(Rabha) is a Bedouin girl from a fanatical tribe. She meets by chance a young man from the city while he is on a hunting trip. Love grows between them and they agree to marry. However, her tribe does not approve of their daughter’s marriage to a non-Bedouin young man, and they decide to marry her to her cousin, so Rabha escapes from the tribe to her lover. On her wedding day, her lover, Nabil, decides to kidnap her and let her live with him despite the social difference.
Grodno, the eastern border of pre-war Poland. On September 1, 1939, German planes bomb the city. One of the bombs hits the school of Leoś, Ewelina and Tadek. Literally and symbolically, the world of a carefree childhood, fun and first crushes ends.
A war-torn grandmother, Lola Mame conceals her past from her tenacious and curious grandson Sen. He is persistent in uncovering his grandmother's past. He is motivated not only by academic recquirement but also his longing to puzzle a part of his identity. However, for Lola Mame, there is no secret kept forever. The past is a continuing present.
Based on the folk tales "Repayment from a crane". One snowy night a beautiful woman named Tsuru (Crane) visits poor peasant Taiju and says she will become his wife...
“Code of Tumas ” is an effort to show the well-known events and processes of history through the eyes of a direct person with a subjective and emotional look. Letters, publicism, all creations of Juozas Tumas Vaižgantas, also memories of his contemporaries make this reconstruction possible.
Four ribald short stories set in the Medieval age, each with a ribald bent. The tawdry tales involve a chastity belt, a man pretending to be deaf-mute to gain access to virgins in a convent school and an adulteress on death row who uses her charms to talk a magistrate out of her punishment.
This program provides, through 1st hand accounts & contemporary films & photographs, a rare insight into what really happened. Together with meticulously researched stories, it provides a unique analysis of the Gallipoli campaign, including never-seen before interviews with the last 10 Gallipoli Anzacs, rare film footage showing the beach & trenches at Gallipoli.
Thomas Cromwell has gone down in history as one of the most corrupt and manipulative ruffians ever to hold power in England. A chief minister who used his position to smash the Roman Catholic church in England and loot the monasteries for his own gain. A man who used torture to bring about the execution of the woman who had once been his friend and supporter - Anne Boleyn. Diarmaid MacCulloch, professor of the history of the church at Oxford University, reveals a very different image of Cromwell. He describes Cromwell as an evangelical reformer, determined to break the hierarchy of the Roman Catholic church and introduce the people of England to a new type of Christianity in which each individual makes direct contact with God.
Andrew Graham-Dixon investigates the story of the 20th century's greatest art forger, Han van Meegeren, who made millions during World War II selling fake Vermeers in Nazi-occupied Holland.
Kim Chang-su, who participated in the Donghak Movement, escapes to Manchuria after being chased by the Japanese army, finally making his way home. Angered by the assassination of Empress Myeong-seong, he murders a Japanese lieutenant and is sent to jail. He escapes from prison turns his focus on the democratic movement by teaching civilians and organizing Sinminheo (a democratic organization), even changing his name to 'Kim Gu.' After he is imprisoned again, he gets out on parole and goes to China, where he participates in establishing a provisional government from which he can direct the anti-Japanese struggle. Kim Gu goes on to play a part in Yun Bong-gil's deeds in Shanghai, the events at Hongkou Park, the encounter with Jiang Jish, and the establishment of the Korean National Army, and leads the struggle for Korea's independence with warm fraternal love and clear national spirit. When Korea is liberated in August 15, 1945, he returns back to his native land.
One hundred and twenty years of film history in a warehouse in Paris. In the reserves of the French Cinematheque, where thousands of cameras and projectors are sleeping on the shelves. Thousands of stationary machinery, we dream of getting back to work as a great machine back in time. To tell their story, the material history of cinema.
Made just before America would be forced into the Second World War, this short subject is a brief dramatized history of American democracy. It targets a perceived threat to democracy from board room and soapbox fascists who advocated a government based upon contemporaneous European models.
A documentary on how British double-dealing during the First World War ignited the conflict between Arab and Jew in the Middle East. The bitter struggle between Arab and Jew for control of the Holy Land has caused untold suffering in the Middle East for generations. It is often claimed that the crisis originated with Jewish emigration to Palestine and the foundation of the state of Israel. Yet the roots of the conflict are to be found much earlier – in British double-dealing during the First World War. This is a story of intrigue among rival empires; of misguided strategies; and of how conflicting promises to Arab and Jew created a legacy of bloodshed which determined the fate of the Middle East.
On the 3rd of August 1983, Prince played a benefit concert for the Minnesota Dance Theatre Company at First Avenue, Minneapolis. The concert was instigated by Loyce Houlton, artistic director of the long-time modern dance troupe. She had met Prince during the band's dance classes and asked him to play a benefit show. Prince's concert raise $23,000 for the financially beleaguered MDT dance company. The concert is generally regarded as one of the most excited shows he has ever played. The basic tracks of three songs from the concert were used on Purple Rain.
The seeming hopelessness of combatting an all-powerful government that will not tolerate political dissension is the focus of this excellent historical drama set in the mid-19th century in Hungary. In the opening scenes, Hungary has just lost its bid for independence from Austria and a Magyar officer, unable to bear the tragedy of defeat and what it means, says an affectionate good-bye to his beloved horse and then shoots the animal and himself. Two years later, Ferenc (Gyorgy Cserhalmi) is trying to eke out a living for his wife and her family -- and at the same time avoid any hint of sympathy for Hungarian independence because the Secret Police are everywhere. Just as life seems to be going well, Ferenc's former commanding officer (Lajos Oze) arrives and begins discussing revolution again -- a futile pursuit at this point in time. The next day, Ferenc is thrown into an insane asylum and everyone else is arrested as well.
In 1981, Susan Meiselas published "Nicaragua, June 1978 to July 1979," 70 photographs she took documenting the Sandanista revolution. Ten years later, Meiselas returns looking for the people who appear in the photographs: where are they now, what do they remember, what do they think of their country and of the revolution? She finds a woman who buried her husband when she was 14; she talks to those who fought the Guarda Nacional - some are disillusioned, some still have the fervor of revolution; she talks to mothers about their sons; she finds a Guarda member who became a Contra. And she offers her own reflections on time and history and on the moment and meaning of a photograph.
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