In 1867, with Garibaldi's forces close to bringing Rome into the Italian kingdom, Monsignor Colombo da Priverno, a world-weary judge on the papal court, wants to resign, disgusted by the violence to which the papacy resorts to hold secular power.
Francisco Goya (1746-1828), deaf and ill, lives the last years of his life in voluntary exile in Bordeaux, a Liberal protesting the oppressive rule of Ferdinand VII. He's living with his much younger wife Leocadia and their daughter Rosario. He continues to paint at night, and in flashbacks stirred by conversations with his daughter, by awful headaches, and by the befuddlement of age, he relives key times in his life.
The true story of a part Aboriginal man who finds the pressure of adapting to white culture intolerable, and as a result snaps in a violent and horrific manner.
Oda Nobunaga (1534–1582) was a major daimyo during the Warring State period of Japanese history. He was the second son of Oda Nobuhide, a deputy military governor with land holdings in Owari province. Nobunaga lived a life of continuous military conquest, eventually conquering a third of Japanese daimyo before his death in 1582. Telling the story of his rise to prominence as he leads an army of 4,000 men against the 40,000 troops of Lord Imagawa Yoshimoto to prevent the arrogant daimyo from crushing the Oda clan and taking control of the entire nation. From a newly restored anamorpic widescreen print, this is the ultimate warlord movie.
Part one of a two-part biopic following French army officer Charles De Gaulle's life and political commitment between 1940 and 1945, and trace his development towards a political career.
Tsar Alexandre II meets a young student, Katia. He understands that he loves her and try to send her away but they end up seeing each other again and becomes his mistress. With the help of Katia, Alexandre prepares a liberal constitution, but these reforms make him hostile to the more privileged subjects without satirising the revolutionaries against the regime.
Cree matriarch Aline Spears survives a childhood in Canada’s residential school system to continue her family’s generational fight in the face of systemic starvation, racism, and sexual abuse. She uses her uncanny ability to understand and translate codes into working for a special division of the Canadian Air Force as a Cree code talker in World War II. The story unfolds over 100 years with a cumulative force that propels us into the future.
In the sixth and final episode Rentaro Mikuni steals the show as Baiken Shishido, Musashi's nemesis. Mikuni is the nominal villain of the film, but he is a devoted husband and father as well. He tries to kill Musashi only to avenge the death of his brother-in-law. While Baiken (who wields a chain and sickle against Musashi's sword) is a very human character and the emotions that Mikuni displays in his performance are quite believable and engaging
Witty narration follows the history of Versailles Palace; founded by Louis XIII, enlarged by autocratic Louis XIV, whose personal affairs and amours, and those of his two successors, are followed in more detail to the start of the Revolution, after which the story is brought rapidly up to date. A huge cast plays mainly historical persons who appear briefly.
Salem 1692. The young Abigail, seduced and abandoned by John Proctor, accuses John's wife of being a witch in revenge. A series of tragic trials soon befall Salem as fear and suspicion blur the lines of reality.
A story inspired by the largest single rescue mission of downed Allied airmen behind enemy lines in aviation history of all time, codenamed “The Halyard Mission”. This action took place in the summer of 1944. It was led by the Yugoslav Army in the Fatherland that was headed by General Dragoljub “Draža” Mihailović. It was at great cost and sacrifice that the Serbian people saved 508 American and other Allied countries’ airmen from certain death, sending them off to safety from the improvised airfield in the Serbian village of Pranjani, at the foot of Mt Suvobor.
Is American foreign policy dominated by the idea of military supremacy? Has the military become too important in American life? Jarecki's shrewd and intelligent polemic would seem to give an affirmative answer to each of these questions.
Beksiński is a gentle man with arachnophobia, despite his hardcore sexual fantasies and his fondness for painting disturbing dystopian works. Beksiński is a family man who wants only the best for his loving wife Zofia, neurotic son Tomasz and the couple's aging mothers. His daily painting to classical music eventually pays off and he makes a name for himself in contemporary art. Good Catholic woman Zofia tries to hold the family together, but troubled son Tomasz proves to be a handful with his violent outbursts and suicidal threats. Their relief is brief when he starts dating women and becomes a radio presenter and movie translator, and the concerned parents must be on constant watch to prevent their son from hurting himself. But Beksiński never believed that family life would always be sunshine and rainbows. As he tapes everything with his beloved camcorder, the 28-year Beksiński saga unfolds through paintings, near-death experiences, dance music trends and funerals...
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