to his homeland. The film wonderfully blends both lyricism and politics and uses its central construct to build a montage praising Ukrainian industrialization, attacking the bourgeoisie, celebrating the beauty of the Ukrainian steppe and retelling ancient folklore. Said Sergei Eisenstein of the film, "As the lights went on, we felt that we had just witnessed a memorable event in the development of the cinema".
Sexual minorities were oppressed, imprisoned and murdered by the Nazis. Paragraph 175 criminalized homosexual men during the Nazi era – but the Nazis also discriminated against lesbians and trans people. They should be excluded from the national community. More than 50,000 queer people have been proven to have been persecuted. The documentary highlights three poignant fates in the context of Nazi terror.
Ireland 1650 and a squad of English soldiers search for a legendary fairy treasure deep within a forest. But when they find this legendary treasure will it bring them all that they desire or will its owner want it back?
Barcelona, 1992. A historian has a conversation with a mysterious man who claims that, after the Spanish Civil War, witnessed one of the darkest episodes of Franco dictatorship. The meeting soon becomes an exchange of personal memories of that year 1940, the autumn of history.
Musical by the Takarazuka Revue. In modern day France, an exhibition is being held at the Palace of Versailles of the "Necklace of Marie Antoinette". The necklace had been used in a fraud case that marked a chapter in French history and later went missing. It has been reproduced using real diamonds. Fujiko has sneaked into Versailles, as has the gang of Lupin, Goemon, and Jigen - all with the intention of getting their hands on the necklace, which is valued at over 3 billion yen in today's money. But they bump into Inspector Zenigata. Lupin is the one who manages to foil Zenigata and grab the necklace. Yet the instant he lays hands on it, everyone is enveloped in a mysterious light. When they regain consciousness, they notice they have gone through a time slip to 1785, before the French Revolution when Louis XVI and Marie Antoinette were around.
Eleni is in love with a young and handsome Turk, Sedat (Tolgahan Sayışman), who also lives on Büyükada with his father, horse carriage driver Halil. These two have been sweethearts since their childhood, and now in college they have decided to further their relationship by tying the wedding knot. The only problem is that Eleni's father does not even know that these wild kids are hitched, since Eleni anticipated that the rich Stavro would never consent to her marrying a Turkish boy from a poor family. Sedat continuously pushes Eleni to tell Stavro of their plans, but the fragile girl can't summon up her courage. Meanwhile, in the background, the relationship between the Greeks and Turks of Cyprus is getting tenser by the day, affecting the situation of the Greek population in Turkey. On March 16, 1964, İsmet İnönü and the Cabinet come to a decision that all Turkish citizens of Greek descent must migrate to Greece.
On 15 March 1921, Talat Pasha, a high-ranking Turkish dignitary, was shot dead in a Berlin street by a young Armenian. A few months later, Soghomon Tehlirian, his assassin, appeared before a German court. He faced the death penalty. Yet, during the trial, the victim gradually changed into the guilty party, and the accused was finally acquitted.
Sensual, facetious, satirical and mocking, François Rabelais born at the end of the 15th century, alone embodies the Middle Ages, this fertile era from which the modern world emerged, and the spirit of research, of intellectual fever of the Renaissance, its enthusiasms and its aspirations.
'Backstory' investigates the highly skilled art of 'Rear Projection', a widely used tool in film making in the mid 20th century employed in films such as Alfred Hitchcock's Vertigo or Marnie. In 'Backstory' Lewis invites the Hansard family, which has been instrumental in the provision and development of Rear Projection for hundreds of Hollywood productions over several decades, to tell their own story of the heyday of the techniques and their decline and disappearance as the they are replaced by new technologies and new tastes in visibility.
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