"21 Days" illustrates a love triangle starring Bete, her boyfriend, Jonas and Agatha, a childhood friend of Jonas. Told from three different points of view, the narrative was inspired by the songs "cardigan", "august" and "betty", from the album "folklore" by singer Taylor Swift.
Able to inspire wonder and awe in all who gazed upon them, The Seven Wonders of Ancient Rome - the Pantheon, the Aqueducts of Rome, the Via Appia, the Baths of Caracalla, Trajan's Markets, Circus Maximus and the Colosseum - were the works of great men who translated fantastic visions into the epitome of human achievement. These visionaries included ambitious Emperors like Hadrian and engineers with revolutionary ideas such as Apollodorus. By the second century AD, Rome had become the 'caput mundi' - the head of the world.
One of the doyennes of Hungarian film deals with a dark period of national history: the Soviet regime in Hungary. She portrays it through the fate of the former prime minister and national hero, Imre Nagy. The script is based on the diary written by Imre Nagy, and the memories of his daughter, Erzsébet Nagy, as well as authentic documents and records.
This provocative documentary utilizes archival news footage, documents and audio tapes to speculate on what President John F. Kennedy might have done in Vietnam if he had not been assassinated in 1963 and was reelected in 1964. Directed by Koji Masutani.
Passions erupt between a German hussar (Jean-Marc Barr) serving with King George III's personal cavalry and the only daughter of an English solicitor (Emma Fielding) in this period tearjerker adapted from a short story by Thomas Hardy. Longing to escape their own personal imprisonments -- he, his service to the king, and she, her engagement to a man she doesn't love -- they find solace in each other's arms.
An ongoing experiment, evolving from a biopic about Soviet physicist Lev Landau into a large scale project – part cinematic cycle, part behavioral experiment – involving hundreds of participants from around the world. Combining elements of film, theatre, science, psychology, architecture, visual arts and performance, it has created a complex and absorbing world that has to be lived as much as seen.
The authorities summon many young men for forced labor in the Suez Canal, so Metwally leaves his sister Shafiqa alone with their old grandfather, whereupon Shafiqa is forced to succumb to the temptations of Diab, the district chief's son. As their sinful relationship is revealed, she is forced to leave for Asyut, where she becomes the mistress of Al Tarabishi, the supplier of slaves.
The story of the rise to power of King Frederick II (aka "Frederick the Great") of Prussia of his military campaigns to make Prussia a major power in Europe.
Sensible Investing's landmark documentary contains interviews with some of the biggest names and brightest minds in the investment world. The aim is to provide ordinary investors with the information they need - and to challenge the industry to offer consumers a fairer deal.
It was called the Black Death, a disease that started in the 14th century, and swept across Europe wiping out half the population, one of the most lethal killers in human history. But the cause of the Black Death has eluded scientists. Now, Evolutionary biologist Hendrik Poinar embarks on an epic journey to solve the 600-year old mystery and change the way we fight infectious diseases today.
With an all-female cast, featuring Suzie Bright as John Lennon, Cecilia Dougherty's Grapefruit plays with the romanticized history of the iconic Fab Four, gently mocking John and Yoko’s banal squabbles and obsessive rituals of self-display. Based obliquely on Yoko Ono’s book, the piece works on many levels to reposition this mythic tale of the Beatles by casting '80s women in mod drag—effectively mapping the lesbian sub-culture onto heterosexual mass culture. Discounting the importance of reproducing facts and historical accuracy, Dougherty gives an incisive reading of the creation of pop culture icons: it doesn’t matter who plays John Lennon because ultimately John Lennon is not a person anymore. As a star, he is a projection of our society’s collective needs and desires.
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